Stenopterygius Quadriscissus

2019

The Nautilus shell is an excellent example of mathematics inherent within lifeforms of the natural world. As Davies consistently uses the 'golden ratio' (1:1.618) to proportion his work, he thought it important to exemplify this in his subject matter. The Fibonacci sequence (where each number is the sum of the two preceding numbers) and the logarithmic spiral are also inherent here. The bronze shell is mounted on a black granite base in a way that creates an optical illusion suggesting it is levitating above the base. This bronze Nautilus...

Sinosaurusopterx Prima

Borzois or Russian wolfhounds originated in the 17th century and were bred and prized by the Russian aristocracy for their elegance and beauty. Davies has depicted this pair exhibiti...

Xiphactinus (higher classification Ichthyodectidae) lived during the late Cretaceous period 90 - 65 million years ago.It was a predatory fish weighing approximately 1000lbs and measu...

This trilobite fossil was delicately hand carved in herculite (a fine casting plaster). These marine arthropods first appeared around 521 million years ago living in the Cambrian per...

Always greatly fascinated and sculpturally inspired by a simple yet geometrically complex snail shell. I moulded an actual shell and modelled the base. However the technical difficul...

A fine patinated bronze sculpture of a mother elephant with her baby elephant by Niels Holm (1860-1933). Signed NIELS HOLM, ELEPHASINDICUS, ENDANGER. Also signed L. RASMUSSEN, KOBENH...

#garden #sculpture #contempraryart #decoration #outdoors #bronze #nature #acorn This large bronze sculpture is a contemporary art piece which can also serve as art for the garden or outdoors. María José de...

An amazing bronze cast of a little 19th-century boy. The quality of the piece is outstanding, as is the color and patination. There is little known about the painter other than he wo...

Jessica Carroll sa interpretare il mondo delle api con eleganza, originalità e armonia. Le sue sculture in ceramica, oro e bronzo dedicate agli alveari hanno la perfezione della form...

Broken limbs and the abstraction of the bodies are meant to suggest that the works have been subjected to the vicissitudes of time, decay by the elements and the damages caused by un...

A large late 19th century bronze figure of a recumbent greyhound after French animalier sculptor Christophe Fratin (1801-1864), with a warm brown patina on a rouge griotte marble base. Signed 'FRATIN' on collar. Bronze length: 37cm Base length: 41cm Bronze height: 18cm Total height: 22cm Christophe Fratin was born in Metz in France in 1801. He first studied sculpture under Pioche in Metz under whom he honed his technical skills. He then became a pupil of the painter Theodore Gericault in Paris where he pursued his career as a sculptor. Fratin first exhibited at the Paris Salon as early as 1831, where he showed ‘Fermer – An English Thoroughbred’. The popularity of Fratin’s sculpture in England had a significant impact on his career. His modelling style reflected his imaginative mind and sense of humour, particularly in his humorous modelling of bears. Fratin was asked to sculpt life-size monuments for French cities, including his home town of Metz. At the Great Exhibition of 1851 in London he was considered the greatest animalier sculptor of the day. Fratin’s bronzes...