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Abide Side Table Merve Kahraman

Abide Marble Side Table in Pink
By Merve Kahraman
Located in New York, NY
Handcrafted Abide marble side tables are the modern interpretation of the iconic evil eye symbol
Category

2010s Turkish International Style Side Tables

Materials

Marble

Abide Marble Side Table in Pink
Abide Marble Side Table in Pink
H 17.7 in W 23.6 in D 19.6 in
Abide Marble Side Table in Yellow
By Merve Kahraman
Located in New York, NY
Handcrafted Abide marble side tables are the modern interpretation of the iconic evil eye symbol
Category

2010s Turkish International Style Side Tables

Materials

Marble

Abide Marble Side Table in Yellow
Abide Marble Side Table in Yellow
H 17.7 in W 21.6 in D 21.6 in
Abide Marble Side Table in Green
By Merve Kahraman
Located in New York, NY
Handcrafted Abide marble side tables are the modern interpretation of the iconic evil eye symbol
Category

2010s Turkish International Style Side Tables

Materials

Marble

Abide Marble Side Table in Green
Abide Marble Side Table in Green
H 17.7 in W 22 in D 22.4 in
Abide Marble Side Table in Blue
By Merve Kahraman
Located in New York, NY
Handcrafted abide marble side tables are the modern interpretation of the iconic evil eye symbol
Category

2010s Turkish International Style Side Tables

Materials

Marble

Abide Marble Side Table in Blue
Abide Marble Side Table in Blue
H 17.7 in W 21.6 in D 21.6 in

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A Close Look at international-style Furniture

The International Style, a modernist movement within architecture and furniture design that was given its name by American architect Philip Johnson and historian Henry-Russell Hitchcock, was born during the 1920s and ’30s. It gained steam initially in Europe and then in the United States as a response to the first World War. Building projects associated with the movement, as well as vintage International Style chairs, tables and other furnishings, are minimal and pared back. 

Pioneers of the International Style — architect Walter Gropius and his Bauhaus colleagues Ludwig Mies van der Rohe and Marcel Breuer, De Stijl advocate and Dutch architect J.J.P. Oud and visionary designer Le Corbusier — stripped away decorative elements and placed considerable value on functionality and clean lines, integrating the use of industrial materials like steel, concrete and large sheets of glass in their work. Quite aptly, this mode of design and architectural style coincided with an era now known as the Machine Age and became a global symbol of modernism. The primary motive of its practitioners was to address the changing needs of a rapidly industrializing society, especially the demand for office complexes and apartments in large cities, through economical, technologically advanced, yet aesthetically pleasing designs for furniture and buildings. 

“Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep,” said Le Corbusier of the philosophy behind his practical modernist architecture

The International Style’s designers and architects were inspired by the advantages afforded them by the era’s new technology and industrial machinery as well as state-of-the-art materials. Le Corbusier was fond of framing his buildings in steel but reinforced concrete made far more economic sense. He is probably most admired for the iconic private homes and commercial buildings that he designed or codesigned with his cousin Pierre Jeanneret, which are spread across the world, from New York City to Paris to Chandigarh, India. Today, Breuer’s Wassily Lounge chair; the elegant LC series created by Le Corbusier, Jeanneret and Charlotte Perriand; and Mies van der Rohe’s Barcelona chair, crafted with his romantic partner, designer Lilly Reich, are emblems of progressive modernist design and all make prominent use of tubular steel. Vintage originals are the prized cornerstone of collections.

“The International Style is probably the first fundamentally original and widely distributed style since the Gothic,” posited Johnson in the book that accompanied “Modern Architecture: International Exhibition,” an architectural show he cocurated with Hitchcock that featured the work of Frank Lloyd Wright, Le Corbusier, Richard Neutra and others. While the term “International Style” had previously been circulating in Europe, when the show opened at the Museum of Modern Art in 1932, it yielded a much broader application of this important style of design. 

Find International Style furniture on 1stDibs.

Finding the Right side-tables for You

While the range of styles and variety of materials have broadened over time, the priceless functionality of side tables has held true.

Antique and vintage side tables are an integral accent to our seating and provide additional, necessary storage in our homes. They can be a great foundation for that perfect focal piece of art that you want all your guests to see as you congregate for cocktails in the living room. Side tables are indeed ideal as a stage for your decorative objects or plants in your library or your study, and they are a practical space for the novel or stack of design magazines you keep close to your sofa.

Sure, owning a pair of side tables isn’t as imperative as having a coffee table in the common area, though most of us would struggle without them. Those made of metal, stone or wood are frequently featured in stylish interiors, and if you’re shopping for side tables, there are a couple of things to keep in mind.

With respect to the height of your side tables, a table that is as high as your lounge chair or the arm of your couch is best.

Some folks are understandably fussy about coherence in a living room area, but coherence doesn’t necessarily mean you can’t mix and match. Feel free to introduce minimalist mid-century modern wooden side tables designed by Paul McCobb alongside your contemporary metal coffee table. If you think it isn’t possible to pair a Hollywood Regency–style side table with a contemporary sofa, we’re here to tell you that it is. Even a leggy side table can balance a chunky sofa well. Try to keep a limited color palette in mind if you’re planning on mixing furniture styles and materials, and don’t be afraid to add a piece of abstract art to shake things up.

As far as the objects you’re planning to place on your side tables, if you have heavy items such as stone or sculptures to display, a fragile glass-top table would not be an ideal choice. Think about what material would best support your collectibles and go with that. If it’s a particularly small side table, along with a tall, sleek floor lamp, it can make for a great way to fill a corner of the room you wouldn’t otherwise easily be able to populate.

Whether you are looking for an antique 19th-century carved oak side table or a vintage rattan side table (because rattan never went away!), the collection on 1stDibs has you covered —  find Art Deco side tables, bamboo side tables, travertine side tables and more today.