Eline Baas
2010s Dutch Post-Modern Wall-mounted Sculptures
Other
2010s Dutch Post-Modern Wall-mounted Sculptures
Other
2010s Dutch Post-Modern Wall-mounted Sculptures
Stone, Carrara Marble
2010s Dutch Post-Modern Wall-mounted Sculptures
Wood
2010s Dutch Post-Modern Wall-mounted Sculptures
Stone, Carrara Marble
2010s Dutch Post-Modern Wall-mounted Sculptures
Aluminum
2010s Dutch Post-Modern Wall-mounted Sculptures
Stone, Carrara Marble
2010s Dutch Post-Modern Wall-mounted Sculptures
Other
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A Close Look at post-modern Furniture
Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.
ORIGINS OF POSTMODERN FURNITURE DESIGN
- Emerges during the 1960s; popularity explodes during the ’80s
- A reaction to prevailing conventions of modernism by mainly American architects
- Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
- Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
- Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980)
- Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
- Interest in style declines, minimalism gains steam
CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN
- Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
- Use of plastic and laminates, glass, metal and marble; lacquered and painted wood
- Unconventional proportions and abundant ornamentation
- Playful nods to Art Deco and Pop art
POSTMODERN FURNITURE DESIGNERS TO KNOW
- Ettore Sottsass
- Robert Venturi
- Alessandro Mendini
- Michele de Lucchi
- Michael Graves
- Nathalie du Pasquier
VINTAGE POSTMODERN FURNITURE ON 1STDIBS
Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.
Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.
Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group, which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.
Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals.
After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.
On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.
Finding the Right decorative-art for You
Antique, new and vintage decorative art is crucial to personalizing your interior.
Bringing art into your home will help you create a warm and welcoming atmosphere, whether you are expecting to regularly host guests for cocktails in your living room or you are inclined to soak up some “me time” on weekends by curling up with a book in your library. After all, a room isn’t quite complete until you hang some art on the walls.
Choosing a piece of art for your interior is a matter of finding something that resonates with you. You should also consider what will work with your current decor. Keep in mind that a wide range of objects counts as decorative art — antique and vintage prints, paintings, wall-mounted sculptures and more. There is so much to choose from! And art can feel as deeply personal with the vintage posters that promoted your favorite classic films as it can with framed photographs of your loved ones.
Decorative art can set the mood for a room and will typically make for great conversation. When you find wall decor and decorations that speak to you, why not introduce them into your space? It will give you and your guests the opportunity to meaningfully engage with the art every time you see it. You can play with different styles, eras and colors. Mix and match pieces to integrate a refreshing pop of color or create a theme by dedicating a room to a color palette or certain time period. A great way to tie your layout together is to choose wall art that complements your decor and color scheme.
Folk art is an interesting category for its wide range of works across various media and the array of textures it can offer. Paper art is another versatile option because it will be easy to find a home for portraits, collages, drawings and other works in your space. With decorative paper art, you can also get creative with how you arrange your wall art. There are plenty of options that include hanging the works salon-style.
On 1stDibs, find a constantly growing collection of antique and vintage decorative art today.