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Unknown'Mother Elephant with Baby' original small sculpture, heirloom gift20th century
20th century
About the Item
This small and intimate sculpture of a mother and infant elephant is a heartfelt and doting example of the sculpture of the Shona artists of Zimbabwe, but also demonstrates the clever use of the texture of the stone. The sculpture is highly stylized: the mother elephant's head emerges from the top of the stone, her face and trunk long and thin, and her ears bursting out like wings on either side. The face is repeated with her baby below, and both are polished smooth. The bodies of the two, however, are merely suggested by the rough-hewn shape of the stone behind. The use of texture of their bodies is ingenious, using a series of crossing lines to create a rough surface that mimics the appearance of real elephant skin and contrasts with the polished surface of their faces. These formal qualities of the sculpture allow the themes of motherhood and love come to the forefront of the artwork.
This small sculpture is a perfect gift for any mother!
Unknown Shona artist
'Mother Elephant with Baby,' late 20th century
red jasper stone
6.5 x 4.87 x 1.25 inches, sculpture
4.5 x 8.25 x 8 inches, base
11 x 8.25 x 8 inches, overall
Good overall condition; some scattered minor scratches; chip along proper right ear of mother elephant
Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London.
It is generally agreed that Zimbabwean stone sculpture as seen today began during the late colonial period of the 1950's and 1960's. During this period the artists and artisans depicted many of the traditional Shona and other tribal spiritual myths.
Out of all the nations in Africa, the large varieties and abundant supplies of rock formations present throughout the Zimbabwe landscape provide artists with a medium for sculpture and carvings unique to their country. The Shona art sculpture of Zimbabwe combines the wonderful varieties presented by the stone with images drawn both from reality and abstract symbolism.
Much of the stone used by Shona artists is quarried in areas which are adjacent or quite near the villages where the work is created. Often the land on which the stone is found is owned by the village or the local artists. The artists use stone such as Serpentine (somewhat old, having been formed about 2.6 billion years ago), with more than 200 color variations. The hardest and darkest of the Serpentine varieties is black, commonly known as Springstone or Africa stone. Less seen is Lepidolite, with its beautiful pale mauve coloration; and the very hard Verdite, found mostly in darker shades of green but with other variations as well.
Commonly referred to as Rapoko stone in Zimbabwe, Steatite is a natural soft stone that falls under the general category of soapstone. Rapoko is found on every continent in the world with the possible exception of Antarctica. Its remarkable qualities have made this stone one of the most widely used minerals on earth. Over 10 million years old, Rapoko is a natural mineral, prized since ancient times for its durability, workability, beautiful character and ability to retain and radiate heat and resist chemicals. Native cultures, the world over, have carved Rapoko/Steatite into vessels, art objects, memorial and cultural items. Carved items have been found in the tombs of Pharaohs, in the igloos of the far north, in temples and palaces of China and India, in the mountains and river valleys of the Americas and the arid plains of Africa. There is a manmade ceramic product, also called Steatite, which uses the natural Rapoko stone as one of its raw materials but has no other connection to the skillful efforts of talented Shona and other African artists.
The wonderful natural character of stone is used both in its rough cut and textured state, or heated and burnished to a high gloss to reveal rich greens, browns, blacks and grays. The hardness, shape, density and quantity used of serpentine, verdite, sandstone, granite, steatite and other stones define the ultimate presentation of completed Shona art sculptures and carvings.
- Creation Year:20th century
- Dimensions:Height: 11 in (27.94 cm)Width: 8.25 in (20.96 cm)Depth: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good overall condition; some scattered minor scratches; chip along proper right ear of mother elephant.
- Gallery Location:Milwaukee, WI
- Reference Number:
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