VivienneWestwood 1998 MarilynMonroe CorsetDress Velvet Moire Red Evening Gown
About the Item
- Designer:
- Brand:
- Dimensions:Length: 37 in (93.98 cm)Marked Size: FR40 (EU)Shoulder to Hem: 37 in (93.98 cm)
- Style:1950s meets 18th-century (In the Style Of)
- Place of Origin:
- Period:
- Condition:Wear consistent with age and use.
- Seller Location:Chicago, IL
- Reference Number:1stDibs: LU3244218119632
Vivienne Westwood
For someone who regularly swatted away the industry that made her, audacious British fashion designer Dame Vivienne Westwood certainly knew her way around a garment. And she knew how to provoke. “I don’t follow fashion,” Westwood once told the New York Times. “I’ve never been interested in it.” Collectors are certainly interested in her work, and vintage Vivienne Westwood dresses, handbags, lingerie and jackets have become very desirable over the years.
Westwood was born Vivienne Isabel Swire in a village in Derbyshire, in central England, but moved to London as a teen. In the early 1960s, she began to make her own necklaces and other jewelry and met an artist, activist and entrepreneur named Malcolm McLaren. They became involved romantically and she made clothes for him in the style of the Teddy Boys — the city’s music-crazed, occasionally violent teenagers at the time who wore high-waisted trousers and tailored velvet blazers that drew on Edwardian-era fashions.
Westwood and McLaren opened a vintage shop on King’s Road in London in 1971. The flared denim and peasant blouses of the 1960s, then still popular with the “peace and love” set, didn’t hold any weight for Westwood. Instead, she was interested in provocative, edgy apparel. She repaired used clothing and endeavored to create bold new designs from scratch.
Together Westwood and McLaren sold older rock-and-roll records, customized T-shirts with antiestablishment slogans, biker jackets and snug trousers inspired by the Marlon Brando film The Wild One as well as bondage fetish wear. The shop, once called Let It Rock and then Too Fast to Live, Too Young to Die before Sex became a more appropriate moniker, evolved into a youth mecca. The DIY garments — zippered tops, burnt tees emblazoned with anarchist messages — flew off the shelves. More notably, it brought punk to the masses.
Westwood was soon dressing the Sex Pistols, a band that McLaren managed, all the while bridging the gap between music and fashion in a manner that has reverberated throughout the industry for decades.
In 1981, the couple’s first fashion show marked the debut of their Pirate collection — a swashbuckler-themed line that sprang from Westwood’s research into Indigenous Americans and the “power garments” of the Louis XIV era. The collection’s ample proportions and cutting-edge tailoring countered punk’s geometry and tight latex fits as well as what rocker Adam Ant called the “Puritanism” that plagued England at the time. The Pirate collection’s enduring influence on the world of fashion as well as the theatrical work of designers such as John Galliano and Alexander McQueen is undeniable.
For the colorful corsets of her 1990 Portrait collection, Westwood drew on 18th-century oil paintings — her models donned the pearl necklaces that have become a social media star and a favorite of influencers and fashion lovers all over the world. For a jacket-and-shorts suit from her Fall/Winter 1996–97 Storm in a Teacup line, the designer used the extreme asymmetry of a tartan mash-up to confront, according to Westwood, “the horror of uniformity and minimalism.”
The self-taught Westwood enjoyed a rapid ascent in fashion, with British society embracing her looks and Vogue immortalizing them in its glossy pages. She garnered accolades for introducing corsets to the runway and dressed Kate Moss and Helena Bonham Carter. And an original Vivienne Westwood wedding dress is featured in 2008’s Sex and the City film.
The fires of political and environmental activism burned brightly for Westwood: She was a Greenpeace ambassador, having designed the organization’s official “Save the Arctic” logo; her clothing brand is committed to using recycled canvas and other eco-friendly materials in the production process; and in 2020, she protested the extradition of Julian Assange by suspending herself in a bird cage outside London’s Old Bailey court. But she will always be the grande dame of British design.
Find an extraordinary range of vintage Vivienne Westwood shirts, shoes, gowns and other items today on 1stDibs.
- ShippingRetrieving quote...Ships From: North Adams, MA
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- 1950s LingerieLike Ruched CrepeSilk & SemiTransparentOrganzaNetSkirt MiniDressLocated in Chicago, ILThis unusual mid-century lingerie-style black semi-transparent mini dress that conjures a historic pinup-girl like Bettie Page is suitable as a cocktail dress as part of an evening ensemble. It was probably meant by its New York designer to be paired with slim cropped pants, which became popular in The States after worn by Hollywood-movie actresses Audrey Hepburn and Marilyn Monroe. The A-line dress was most likely made by the former ready-to-wear fashion company following the revolutionary debut by French Christian Dior of his couture cinched-waist-voluminous-skirt "New Look" collection, whereafter German Sonja de Lennart introduced "Capris" in 1949, and American Hugh Hefner launched Playboy magazine in 1953. The complex hourglass-shaped garment features a double v-neck four-seamed ruched lined bodice in a crepe silky woven fabric. Its defined gathered bust extends from the chest seams at two angles to form short dolman sleeves only in the front, while there are arm seams in back. The gathered see-through black faux-lace organza flared skirt reveals a black velvet-textured scalloped floral pattern with a net underlayer. With beige lining, the self-trim band at the waist enables the folded scalloped-lace pattern to continue to stand out on the opaque black torso. The edges of the peplum and sleeves are further cut in a scallop shape to resemble more delicate eyelash-lace trim. The brand label of the obsolete line is the only interior tag that remains. Camouflaging the midsection, the flattering dress will best suit a U.S.-size 6. It can also be worn by larger sizes with a relatively slim waist and small or large bust as there is no restriction at the hips or wide armholes. At the waistline, a hook and looped cord fasten over the bypass zipper to better conceal it. Notably, the steel-tab-and-teeth zipper is an original U.S-made Murlen model, which was used in new clothes from the 1940s to 1960s and helps to date the mid-century dress.Category
1950s American Mini Dress
- CommeDesGarcons 2003 RunwayLook1 Ruched Parachute Convertible White Dress GownBy Comme des Garçons, Junya Watanabe Comme des GarçonsLocated in Chicago, ILJunya Wantanabe made this inimitable white ruched floaty sleeveless semi-transparent dress with distinct parachute elements as "Look 1 and 2" (see photos) for the Parisian fashion show debut of his Spring/Summer 2003 collection, which was produced by his design mentor Rei Kawakubo's Japanese brand Comme des Garcons. The stunning combination of contrasts range from romantic-and-combat themes, gathered-and-flowing construction, raw-and-finished seams, soft-and-hard materials, and cutout-and-semi-transparent fabric. Secured on the exterior of the dress with bold silver-metal hardware, the 100%-cotton grosgrain-ribbon parachute-like straps are partly enclosed within multiple diagonal and vertical ruched channels to enable adjustment of the light synthetic-fabric draping and swags, such as for lengthening the dress. Strap ends freely hang from functional hardware on the front of the dress and below the sides as if they could be yanked to release the fabric into a drifty parachute sail. The reverse side of the dress is notable for the ruffled diamond-shaped cutout at the lower back and its framing set of adjustable looped parachute straps with a concealed white plastic buckle, which enables the hitched-up bottom to extend into a train like a dreamy wedding dress. This premiere-catwalk dress is further distinguished from others in Wantanabe's "Parachute Jumper" collection by the complexity of its top. Two ruched straps form an X-shape via metal-hardware at the upper back, extending to the front over the shoulders to form a ruched V-neck with linked straps that highlights your face. The soft folds of the neckline contribute to the raised ruffle collar, as well as flow to the shoulder seams. The hand-cut hem was designed unfinished and meant to fray, although it has not given its minimal wear and very good condition consistent with only age and storage. See our photos of the care/material tags. All tags remain, including from the Italian concept-store 10 Corso Como, where it was purchased in Milan. The "Made in Japan" size is a large-running "S" due to the pullover-style of the dress, which is equivalent to an Italian-size 44 or U.S.-size 6. In addition to wearing as a convertible dress...Category
Early 2000s Japanese Evening Dresses
- CommeDesGarcons 1999 RunwayLook12 BiasCut TranslucentSatin SalmonPink Maxi DressBy Comme des Garçons, Rei Kawakubo Comme Des GarconsLocated in Chicago, ILIn an atypical Japanese-dye color for Rei Kawakubo, in 1999 she designed this translucent salmon-pink bias-cut satin sleeveless maxi dress evening gown for her brand Comme des Garcons, which debuted on a model walking the Paris runway that Fall as "Look 12" among the Vogue photo-coverage of her Spring/Summer 2000 collection. The unusual V-neck shape creates a central drape in the front of the unlined dress that prevents the synthetic semi-transparent fabric from clinging to the torso, while still enabling the lower part to swoosh while walking. With the exception of the brand tag, all others were removed by the sole owner to eliminate bulk and visibility through the dress. If the buyer would prefer, the fabric can be made shinier and completely smooth with professional pressing. Please notice that In a couple of our photos the white drapery next to or below the dress was converted by 1stDibs auto-editing to appear like trailing elements, where there are none. Also, as we used a backless mannequin for our photos, the rear side of the dress at the top is draping inward--not outward. We have other textural colorful items with over-dyed unique appliques from this same Spring/Summer 2000 collection if the buyer may want to layer pieces for a look similar to the fashion show. This is such a beautiful minimal dress...Category
Early 2000s Japanese Evening Gowns
- CommeDesGarcons 1996 Convertible Padded RedRoseJacquard & NavyCotton Skirt CapeBy Comme des Garçons, Junya Watanabe Comme des GarçonsLocated in Chicago, ILIn 1996, Japanese Junya Wantanabe made this sculptural red whorled-rose jacquard padded evening coat/jacket cape to convert to an equally stunning asymmetrical A-line or symmetrical ...Category
1990s Japanese Cocoon Coats
- TomFord 2001 1stYearYSL Silk PlungingV Ruched Draped Black MaxiDress EveningGownBy Tom Ford, Yves Saint Laurent Rive GaucheLocated in Chicago, ILFor his first collection for Yves Saint Laurent Paris/Rive Gauche while also creative director at Gucci, American Tom Ford designed this Spring/Summer 2001 black formal evening gown ...Category
Early 2000s French Maxi Dress
- Antique NativeAmerican LeatherBraidedSeamsStrapsNeckline Sleeveless Hide DressLocated in Chicago, ILThis antique Native American brown chamois suede leather sleeveless chemise dress, which was handmade during the "reservation era" between 1870-1930, is made from two soft supple ani...Category
Early 20th Century American Chemises
- Roger Freres Black Lace and Green Silk Taffeta Gown-10-Circa 70'sBy Roger FreresLocated in West Palm Beach, FLRoger Freres Black Lace and Green Silk Taffeta Gown - Sz 10 - Circa 70's Additional Measurements: Bust 40" Waist 30" Shoulder to Shoulder 16" Sleeve length 25" Length 59"Category
1970s French Evening Gowns
- Vicky Tiel Black & White Lace Strapless Dress w/ Beading - 44By Vicky TielLocated in West Palm Beach, FLVicky Tiel Black & White Lace Strapless Dress w/ Beading - 44. This beautiful dress is in excellent condition. It features a gorgeous black lace over a white nylon blend, a built-i...Category
21st Century and Contemporary French Evening Dresses
- Vicky Tiel Purple Silk Taffeta Strapless Gown w/ Floral Detail On Back - 42By Vicky TielLocated in West Palm Beach, FLVicky Tiel Purple Silk Taffeta Strapless Gown w/ Organza Floral Detail On Back - 42. This special gown is in excellent condition. This dress features a purple silk taffeta material...Category
21st Century and Contemporary American Evening Gowns
- Carolyne Roehm 1980's Black Velvet Dress with Olive Ruffle Bottom - 4By Carolyne RoehmLocated in West Palm Beach, FLCarolyne Roehm 1980's Black Velvet Dress with Olive Ruffle Bottom - 4. This dress is in excellent vintage condition. It is short sleeved and has side ruching with rhinestone buttons ...Category
1980s American Evening Dresses and Gowns
- Oscar de la Renta 1990's Red & Purple Satin & Velvet Color Block Dress-Size 8By Oscar De La RentaLocated in West Palm Beach, FLOscar de la Renta 1990's Red & Purple Color-Block Dress - 8. This dress is in excellent condition and is long sleeved. The top part is velvet and the ...Category
1990s American Evening Dresses and Gowns
- Michael Casey Silk Chiffon & Ivory Cut Velvet Strapless Gown - 10By Michael CaseyLocated in West Palm Beach, FLMichael Casey Silk Chiffon & Ivory Cut Velvet Strapless Gown - 10. This gorgeous gown is in excellent condition. It features a gorgeous ivory silk chiffon material, paneled velvet ...Category
21st Century and Contemporary American Evening Gowns