Sergii Shaulis

"The man without a rod B" Bronze Sculpture by Sergii Shaulis

2016

"Love of Horses" Bronze and Marble sculpture 16" x 7" in by Ibrahim Abd Elmalak Love of Horses, 2000 Bronze & Marble (Double Face) 40 x 18 cm, Signed & Dated Sculptures that mostl...

"Entropy" Bronze sculpture 22" x 9" inch by Ibrahim Abd Elmalak Entropy, 2005 Bronze & Marble Signed & Dated Sculptures that mostly depict his ...

"Equine Spirit II" Bronze sculpture 23" x 14.5" inch by Ibrahim Abd Elmalak Equine Spirit II, 1997 Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic...

"Grecian Stallion I" Bronze sculpture 24" x 11" inch by Ibrahim Abd Elmalak Grecian Stallion I, 2007 Bronze & Marble Signed & Dated Sculptures that mostly depict his characterist...

"Gloria" Bronze and Marble sculpture 27" x 11" in by Ibrahim Abd Elmalak Gloria, 2007 Bronze & Marble 68 x 27 cm, Signed & Dated Sculptures that mostly depict his characteristic ...

"Metamorphosis" Bronze and Marble sculpture 22" x 6" in by Ibrahim Abd Elmalak Songbird, 2004 Bronze & Marble 56 x 16 cm, Signed & Dated Sculptures that mostly depict his charact...

Bronze sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the classic organic forms and human figures. Raúl Valdiveso was born September 9, 1931 in Santiago, Chile. In 1952 he began his studies at the School of Fine Arts at the University of Chile. There he took to sculpture and studied under professors like Marta Colvin...

Beautiful abstract sculpture depicting a guitar player. Bronze on wood base measuring 15 x 9 x 4 inches. Actual cast piece without base measuring 17 x 7 x 3 inches. Signed indistinct...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

Signed and dated 1952 and numbered 3/10 on the back. This sculpture was included in a 1966 exhibition of Nakian's work at the Museum of Modern Art, NYC. Reuben Nakian, born August ...

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...