Omicron Magistretti

Artemide is an iconic firm in the design world. The mid-century Italian company is one of the best known lighting manufacturers and its award-winning fixtures are held in museum collections everywhere. Vintage Artemide table lamps, pendants, ceiling lamps and other lighting represent a thoughtful merge between functionalism and eye-catching design.

Artemide, which is based in Pregnana, was founded by Ernesto Gismondi and Sergio Mazza in 1959. During that year, Mazza created the first table lamp for the manufacturer — a modernist work in glass, marble and metal that he called the Alfa. Gismondi, who studied aeronautical engineering at the Polytechnic University of Milan and missile engineering at Rome’s Professional School of Engineering, applied his knowledge of cutting edge technology and materials such as fiberglass resin to Artemide’s designs for lighting and furniture.

In 1967, Artemide won Italy’s Compasso d'Oro design award for its Eclisse table lamp, which was designed by Vico Magistretti two years earlier. Other award-winning fixtures include the Tizio table lamp designed by Richard Sapper and the Tolomeo table lamp.

Designed by Michele de Lucchi and Giancarlo Fassina, the Tolomeo featured the patented George Carwardine mechanism used in the original Anglepoise lamp. De Lucchi would later be recruited to join visionary postmodern design collective the Memphis Group. Artemide’s Gismondi purchased the brand after founder Ettore Sottsass dismantled the collective in 1988, and it was bought by Alberto Bianchi Albrici in 1996.

Artemide’s list of design, innovation, sustainability and other industry awards is long and distinguished. The firm continues to actively collaborate with internationally revered designers and seek out new talent through workshops with design schools. The company’s deeply held values — energy-saving lighting, sustainable design and ethically sourced materials — characterize its current offerings, and Artemide furniture and lighting can be found in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art and other institutions.

On 1stDibs, find Artemide tables, seating, floor lamps, chandeliers and more.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

From the kitchen to the bedroom and everywhere in between, there is one major part of home decor that you definitely want to master: lighting. Carefully selected vintage sconces and wall lights can do wonders in establishing mood and highlighting your distinctive personality.

We’re a long way from the candelabra-inspired chandeliers of the medieval era. Lighting is no longer merely practical, and lighting designers have been creating and reinventing lighting solutions for eons. Because of the advancements crafted by these venturesome makers, we now have the opportunity to bring unique, customizable lighting solutions into our homes.

It’s never been easier to create dramatic bedrooms, cozy kitchen areas and cheerful bars than it is today. Think of an elegant wall sconce as functional and as a work of art, adding both light and style to your hallways, whimsical kids’ rooms and elsewhere.

When choosing a lighting solution, first determine what your needs are: Will you opt for a moody or a bright feel? The room that will serve as your home office will need adequate lighting — think “the brighter, the better” for this particular setting.

For the bedroom, bedside wall lamps with warm-temperature bulbs instead of bedside table lamps could be the way to go to induce a sense of calm or intimacy. Try to match the style of the wall light or sconce that you’re installing to the overall design scheme of your room. It’s never “just a light.” You should approach the lighting of a room with a mindset that is one part practical and one part aesthetics-driven.

Let 1stDibs help you set the mood with the right antique and vintage wall lights and sconces for your home. Our collection includes every kind of fixture, from sculptural works by Austrian craftsman J.T. Kalmar to chic industrial-style wall sconces, from adjustable painted aluminum wall lamps designed by Artemide to a wide variety of minimalist mid-century modern masterpieces.