Salvador Dalí­

Salvador Dali - Fecundity - Bas Relief Silver Sculpture, 1977

1977

Salvador Dalí­ Homage to Newton Size: 35 x 16 x 11 cm Edition 197/350 patina brown Date conceived: 1980 First cast: 1980 Date cast: 2010 Material: br...

Jeff Koons -- Cracked Egg (Red) Aluminium multiple with red glaze, 2008 From the edition of 1,000 Published by the Los Angeles County Museum of Art, Los Angeles, as an invitation f...

Damien Hirst Work from the Limited Edition Book "The Souls", 2011 Three color foil block print Image: 23.5 x 14 cm Frame: 50 x 39.5 x 3.5 cm Ed. 31/100 Signed and numbered in white ...

Pablo Picasso Visage (A. R. 611), 1969 Numbered 293/500 and incised Edition Picasso and Madoura, with the Edition Picasso and Madoura stamps Partially glazed and painted in colours...

Futura Nosferatu (Black/White), 2005 Painted cast vinyl 38.1 x 22.9 cm) Produced by 360 Toy Group Comes in original packaging.

KAWS 400% Mad Hectic Kubrick, 2003 Painted cast vinyl 10 h × 6¾ w × 3½ d in (25 × 17 × 9 cm) Stamped signature and date to reverse '© KAWS..03'. Impressed title and manufacturer's ...

Damien Hirst (b.1965) Abacus - The Dream is Dead 2007 silver 14.5 x 14 x 21 cm incised, titled and numbered ‘Abacus Damien Hirst The Dream is dead 2/12’ (on the verso) edition 2/12 Price: $85,000 USD Provenance: White Cube, London Private collection, New York Sale: Christie’s London, 29 June 2011, lot 114 Private collection, London (acquired at the above sale) Notes: ‘I remember I was thinking that there were four important things in life: religion, love, art and science. At their best, they’re all just tools to help you find a path through the darkness. None of them really work that well, but they help. Of them all, science seems to be the one right now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.’ (D. Hirst, quoted in conversation with S. O’Hagan in New Religion Damien Hirst, exh. cat., British Council, London, 2006, p. 5) Born in 1965 in Bristol, Hirst grew up in Leeds and subsequently went to Goldsmith's College in London. Between 1988 and 1990 he curated a series of exhibitions of work by his contemporaries including the highly acclaimed group shows Freeze, Modern Medicine and Gambler. In his own work Hirst has continually challenged the boundaries between art, science, the media and popular culture. A 12-foot tiger shark, a cow and her calf sawn in two, pharmaceutical bottles...

Silver Sculpture 'Curva I' by Carola Eggeling Abstract sculpture with beautiful curved lines. German silver sculpture Silver - Alpaca Certificate of authenticity Numbered and signe...

Original sculpture 8 ex. Signed/Numbered 1/8 ex. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 19...

Signed/Numbered 3/8 ex. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism and pop art in humoristic sculptures that at first sight may seem “kitschy”. However, closer familiarity with his works reveals their role as a creative antidote to the overproduction and overconsumption of our society. With his cloned animals William Sweetlove calls for greater ecological awareness and urges us to reflect on the consequences of the climate change challengeing humanity. His cloned dogs wear boots since the sea level rises and the penguins carry water bottles since we are runnig out of drinking water. William Sweetlove has had exhibitions at art fairs, galleries and museums all over the world. His works are found in several private art collections. He has also participated in different art manifestations worldwide together with the Italian Cracking Art Group. The community of Borås acquired the sculpture “Cloned Frogs on Gala Dress...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

“Parlour“ is a wall relief panel by artist Heather Nicol, and measures 17x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, fabric, wood, nails, glass, silver platter, plastic wrap, butterfly specimen, mounted on board. It fixes to the wall with a custom-fit wooden cleat. Reflecting on domestic materials and their relationships to display and social identity, Parlour celebrates and questions feminist reclamation, nostalgic tenderness and the histories embedded in the objects, while carrying on their aesthetic traditions through transformation into works of art. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme...