Roberto MattaArcher, from Transports
About the Item
- Creator:Roberto Matta (1911-2002, Chilean)
- Dimensions:Height: 18 in (45.72 cm)Width: 23 in (58.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This piece is in excellent condition.
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU538310188602
Roberto Matta
“The function of art,” the Surrealist Roberto Matta once stated, “is to unveil the enormous economic, cultural and emotional forces that materially interact in our lives and that constitute the real space in which we live.” In his paintings, Matta sought to expose those forces through the Surrealist practice of automatism, creating work in a free-associative state intended to conjure the unconscious.
After studying architecture in his native Chile, Matta, then 22, chose to pursue the field in Paris, where he mingled with stars of the avant-garde like Gertrude Stein, Salvador Dalí and Walter Gropius. In the late 1930s, he abandoned Paris, together with his job at Le Corbusier’s studio and (for a time) his career, for modern art’s new epicenter, New York City. There, he became a colleague of art legends like Marcel Duchamp and Arshile Gorky.
Although celebrated primarily for his work as a painter, Matta was an equally talented furniture designer. His furniture pieces, like his artworks, are the stuff of dreams. The back of his totem chair, for example, is composed of smiling, cartoonish creatures stacked on top of each other. In his MAgriTTA armchair, the top half of a plush green apple sticks out of large black bowler in homage to its namesake, the Belgian Surrealist René Magritte.
But perhaps the piece that most truly embodies his artistic philosophy is his 1966 Mallite modular system: a collection of spongy, undulating sofas and lounges that can be fitted together to form a puzzle-like room divider. The work, an original edition of which is in MoMA’s permanent collection, has in recent decades been a hard-to-find collectors’ item — until 2019, when Italian design brand Paradisoterrestre issued a reedition, available through Duplex.
Browse Roberto Matta's paintings and furniture designs on 1stDibs.
- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Tristan Et Iseult - Tristan WoundedBy Salvador DalíLocated in Miami, FLTECHNICAL INFORMATION Salvador Dali Tristan Et Iseult - Tristan Wounded 1970 Etching Aquatint 18 x 12 1/2 in. Edition of 125 Pencil signed & n...Category
1970s Surrealist Prints and Multiples
MaterialsAquatint, Etching
- Hours of the Day series, 10pmBy Roberto MattaLocated in Miami, FLTECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 10pm 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.Category
1970s Surrealist Prints and Multiples
MaterialsAquatint, Etching
- Hours of the Day series, 8pmBy Roberto MattaLocated in Miami, FLTECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 8pm 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.Category
1970s Surrealist Prints and Multiples
MaterialsEtching, Aquatint
- Hours of the Day Series, 8amBy Roberto MattaLocated in Miami, FLTECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 8am 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.Category
1970s Surrealist Prints and Multiples
MaterialsAquatint, Etching
- Masque De La MortBy Salvador DalíLocated in Miami, FLTECHNICAL INFORMATION: Salvador Dali Masque De La Mort 1975 Etching Aquatint 26 x 19 3/4 in. Edition of 240 Pencil signed and numbered; certified authentic by Frank Hunter of the Sa...Category
1970s Surrealist Figurative Prints
MaterialsAquatint, Etching
- Tristan Et Iseult - The Giant BeliagogBy Salvador DalíLocated in Miami, FLTECHNICAL INFORMATION Salvador Dali Tristan Et Iseult - The Giant Beliagog 1970 Etching Aquatint 18 x 12 1/2 in. Edition of 125 Pencil signed &...Category
1970s Surrealist Prints and Multiples
MaterialsAquatint, Etching
- Don Quijote : Off to Battle - Original etching, Handsigned (Field #80-1L)By Salvador DalíLocated in Paris, FRSalvador DALI (1904-1989) Don Quijote : Off to Battle, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authentic...Category
1970s Surrealist Portrait Prints
MaterialsEtching, Aquatint
- Don Quijote : Lady Dulcinea - Original etching, Handsigned (Field #80-1B)By Salvador DalíLocated in Paris, FRSalvador DALI (1904-1989) Don Quijote : Lady Dulcinea, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authentic...Category
1970s Surrealist Portrait Prints
MaterialsEtching, Aquatint
- Don Quijote : The Legacy - Original etching, Handsigned (Field #80-1N)By Salvador DalíLocated in Paris, FRSalvador DALI (1904-1989) Don Quijote : The Legacy, 1980 Original etching with aquatint Hansigned in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (c. 30 x 22 in) Authenticate...Category
1970s Surrealist Portrait Prints
MaterialsEtching, Aquatint
- Spanish Artist Santi Moix Aquatint Etching Ed 2/3 Surrealist Abstract SymbolsBy Santi MoixLocated in Surfside, FLMoix, Santi (Spanish, b. 1960), Figural Abstraction, hybrid print with etching and aquatint, 23.5 x 16.75 inches, pencil signed and numbered 2/3. Santi Moix (Barcelona, 1960) lives ...Category
20th Century Surrealist Abstract Prints
MaterialsEtching, Aquatint
- "Untitled"By Nahum TschacbasovLocated in Southampton, NYOriginal engraving, aquatint, intaglio on archival paper. Signed and dated lower right, 1947. Artist proof. Condition: Good. Provenance: Estate of the artist. Image size 6.75 by 5...Category
1940s Surrealist Figurative Prints
MaterialsArchival Paper, Engraving, Aquatint, Intaglio
- Ernst Fuchs Sphinx Mystagoga Surreal Color Etching Vienna Fantastic Realism 1967By Ernst FuchsLocated in Meinisberg, CHErnst Fuchs (Austrian, 1930 - 2015) The Sphinx Mystagogo Sheet Nr. 6 from the Folio “Die Sieben Bilder und Sprüche der Sphinx”, published in Autumn of 1967 by Galerie Sydow in Frankfurt, Germany. • Aquatint Etching • Ed. 79/99 • Sheet ca. 59 x 41.5 cm • Plate signed • Signed & numbered by the artist in pencil Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. I discovered him through H.R. Giger ‘s work, who himself was greatly inspired by the creations of Fuchs and on several occasions exhibited his friend ‘s art in his museum, the Château St-Germain, Gruyères, Switzerland. I actually own the original folio box...Category
1960s Surrealist Abstract Prints
MaterialsPaper, Ink, Aquatint, Etching