Items Similar to Soirée d'été (Summer Evening)
Want more images or videos?
Request additional images or videos from the seller
1 of 11
James Jacques Joseph TissotSoirée d'été (Summer Evening)1881-2
1881-2
About the Item
Soirée d'été (Summer Evening)
Etching & drypoint, 1881
Signed and dated in the plate lower left corner
Edition: c. 100 in both states; plate canceled
Tissot's lover, Irish divorcee Mrs. Kathleen Newton, resting on a chaise.
Brilliant impression full of rich inking and burr. Bright snappy contrasts.
Provenance:
Christopher Wood Gallery, London (label verso)
References And Exhibitions:
References: Henri Beraldi, Les Graveurs du XIX Siecle (Paris: 1885), 47
Michael Justin Wentworth, James Tissot: Catalogue Raisonne of His Prints (Minneapolis, MN:
Minneapolis Institute of Arts, 1978), 56 ii/II
Christopher Wood, Tissot: The Life and Work of Jacques Joseph Tissot, 1836-1902 (London: Weidenfeld and Nicolson, 1986), p. 120
Tissot's lover, Irish divorcee Mrs. Kathleen Newton, resting on a chaise.
Sheet: 9-5/8 x 16-1/8" (24.5 x 41 cm.) [Sheet dimensions are sight size];
Plate: 9 x 15-3/4" (23 x 39.9 cm.)
Frame: 18-1/4 x 23-3/4" (46.5 x 60.4 cm.)
There is also a painting version of this image. Please see attached photo.
- Creator:James Jacques Joseph Tissot (1836-1902, French)
- Creation Year:1881-2
- Dimensions:Height: 9.63 in (24.47 cm)Width: 16.13 in (40.98 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
James Jacques Joseph Tissot
Jacques Joseph Tissot (French: [tiso]; 15 October 1836 – 8 August 1902), Anglicized as James Tissot (), was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and figures from the Bible.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
716 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- J. Becquet, SculptorBy James Abbott McNeill WhistlerLocated in Fairlawn, OHJ. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on this Japanese tissue Rich impression Condition: Excellent Plate/Image size: 9 7/8 x 7...Category
19th Century Impressionist Portrait Prints
MaterialsDrypoint, Etching
- MerieannaBy Almery Lobel-RicheLocated in Fairlawn, OHMerieanna Etching and aquatint, c. 1900 Signed by the artist in pencil lower right Titled in pencil lower right corner of sheet Annotated "4" lower left below image Publisher's dryst...Category
Early 1900s Impressionist Prints and Multiples
MaterialsAquatint
- BertheBy James Jacques Joseph TissotLocated in Fairlawn, OHBerthe Etching with drypoint, 1883 Signed in the plate (see photo) This etching was inspired by an 1882/3 pastel which the artist included in his ambitious "Femme a Paris" exhibition at Galerie Sedelmeyer, Paris, in 1885. Reference: Beraldi 65 Wentworth 74, published state Tissot 76 Condition: Excellent Plate/Image size: 14 1/4 x 11 inches Sheet size: 19 1/2 x 15 inches Frame size: 23-1/2 x 20-1/4 inches Donald Morris Gallery, Birmingham, Michigan (Morris had a distinguished collection of Tissot prints...Category
1880s Impressionist Portrait Prints
MaterialsEtching
- L'Infante Marguerite (D'Après Velasquez)By Édouard ManetLocated in Fairlawn, OHL'Infante Marguerite (D'Après Velasquez) after a Manet painting in the collection of the Louvre, Paris (see photo) Etching, 1862-1864 Unsigned (as usual) A posthumous impression from...Category
1860s Impressionist Portrait Prints
MaterialsEtching
- Mademoiselle SablonBy Albert de BellerocheLocated in Fairlawn, OHMademoiselle Sablon Lithograph, 1907 Unsigned Provenance: estate of the artist Reference: Belleroche No. 383 Edition: c. 15 Condition: excellent Image size: 18 1/2 x 19 inches Sheet size: 24 1/4 x 18 1/2 inches Albert Gustavus de Belleroche, also known as Albert Belleroche, (22 October 1864 – 14 July 1944) was a Welsh-born painter and lithographer, who lived most of his childhood and his adulthood in Paris and England. He began as a painter, but at the turn of the century focused on lithography, for which he is most well-known. He was awarded the Chevalier de l’Ordre de Leopold by King Albert I of Belgium in 1933. Early life Albert de Belleroche, Lithograph of the artist's mother, Mrs. Harry Vane Milbank, circa 1900 Albert Gustavus De Belleroche was born on 22 October 1864 in Swansea. His parents were Brusseler Alice and Edward Charles, the Marquis de Belleroche, who died when he was three years old. His mother was the daughter of Desire Baruch. In March 1871, she married Harry Vane Millbank, the son of MP Frederick Milbank. He grew up in Paris and London and he used the surname Milbank until he was 30 years of age. He attained the title of count from his father's family of French Huguenot ancestry. Career and personal life La Danseuse (model Lili Grenier), circa 1890 In 1882, Belleroche studied briefly at Carolus-Duran's art school in Paris, preferring to study the masters like Johannes Vermeer and Sandro Botticelli at museums. He was a friend and studio-mate of John Singer Sargent in Paris and London, with the men making many sketches and paintings of each other. Some of the works that Sargent made of Belleroche are suggestive of an emotional relationship between the men and Belleroche may have been the love of Sargent's life. Dorothy Moss, an art historian, states "Sargent's portraits of Belleroche, in their sensuality and intensity of emotion, push the boundaries of what was considered appropriate interaction between men at this period." Belleroche was financially independent and did not need or desire to obtain work through commissions. Instead, he chose who he would paint, which included Japanese wrestler...Category
Early 1900s Impressionist Portrait Prints
MaterialsLithograph
- Portrait of a Man Facing LeftBy William Merritt ChaseLocated in Fairlawn, OHPortrait of a Man Facing Left Monotype printed in brown ink, c. 1880-1914 Signed in ink lower left: Chase (see photo) Provenance: Helen Chase Storm (the artist's daughter) Jackson Chase Storm (her son) Chapellier Galleries (as agent) James Bergquist, Boston References And Exhibitions: Exhibited at the Museum of Fine Arts, Boston and the Clark Art Institute, Williamstown, MA. (See MFA paperwork in photos) Reference: Ronald G. Pisano, Completed by D. Frederick Baker and Carolyn K. Lane, William Merritt Chase: Still Lifes, Interiors, Figures, Copies of Old Masters, and Drawings, Catalogue Raisonne, Vol. IV (New Haven and London: Yale University Press, 2010), Vol. 1, M. 8. (See photos of entry) William Merritt Chase (1840-2016) Born in Nineveh, Indiana Died New York, New York In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn...Category
1890s Impressionist Portrait Prints
MaterialsMonoprint
You May Also Like
- L'Italienne after Modigliani, Aquatint Etching by Jacques VillonBy Jacques VillonLocated in Long Island City, NYArtist: Jacques Villon (after Amadeo Modigliani) Title: L'Italienne Year: 1926 - 1927 Medium: Color aquatint etching, signed Modigliani in the plate; signed in pencil by Villon uppe...Category
1920s Impressionist Portrait Prints
MaterialsAquatint, Etching
- Frontispiece, from: Fifty Drawings - French Impressionism PortraitBy Henri MatisseLocated in London, GBThis original etching is hand signed in black ink by the artist "Henri Matisse" at the lower right margin. The work is from the edition of 1,000 published alongside 50 reproductions...Category
1950s Impressionist Portrait Prints
MaterialsEtching
- Spanish Guitar Player - Original etching - Ed. Durand Ruel, 1873By Édouard ManetLocated in Paris, FREdouard MANET (after) Spanish Guitar Player, 1873 Original Etching Engraved by Courtry under the supervision of MANET Printed signature in the plate ...Category
1870s Impressionist Portrait Prints
MaterialsEtching
- Gulli I /// Impressionist Anders Zorn Swedish Etching Antique Girl Face PortraitBy Anders ZornLocated in Saint Augustine, FLArtist: Anders Zorn (Swedish, 1860-1920) Title: "Gulli I" Series: Gulli *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower right Year: 1914 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 265; Hjert & Hjert No. 162 Sheet size (irregular margins): 12.88" x 10.13" Image size: 5.13" x 3.5" Condition: Faint UV stain. Minor toning to sheet and minor paper loss at bottom center margin. It is otherwise a strong impression in excellent condition Very rare Notes: Provenance: private collection - Santa Fe, NM. Fleur-de-lis shield (Van Gelder Zonen) watermark at left center margin. Pencil inscribed "Gulli No. 1" lower right in margin. Retains old paperwork from previous framing. Biography: Anders Leonard Zorn...Category
1910s Impressionist Portrait Prints
MaterialsEtching, Laid Paper, Intaglio
- Molly /// Antique Victorian Etching Portrait Figurative British Children ChildBy Sidney TushinghamLocated in Saint Augustine, FLArtist: Sidney Tushingham (English, 1884-1968) Title: "Molly" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) upper right Cir...Category
1910s Impressionist Portrait Prints
MaterialsEtching, Intaglio, Drypoint, Laid Paper
- Peggy /// Antique Victorian Etching Portrait Figurative British Children ChildBy Sidney TushinghamLocated in Saint Augustine, FLArtist: Sidney Tushingham (English, 1884-1968) Title: "Peggy" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) lower right Cir...Category
1910s Impressionist Portrait Prints
MaterialsEtching, Intaglio, Drypoint, Laid Paper