Carl-Henning Pedersen Art

Mercedes Carles Matter (1913 - 2001) Untitled, circa 1937 Pastel on paper 16 x 13 1/2 inches Estate stamped on the reverse Provenance: Estate of the artist Spanierman Gallery, New York Private Collection, Pennsylvania circa 2013 Private Collection, New York, 2021 Mercedes Matter was born in New York in 1913. Her father, the American modernist Arthur B. Carles, had studied with Matisse. Her mother, Mercedes de Cordoba, was a model for Edward Steichen. Ms. Matter grew up in Philadelphia, New York and Europe. She began painting under her father's supervision at age 6, and studied art at Bennett College in Millbrook, N.Y., and then in New York City with Maurice Sterne, Alexander Archipenko and Hans Hofmann. In the late 1930's, she was an original member of the American Abstract Artists organization and worked for the federal Works Progress Administration, assisting Fernand Léger on his mural for the French Line passenger ship company. Léger introduced her to Herbert Matter, the Swiss graphic designer and photographer, whom she married in 1939. The Matters were active in the emerging New York art scene and also traveled frequently to Europe. Their closest friends included Jackson Pollock, Lee Krasner, Franz Kline, Philip Guston, Alexander Calder and Willem de Kooning. They were also close to Alberto Giacometti, who was an important artistic role model for Mrs. Matter and a frequent photographic subject for her husband. Beginning in 1953, Mrs. Matter taught at the Philadelphia College of Art (now University of the Arts), Pratt Institute and New York University. Based on her teaching experiences she wrote an article for Art News in 1963 titled ''What's Wrong with U.S. Art Schools?'' In it, she lamented the phasing out of the extended studio classes required to initiate ''that painfully slow education of the senses,'' which she considered an artist's life work. The article prompted a group of Pratt students to ask her to form a school based on her ideas, which led, in 1964, to the founding of the New York Studio School. Originally in a loft on Broadway, the school gained almost immediate support from the Kaplan Fund, the Rockefeller Brothers Fund and the Ford Foundation. It granted no degrees, had only studio classes and emphasized drawing from life. Its teachers, chosen by the students, included the artists Guston, Bradley Walker Tomlin, Charles Cajori, Louis Finkelstein...

Christopher Lane (American,1937) This oil on canvas painting by Christopher Lane is very similar to one of his larger paintings that was displayed at...

Nag Arnoldi (Swiss, * 18.9.1928 Locarno, † 10.2.2017 Lugano) 1. Falling Icarus • Drawing - Mixed media (Indian ink, coloured pencil & gouache) on paper ca. 22 x 26 cm • Signiert & ...

One side signed. Lower right corner slightly bent. Measures 29x20. Frameless. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to ...

Original vintage Carl-Henning Pedersen poster. In 1969, the renowned Louisiana Museum of Modern Art showcased a significant exhibition featuring the works of Danish artist Carl-Henni...

Brightly colored watercolor of a 1970's California street performer, done in a colorful, expressive slap-dash style, by Hope Tepley (American, 1919-2010). Signed "Tepley" in the lower right corner. Titled "The Hurdy Gurdy...

Kellogg & Comstock SHEPHERDESS OF THE ALPS original Kellogg & Comstock hand-colored lithograph, Published by D. Needham (American, 1808 - 1888). Circa. 1848-1850. image: 12 in x 8 1/2 in; 30.48 cm x 21.59 cm. overall: 15 in x 11 in; 38 cm x 28 cm. Strong and clear impression, overall very good condition, paper has a light oxidation and restored small tear middle left side Framed, no glazing This hand colored print is of a young girl and two goats standing near a stream in a forested area. The girl is wearing a knee-length dress with short puffed sleeves and long stockings. She is feeding a goat with flowers and grass from her apron. The original "Shepherdess of the Alps" appears to have been a play by Marmontel, which enjoyed great popularity in France, England, and America in the late eighteenth and early nineteenth centuries. The play inspired numberous paintings and prints. See Paul Grigaut,"Marmontel's Shepherdess of the Alps in Eighteenth Century Art," Art Quarterly (1949). The subject appears quite frequently in schoolgirl art...

Important Pair of Italian School Paintings "Night and Day" 19th Century Inspired by the excavations of Pompeya Two oils on the carton. 35cm x 24cm A year ago it was clean underneath

Carl Fredrik Reuterswärd, Abracadabra, 1990s Color lithograph Number 34/200 Work with the artist's signature, title and individual number (...

Jules Brouwers (1869-1955) Catch of the Day. Oil on panel still life with fresh catch of skate and fish and majolica jug in rich browns and golds and cr...

Wonderful work of the Danish artist Finn Pedersen (1944-2014) , born in 1944 in Bornholm. In 1966, he exhibited with artists from the CoBrA group such as...

19th Century coastal landscape water colour, monogram lower right. Delightful picture capturing the softness light and colours of the English coast on an overcast day Wide compo...