Items Similar to Jews in the Synagogue
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Rembrandt van RijnJews in the Synagogue1648
1648
About the Item
Bartsch 126; Hind 234; Nowell-Usticke 304 v/VII. Signed and dated in the plate above the shoulder of the second man from the left (obscured by diagonal shading): "Rembrandt f. / 1648". With collector's marks verso of K.F. Nagler (Lugt 2529), and the Berlin Print Room (Lugt 1606 and Lugt 2398).
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:1648
- Dimensions:Height: 13 in (33.02 cm)Width: 15.25 in (38.74 cm)Depth: 0.5 in (1.27 cm)
- More Editions & Sizes:unknownPrice: $18,500
- Medium:
- Movement & Style:
- Period:
- Condition:Printed on laid paper. A fine, crisp and clear impression in fine condition, with 1/8 inch margins on all sides. With very minimal hinge and adhesive residue verso.
- Gallery Location:Boston, MA
- Reference Number:1stDibs: LU397312365182
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1937
1stDibs seller since 2016
37 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Boston, MA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Jan Uytenbogaert, The GoldweigherBy Rembrandt van RijnLocated in Boston, MABartsch 281, Hind 167 iii/III, Nowell-Usticke 281, iii/III. A fine impression, with burr, as retouched by Baillie in 1792. With an unidentified collectors stamp, verso.Category
17th Century Old Masters Figurative Prints
MaterialsDrypoint, Etching
- Gateway to MemoryBy Ruth EcksteinLocated in Boston, MARuth Eckstein (1916-2011), "Gateway to Memory". Number 10 in an edition of 30. Titled, dated, and signed in pencil lower left margin: "Gateway to Memory 10/30 / Ruth Eckstein." From ...Category
Mid-20th Century Abstract Abstract Prints
MaterialsEtching
- Sous la Tente, Sur la Plage, BionvilleBy Jacques VillonLocated in Boston, MAJacques Villon, American (1875-1963), Sous la Tente, Sur la Plage, Bionville, circa 1905. Ginestet Pouillon 137. Trial proof in color outside of the edition of 50. With blindstamp in...Category
Early 1900s Impressionist Figurative Prints
MaterialsAquatint
- Les HaleursBy Jacques VillonLocated in Boston, MAGinestet Pouillon E332, iv/IV. Number 31 in an edition of 50. Numbered in pencil lower left margin: '31/50'; signed in pencil lower right margin: 'Jacques Villon'. Signed and dated i...Category
1930s Cubist Figurative Prints
MaterialsDrypoint, Etching
- Man and Fridge IIBy Sara ZielinskiLocated in Boston, MASigned and dated in pencil lower right: "Sara Zielinski 2016". A fine impression in fine condition.Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsMonotype
- Lounging MosesBy Sara ZielinskiLocated in Boston, MASigned and dated in pencil lower right: "Sara Zielinski 2016". A fine impression in fine condition.Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsMonotype
You May Also Like
- Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran MoleBy Giovanni Battista PiranesiLocated in Alamo, CA"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...Category
1760s Old Masters Figurative Prints
MaterialsEtching
- The So-Called Tempio della Tosse, Near Tivoli. Interior UprightBy Giovanni Battista PiranesiLocated in Fairlawn, OHThe So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma...Category
1760s Old Masters Interior Prints
MaterialsEtching
- The Peasant Settling His DebtBy Adriaen van OstadeLocated in Middletown, NYEtching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed inside the platemark. Adhesive residue at the top right and left corners, and archival ...Category
17th Century Old Masters Interior Prints
MaterialsEtching
- Church of St. Costanza, Rome: An 18th Century Piranesi Architectural EtchingBy Giovanni Battista PiranesiLocated in Alamo, CAThis is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...Category
1770s Old Masters Interior Prints
MaterialsEtching
- S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)By Giovanni Battista PiranesiLocated in Fairlawn, OHS. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura) Etching, 1748 From: Vedute di Roma, Plate 8 An early Roman printing, published by Bouchard e Gravier Watermark: Fleur de Lys in a double circle Signed in the plate Condition: Small margins as are common with Bouchard published impressions. Centerfold (as usual) Rich impression with good contrasts Plate/Image size: 15 7/8 x 24 1/8 inches Sheet size: 17 3/8 x 24 3/4 inches Reference: Focillon 723 Wilton-Ely 138 Hind 6 ii/VI, Bouchard e Gravier printing, before the price and numbers in later states This image is Piranesi’s second interior scene from the Vedute di Roma. The first interior is a less complex composition of the Interior of St. Peters which lacks the challenging perspective that the artist masters in this image. The Papal Basilica of St. Paul Outside the Walls...Category
1740s Old Masters Interior Prints
MaterialsEtching
- (PHILOSOPHER READING)By Ferdinand BolLocated in Santa Monica, CACircle of or a follower of Ferdinand Bol - (1616-1680) (PHILOSOPHER READING) ca 1700 Etching on thin laid paper attached to support sheet at the top sh...Category
18th Century Old Masters Figurative Prints
MaterialsEtching
Recently Viewed
View AllMore Ways To Browse
Antique Print Room
Signed Rembrandt
Framed Print Shoulder
17th Century Old Master Etching
Rembrandt 17th Century
Antique Jew
Picasso Plates Signed
Nature Etching
Italian Lithographs Rome
Vintage Printed Mirror
Dior Vintage Signature
Picasso Lithograph Hand
Tin Can
Tin Cans
German Print Early 20th Century
Germany Prints Early 20th Century
Ancient Roman Print
Botanical Flower Prints