"Tigre gris II" art toy, jaguar, gray, pop art, mexican art, mask, nature
View Similar Items
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Mr. Mitote"Tigre gris II" art toy, jaguar, gray, pop art, mexican art, mask, nature2024
2024
About the Item
- Creator:Mr. Mitote (1982, Mexican)
- Creation Year:2024
- Dimensions:Height: 10.6 in (26.93 cm)Width: 10 in (25.4 cm)Depth: 3.5 in (8.89 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Ciudad de México, MX
- Reference Number:1stDibs: LU2072214422812
Mexico City, Mexico (1982) Mr. Mitote is an illustrator and artist who specializes in contemporary sculpture. He has had a passion for drawing, pre-Hispanic cultures, and animals since a young age. These interests have helped him develop a unique style reflected in his characters. His pieces are known for using textures, color gradients, caricatures, and exorbitant forms, with a mix of fantasy, fun, and irreverence. He has collaborated with top-notch brands like Medicom Toy and Kidrobot, blending different techniques and disciplines. He has also worked with other prominent names such as Warner Bros, Nike, Swatch, Disney, Line, Paramount, B:oost, Facebook, and Motorola, among others.
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2016
1stDibs seller since 2022
19 sales on 1stDibs
Typical response time: 9 hours
More From This SellerView All
- "Tigre atacando I" art toy, tiger, pop art, Mexican, contemporary, sculptureLocated in Ciudad de México, MXA piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsResin, Paint, Spray Paint, Acrylic
- "Tigre vidente" art toy, three eyed tiger, pop art, mexican art, mask, natureLocated in Ciudad de México, MXA piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsResin, Paint, Spray Paint, Acrylic
- "Tigre atacando" 1/20, mini sculpture, special edition, art toy, tiger, MexicanLocated in Ciudad de México, MXA piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsResin, Paint, Spray Paint, Acrylic
- "Tigre atacando II" art toy, tiger, pop art, Mexican, contemporary, sculptureLocated in Ciudad de México, MXA piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsResin, Paint, Spray Paint, Acrylic
- "Diablito colgando" art toy, red devil, pop art, Mexican, contempo, sculptureLocated in Ciudad de México, MXA piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsResin, Paint, Spray Paint, Acrylic
- "Tigre IV" art toy, smiling jaguar, pop art, mexican art, mask, natureLocated in Ciudad de México, MXA piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsResin, Paint, Spray Paint, Acrylic
You May Also LikeView All
- Vapos #1Located in Denver, COElectric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...Category
2010s Contemporary Figurative Sculptures
MaterialsCanvas, Glass, Wood, Mixed Media, Acrylic
- Infernus #1Located in Denver, COElectric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...Category
2010s Contemporary Animal Paintings
MaterialsCanvas, Glass, Wood, Mixed Media, Acrylic
- White Raven IIBy Dennis McNettLocated in Philadelphia, PA"White Raven II" is an original hand-painted wall-hanging woodcarving by Dennis McNett (also known as Wolfbat) measuring 41”h x 50”w x 2”d. Please send us...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsAcrylic, Wood
- Horse II, Bronze Sculpture, Brown and green Patina by Indian Artist "In StockBy Chandra Shekhar DasLocated in Kolkata, West BengalChandra Shekhar Das - Horse - 23 x 10 x 7 inches Bronze Sculpture Das in Bengal is a talented and busy artist , who has won several awards and is a pro in making public installations and huge sculptures for the public arena. This work exhibited recently , with a mere theme of the horse not only brought about the power , beauty and strength of the horse, but also its vulnerability . The expression and look of the horse tells it like it is...Category
2010s Contemporary Figurative Sculptures
MaterialsBronze
- French Folk Art Hand Carved Painted Whimsical Childrens Cat Chair Gerard RigotLocated in Surfside, FLGerard Rigot (France, 1929-) Animeubles, Child's Chair Circa, 1980's Folk art, hand carved chair in the form of a cat. Hand signed on bottom Endorsed by the Musee des Arts Decoratifs, Paris. Dimensions: Measures 23" x 19" x 13" The chair is made from softwood, probably pine, alder, ash, birch or hornbeam. It stands on four legs and has a simple D-shaped form. A carved cat’s head adorns the proper right arm, and an erect tail the proper left. The legs of the chair are shaped at the feet to resemble a cat’s paws. The whole chair is painted in simple, dilute oil colours, predominantly a soft red, with a green gray seat and blue-white stripes on the tail and body. The facial features are highlighted. The artist’s signature is painted in black on the underside of the seat. Gerard Rigot was born in the suburbs of Paris in 1929, and began sculpting and painting whimsical fantastic wood furniture after moving to the countryside at the age of 49. Before becoming a full-time artist in the late-1970s, Rigot had a varied career including stints as a soldier and a photography assistant, his practice being particularly influenced by a period he spent working as a teacher in Algeria. When the painter Gerard Rigot bought a farmhouse in Toulouse, France, he began to make furniture. Inspired by his cat and using native oak and pine, he carved and painted playfull naive animal...Category
20th Century Folk Art Animal Paintings
MaterialsWood, Paint
- Elephant Painting done on Unique Book CanvassBy Arozarena De La FuenteLocated in Mexico City, MXBeautiful elephant water color painting on unique book canvass. The two artists and industrial designers made the canvass with extinct and unused encyclopedia books in order to give ...Category
2010s Modern Animal Paintings
MaterialsCharcoal, Watercolor
Recently Viewed
View AllMore Ways To Browse
Religious Art Spanish
Colonial Spanish Art
Mexico Religious
Christian Religious Art
Ancient Mask
Mask Mexico
Death Mask
Mexican Pre Columbian
Pre Columbian Mexico
Celestial Sculpture
Colonial Mexican Art
Pre Columbian Sculptures
Mens Christian
Mexican Michoacan
Praying Sculpture
Resin Sphere
Pre Columbian Mexican Art
Ritual Mask