Antonio Mancini Art
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Artist: Antonio Mancini
Vecchia Ciociara 1910
By Antonio Mancini
Located in Milan, IT
Pastelli su carta. Firmato e datato in basso a destra. Al retro presente cartiglio con il titolo ed etichetta della Galleria d'arte Bolzani di Milano.
Antonio Mancini fu un pittore d...
Category
20th Century Other Art Style Antonio Mancini Art
Materials
Crayon
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Pio Santini was born on April 17, 1908, close to Rome, in Tivoli, Italy.
He showed a precocious and pronounced artistic taste and gifts, to begin with, drawing and painting. From his childhood drawings, as early as 5 or 6 years old, he was gifted and had a technique above the average.
As early as 1933, Pio Santini moved to Paris, in the Montparnasse district, also known as The Artists Area, where he settled in his first Parisian studio. He is recognized as a member of the Academy of Paris, a significant art movement in the first half of the 20th century, alongside Amedeo Modigliani and other Italian artists.
While attending the classes of the Estienne School for further training in plastic art, Pio Santini started to attract attention in various Parisian Salons (particularly the Winter Salon, the Independents Salon, and the French Artists Salon) and to find a place in the Parisian universe of painting, as is shown in the press of the time.
The Second World War, which pitted his country of birth against his adopted nation, created conflicting emotions in him. During this time, the concept of a united and reconciled Europe took root in his mind.
In a way, he played a part in the resuming cultural exchanges between France and Italy by founding the association The Romans in Paris after the war, and especially by creating and animating the Villa D’Este Prize for about ten years, rewarding each year a French artist or writer by offering, a one month stay at the Villa, in Tivoli.
Later, the Montparnasse Prize would reward Italian artists in Paris, in the same way.
While devoting himself to painting, he worked as an art illustrator for edition and press and left us a rich but unrecognized work from this period. In the early 1960s, Pio Santini decided, imperiously and bravely, to live on his painting. A member of the Society of Independent Artists since 1934, he then actively participated in numerous collective exhibitions in France and abroad.
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