Post Modern Waterfall Nightstand
Vintage 1980s American Post-Modern Night Stands
Laminate, Plywood
Vintage 1980s American Post-Modern Night Stands
Laminate, Plywood
Vintage 1980s American Post-Modern Night Stands
Laminate, Plywood
Vintage 1980s Post-Modern Night Stands
Laminate
Vintage 1980s American Post-Modern Night Stands
Wood
20th Century American Post-Modern Beds and Bed Frames
Wood
Vintage 1980s American Post-Modern Night Stands
Hardwood
20th Century American Post-Modern Night Stands
Wood
Vintage 1980s Canadian Post-Modern Beds and Bed Frames
Wood, Lacquer
Mid-20th Century Post-Modern Night Stands
Wood
Late 20th Century Post-Modern Side Tables
Laminate, Wood
Vintage 1980s American Post-Modern Night Stands
Wood
Late 20th Century Post-Modern Side Tables
Laminate, Wood
Vintage 1980s American Post-Modern Dressers
Metal
Vintage 1970s American Post-Modern End Tables
Birdseye Maple
Vintage 1980s American Post-Modern Sideboards
Wood, Lacquer
Late 20th Century French Mid-Century Modern Side Tables
Wood, Hardwood, Beech
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Mid-20th Century Italian Art Deco Night Stands
Brass
Mid-20th Century French Art Deco Beds and Bed Frames
Oak, Satinwood
2010s Vietnamese Scandinavian Modern Side Tables
Burl
Late 20th Century American Art Deco Beds and Bed Frames
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2010s Italian Mid-Century Modern Chandeliers and Pendants
Brass
Vintage 1980s Italian Post-Modern Sofas
Leather
2010s British Scandinavian Modern Ottomans and Poufs
Sheepskin, Oak
21st Century and Contemporary Philippine Art Deco Night Stands
Shagreen, Palmwood
Vintage 1980s American Post-Modern Credenzas
Laminate, Plywood
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21st Century and Contemporary American Scandinavian Modern Wall Lights a...
Steel, Zinc
2010s Vietnamese Organic Modern Side Tables
Plaster
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21st Century and Contemporary Portuguese Modern Dining Room Chairs
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Vintage 1980s Post-Modern Night Stands
Metal
20th Century American Post-Modern Night Stands
Wood
Vintage 1980s American Post-Modern Night Stands
Laminate, Wood
Vintage 1980s American Post-Modern Night Stands
Laminate
Vintage 1980s American Post-Modern Night Stands
Wood
Vintage 1980s American Post-Modern Night Stands
Wood
Late 20th Century American Post-Modern Night Stands
Composition
Vintage 1980s American Post-Modern Night Stands
Laminate, Wood
Late 20th Century American Post-Modern Dressers
Composition
Late 20th Century American Post-Modern Dressers
Composition
Vintage 1980s Art Deco Night Stands
Laminate, Wood
Early 2000s American Post-Modern Night Stands
Wood, Lacquer
Vintage 1980s Unknown Post-Modern Night Stands
Laminate, Wood
Vintage 1980s American Post-Modern End Tables
Linen, Wood
Vintage 1980s American Post-Modern Night Stands
Laminate, Wood
Vintage 1960s Dutch Mid-Century Modern Night Stands
Formica, Teak
Vintage 1980s American Post-Modern Night Stands
Metal
Post Modern Waterfall Nightstand For Sale on 1stDibs
How Much is a Post Modern Waterfall Nightstand?
A Close Look at post-modern Furniture
Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.
ORIGINS OF POSTMODERN FURNITURE DESIGN
- Emerges during the 1960s; popularity explodes during the ’80s
- A reaction to prevailing conventions of modernism by mainly American architects
- Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
- Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
- Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980)
- Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
- Interest in style declines, minimalism gains steam
CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN
- Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
- Use of plastic and laminates, glass, metal and marble; lacquered and painted wood
- Unconventional proportions and abundant ornamentation
- Playful nods to Art Deco and Pop art
POSTMODERN FURNITURE DESIGNERS TO KNOW
- Ettore Sottsass
- Robert Venturi
- Alessandro Mendini
- Michele de Lucchi
- Michael Graves
- Nathalie du Pasquier
VINTAGE POSTMODERN FURNITURE ON 1STDIBS
Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.
Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.
Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group, which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.
Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals.
After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.
On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.