Kunihiro Amano Art

Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...

Mid-20th century oriental camphor wood chest or trunk. Elaborate shape, different sort of wood, detailed carved scenes. Retaining the origi...

A wall panel made out of lacquered elm wood. Hong Kong, circa 1970. Superb condition.

20th C., cast stone panels with attractive patina. The panels could be used outdoors or for interior decoration. The back side of the panels have metal wall mounts. Dimensions: 6...

Beautiful porcelain plate with imari decoration. On this plate, the background is blue and white, with reserves in which we can observe red flowers and bamboo leaves patterns. Imari ...

Mid-20th century hand-painted lacquered wood and heavy paper large decorative fan. Vintage Asian Extra Large Hand Painted Folding Fan Art. Stunning vintage Asian large hand-painted folding wall fan chinoiserie. In good vintage condition! This amazing Chinoiserie chic Hollywood Regency style wall fan would look fabulous anywhere to add those special vibes to any decor. Monumental Chinese folding fan that is extra large when fully opened. This is a vintage piece from the 1960s most likely. The colors are still incredibly vivid and the folding mechanism works. This makes a wonderful sculptural wall decoration. The fan is ready for installation with two threaded hooks on the reverse side This hand painted gilt monumental folded Chinese Export fan...

Cloisonne vases, a pair - early to mid 20th century Gorgeous motif of cherry blossoms in blue and birds agains a lovely cream background Measures: 3" diameter at the base x 6" ...

A wonderful handmade vintage silk obi sash / belt featuring a Japanese temple - purportedly Kiyomizu temple in Kyoto, among the forest trees. Signed a...

A large, heavy marble bowl, hand-carved with a floral motif. Bone-white colored marble with fine veining. India, circa 1950-1960. A massive slab of fine stone turned by expert artisa...

1596 Mid Century porcelain lamp with moriage circles raindrop pattern an footed metal base. Rewired Takes one 60 watt Edison Based bulb

Face with a Mustache - Abstracted Lithograph by Cathleen Panttaja Hip Woodcut Print done at the height of the Flower Power 60s, of a man with a large Moustache. Cathleen Panttaja (Am...

Signed lower right outside of block, 'Hiroyuki Tajima' (Japanese, 1911-1984) and dated 1973 with limitation and number, '50-4', lower center and titled lower left, 'The Rain'. Paper dimensions: 19.75 x 12.5 inches An elegant abstract comprising overlapping forms in deep ruby, coral and jade. Engraver and printmaker, Hiroyuki Tajima was born in Tokyo in 1911 and graduated from Nihon University in 1932. In 1934, he graduated from the Tokyo School of Arts with a specialization in western-style painting. Tajima later studied fabric dyeing under Hirokawa Matsugoro (1889-1952) and woodblock printing with the Sosaku-Hanga artist, Nagase Yoshiro (1891-1978), a founder of the Japan Print Association (Hanga Kyokai). In 1946, inspired by Dada and Surrealism, Tajima joined Bijutsu Bunka Kyokai, a group dedicated to exploring and reviving the abstract and surrealist painting ideals that had been suppressed during WWII. Tajima exhibited widely and with success, including with Tokyo's Modern Art Association ( Prix du Nouveau Venu, 1962), the Japanese Engraving Association, the Contemporary Japanese Art Exhibition in Tokyo (1962), the Northwest International Print Exhibition (1962-1964) and the Tokyo International Print Biennale (1964). His work is held in the permanent collections of museums worldwide including the Portland Art Museum (Oregon), the Cleveland Museum of Art, the Los Angeles County Museum of Art (LACMA), the Fine Arts Museums of San Francisco, the Art Gallery of Greater Victoria (British Columbia), the Art Gallery of New South Wales (Australia), the Carnegie Museum of Art, the National Museum of Art, Osaka (NMAO) and the British Museum in London. In describing Tajima's work, Frances Blakemore...