Koji Takei

Reach

2001

Creating sculptures of exquisite peculiarity is an art in which Takei excels. His elegantly crafted works embody the notion of the whimsical, contradictory and idiosyncratic. There is an immediately detectable sense of humor and quick wit about the sculptures in this exhibition. Beyond playfulness, however, Takei’s aim is to challenge the viewer to alter the way in which they look at reality. Taking cues from the Surrealists of the early 20th century, Takei transforms the mundane into the fantastic - and sometimes absurd. His work is a constant inquiry into the meaning of functionality and the perception of purpose. Much like Man Ray’s iconic readymade sculpture, The Gift (1921), and Meret Oppenheim’s infamous fur-covered teacup (Object, 1936), Takei recontextualizes those pragmatic objects that we immediately recognize. With his piece Soft Shoulders (2011), Takei deconstructs a wooden clothes hanger...

As much as Takei’s pieces are Cubist in nature there is also an unmistakable Asian influence in the working method of the Japanese native. A quiet solidarity and respect for the individual parts set the pieces apart from the noisy commentary that Cubism often invokes. Takei’s pieces are minimal in nature, but powerful in presence and seem to reference the interlocking sculptures...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

RED BLACK BRILLO Acrylic on canvas with leather and brass fittings over wood. 17 x 17 x 14" (43.18 x 43.18 x 35.56 cm.) 2019 The sculpture was recently featured in the Elle Decor Art Issue and one of the artist's most iconic works. The series Lutz refers to as "Luxury Sculptures" are based on the forms of Louis Vuitton trunks in combination with the box sculptures of Andy Warhol. Lutz began this series in 2008. The works aim to create a feedback loop. Where Warhol elevated consumer products like Brillo and Heinz Ketchup...

Miller Opie’s “Twisting Reverie” is a gestural 23 x 5.75 x 5.75 inch Mountain Laurel wood sculpture with found feather details embedded into the wooden gra...

"Havabanana / Sleep (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measur...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements create in their works of art. They are driven by the optical and physical sensation materials become on their unique canvasses. Projected shadows upon their work are also an important factor, this effect is generated in these two works with a 3D abstract placement of the main elements. It´s unique and neutral colors are also very easy to combine in any surrounding. Mexican Contemporary Art Modern Elegant Wall art...

With the distinctive medium of nail polish on glass, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. Her glass panel sculptures play ...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the globa...