Jean Fautrier Art

This lithograph in colors with raised chop mark was printed by Imprimerie Chaix in Les Maîtres de l'Affiche, 1899, on fine woven, heavy stock paper. Measures 15 ¾ x 11 3/8 (40 x 29 c...

American Yachting Scene is a vibrant explosion of ocean blue , whitecaps and strong yellow slashes to describe the ships sailing to their destination. There is an insert of a Currier and Ives print of sailing ships that Dali used as his inspiration. This original lithograph is from the series “The World Of Currier...

Is it Lawful to Pay Taxes To Caesar shows Caesar as an imposing seated figure taking up three quarters of the image against a white background with a mounted horseman over Caes...

Salvador Dali ( 1904 - 1989 ) Aliyah, Return, O Virgin of Israel, Aliyah suite edition 232/ 250 published Shorewood Press 1968 on Arches paper paper size 25 x 19.63 image size 20....

Salvador Dalí The sandman from the series "Contes d'Andersen", 1966 Signed low right Edition number: E.A. Literature Michler-Lopsinger 1171. Plate. 50 x 40 cm Frame 71.5 x 57 x ...

Jean-Michel Basquiat The Paris Review: 1989 The Paris Review book, featuring Jean-Michel Basquiat cover art. Imagery features a reproduction of Basquiat's (untitled) 1982 Jackson. Offset lithograph on double sided art book. Measures approximately: 5.5 x 9 inches; soft cover. Approximately 50pgs. Minor age related wear; in otherwise very good overall vintage condition. 1st edition, 1st printing 1989. Unsigned from an edition of unknown. Highly collectible. Related categories: Jean-Michel Basquiat 1989. Jean-Michel Basquiat book...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Rose Art Museum (Open Wall)" Year: 1981 Medium: Original Offset-Lithograph, Exhibition Poster on light wove paper Li...

Unique and stunning collotype triptych (3 panels) abstract composition of fabric and red ribbons draped over rods by Patricia A. Pearce (American, b. 1948). Unsigned. Purchased as pa...

Robert Motherwell Limited Edition Lithograph as Exhibition Catalogue Cover, Signed and Dedicated to Jacqueline Brody (Editor of the Print Collectors' Newsletter), 1974 Lithograph on Limited Edition Catalogue, Ink Signed and Dedicated 10 x 24 inches Boldly signed n 1974 and dedicated in black felt tip pen to Jacqueline Brody, editor of the Print Collectors Newsletter from 1972 - 1996. This poignant 1974 Robert Motherwell lithograph...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper (Artist Authorized) Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture, catalogue raisonne reference, 858-5) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Be the Dance, 2023 by a.muse is a colorful one-of-a-kind art on paper. The work is an invitation to freedom of self-expression and invites the viewer to let go, get lost in the dance...

This is a beautiful offset print by Murakami. This is a classic Murakami in which the artist showcases his prowess for reimagining traditional Japanese motifs within a new, contempor...