Robert RauschenbergPre-Morocco, 1983 (Eight by Eight)1983
1983
About the Item
- Creator:Robert Rauschenberg (1925 - 2008, American)
- Creation Year:1983
- Dimensions:Height: 55.5 in (140.97 cm)Width: 43.25 in (109.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Generally excellent condition with some minor handling dents.
- Gallery Location:Greenwich, CT
- Reference Number:
Robert Rauschenberg
Robert Rauschenberg was one of the preeminent American artists of the 20th century, occupying a singular position that straddled the Abstract Expressionist and Pop art movements, drawing on key elements of each. An artistic polymath equally adept at painting, collage and silkscreening, Rauschenberg is best known for for the complex assemblages of found objects he termed “combines.”
Rauschenberg was born in Port Arthur, Texas, in 1925. He first began to seriously consider a career in art in 1947, while serving in the U.S. Marines. After leaving the service, he briefly studied art in Paris with support from the G.I. Bill, then moved to North Carolina to attend Black Mountain College, home to a flourishing cross-disciplinary art community. Among his peers there were choreographer Merce Cunningham and composer John Cage, both of whom became friends and artistic collaborators.
Relocating to New York in the mid-1950s, Rauschenberg was initially put off by what he perceived as the self-seriousness of the adherents of Abstract Expressionism, then the dominant movement in the New York art world. Like Andy Warhol and Roy Lichtenstein, Rauschenberg was drawn to the visual landscape of popular culture and mined its imagery for inspiration. He used unorthodox materials like house paint and tried novel techniques in his studio like running paper over with a car whose wheels he had inked. Shortly after his inaugural solo exhibition at Leo Castelli Gallery, which featured paintings and drawings, he pivoted to a new format, creating his first found-object combines, which became his signature. The most famous of these is the 1959 Monogram in which a taxidermied goat is surrounded by a car tire, recalling the way a person’s initials are interwoven in the design referred to by the title.
Later in the 1960s, Rauschenberg turned his attention to silkscreening, creating prints that feature iconic figures of the day, very much in line with the style and content of Pop art. One such work, 1965's Core, which was created to commemorate the Congress of Racial Equality, combines photographs of President Kennedy, an unidentified Native American man, and a statue of a Civil War soldier with images of highways, amusement parks, street signs, and other features of the built environment. A circular color-test wheel sits at the composition’s formal core, reflecting the work’s commentary on race and ethnicity.
Throughout the 1960s and ‘70s, Rauschenberg experimented with printing on unusual materials, such as Plexiglas, clothing and aluminum. Venturing even further afield, he created performance works, such as his 1963 choreographed piece “Pelican” and the 1966 film Open Score. In 1998, the Guggenheim Museum presented a large and comprehensive retrospective of Rauschenberg’s work, highlighting his influence on American art in the second half of the 20th century.
Find original Robert Rauschenberg art for sale on 1stDibs.
- ShippingRetrieving quote...Ships From: Las Vegas, NV
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Caucus (Leo Castelli 90th Birthday Portfolio), 1997By Robert RauschenbergLocated in Greenwich, CTCaucus is an offset lithograph on paper with an image size of 37 x 27 inches, framed in a contemporary, silver-tone frame 50.5 x 40.25 inches. From the edition of 190 - the art is si...Category
20th Century Pop Art Prints and Multiples
MaterialsPaper, Lithograph
- SexBy Ed RuschaLocated in Greenwich, CTSex is a lithograph on paper, image size 28 x 35.5 inches, signed 'Ruscha' lower right and annotated 20/30 lower left, framed in a contemporary wood frame. From the edition of 33, n...Category
20th Century Pop Art Prints and Multiples
MaterialsLithograph, Paper
- Free South Africa, 1985 (#2)By Keith HaringLocated in Greenwich, CTThe Free South Africa series deftly addresses the nature of South Africa's apartheid regime in Haring's unique and succinct visual language. Signed, dated, and numbered lower right e...Category
1980s Pop Art Prints and Multiples
MaterialsLithograph, Paper
- Mirror #9 (C.114, Mirror Series), 1972By Roy LichtensteinLocated in Greenwich, CTMirror #9 (C.114) from the Mirror Series is a screenprint and lithograph on paper, 30 x 21.18 inches, signed and dated 'rf Lichtenstein '72' lower center margin and framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114. About Lichtenstein’s Mirror Series (taken from Corlett): Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66). This Gemini group (catalog nos. 1-6 - 114) utilizes lithography, screenprint, line-cut, and embossing... In an interview with Lawrence Alloway, Lichtenstein noted: “You know, I am always impressed by how artificial things look – like descriptions of office furniture in newspapers. It is the most dry kind of drawing, as in the Mirrors. They really only look like mirrors if someone tells you they do. Only once you know that, they may be moved as far as possible from realism, but you want it to be taken for realism. It becomes as stylized as you can get away with, in an ordinary sense, not stylish.” As Jack Cowart has commented: “One would not actually stand in front of a Lichtenstein Mirror...Category
20th Century Pop Art Prints and Multiples
MaterialsLithograph, Screen
- Mirror #7 (C.112), 1972By Roy LichtensteinLocated in Greenwich, CTMirror #7 (C.112) is a screenprint and lithograph on paper, 29.75 x 17.37 inches, signed and dated 'rf Lichtenstein '72' lower right and numbered 62/80 lower left. From the edition of 96 (there were also 10 AP, and 6 other various proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.125, #112. About Lichtenstein’s Mirror...Category
20th Century Pop Art Prints and Multiples
MaterialsLithograph, Screen
- Twin Mirrors (C.102), 1970By Roy LichtensteinLocated in Greenwich, CTTwin Mirrors (C.102) is a screenprint on paper created for the Guggenheim Museum in 1970, 35 x 21 inches image size, signed and dated 'rf Lichtenstein '70' lower right and numbered 94/250 lower left (from the edition of 250 plus an unknown number of artist proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.118, #102. About Lichtenstein’s Mirror...Category
20th Century Pop Art Prints and Multiples
MaterialsPaper, Screen
- LITHO/LITHOBy Roy LichtensteinLocated in Aventura, FLHand signed, dated and numbered by the artist. Lithograph in colors on Special Arjomari with the Gemini G.E.L. blindstamps, Los Angeles. Sheet size 35 x 48 in. Image size 28.25 x 43....Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Paper
- NOTES (KASSEL)By Claes OldenburgLocated in Aventura, FLHand signed and numbered by the artist. Edition of 100. Sheet size 23 x 15 in. Framed. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable of...Category
1960s Pop Art Figurative Prints
MaterialsPaper, Lithograph
- Keith Haring Crack Down! 1986 (vintage program)By Keith HaringLocated in NEW YORK, NYKeith Haring crack down! 1986: Vintage original 1986 Keith Haring illustrated Crack Down! benefit program. This folding pamphlet was designed & illustrated by Keith Haring (along with a poster of same), for the 1986 "Crackdown on Crack" concert at New York City’s world...Category
1980s Pop Art Figurative Prints
MaterialsPaper, Lithograph
- Keith Haring Paradise Garage Exhibit Poster 'Keith Haring Jeffrey Deitch'By Keith HaringLocated in NEW YORK, NYRare vintage Keith Haring exhibition poster published on the occasion of: ‘Paradise Garage: Keith Haring and Music, December 14, 2000-February 10, 2001, Deitch Projects, 18 Wooster ...Category
1980s Pop Art Figurative Prints
MaterialsPaper, Lithograph, Offset
- Wrapped Magazines (Revues Empaquetees), Hand Signed postcard of Marilyn MonroeBy Christo and Jeanne-ClaudeLocated in New York, NYChristo Wrapped Magazines (Revues Empaquetees), Hand Signed, 1991 Offset lithograph postcard (hand signed by Christo) 5 4/5 × 4 1/5 inches Signed in ink by Christo on the image Unfra...Category
1990s Pop Art Abstract Prints
MaterialsOffset, Ink, Postcard, Lithograph
- Reflections on CrashBy Roy LichtensteinLocated in New York, NY1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower marginCategory
1990s Pop Art Abstract Prints
MaterialsPaper, Lithograph, Screen