Antique Japanese Satsuma Pottery Miniature Cabinet Vase

A fine diminutive, antique Japanese Satsuma pottery cabinet vase. Decorated throughout with gilding and raised enamel. There are...

A fine antique Japanese Satsuma pottery vase. In the form of a bud vase with a round base and narrow, tapered neck. Decorated throug...

A fine antique Japanese Satsuma pottery incense burner. With a cream ground and an extensively gilt exterior. There are numerous cartouches around the censer with each having a un...

A fine antique Japanese Nippon porcelain vase or covered urn. With green, pink, and white tones in raised moriage enamel that gives a three-dimensional effect. Decorated with 4 cartouches throughout. The main cartouche features a moriage dragon...

A fine Japanese Imari porcelain lidded jar or urn. Decorated throughout with painted red floral devices with blue underglaze and gilt highlights against a white ground. Simply ...

A fine antique Japanese Sumidagawa pottery moon flask vase. Decorated to both sides. One side has a man playing a shinobue flute and a child dan...

A good and unusual pair antique Japanese Satsuma Meiji diamond shaped pottery vases decorated with monk figures with a scrolling dragon dating from the 1...

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

A petite and beautiful hand-decorated ceramic baluster vase, painted all around with traditional Japanese motifs, including native flora, birds and bamboo stems on a creamy glazed background. The colour palette is bold and bright, with highlights of green, red and blue, together with plentiful gilt relief...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

A small Satsuma vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsu...

A Satsuma Earthenware Vase, by Kinkozan, Japanese, Meiji period (1868-1912) decorated in polychrome enamels and gilt over a clear, crackled glaze, delicately painted with ladies and men, the reverse with a flowering garden with sprays of flowers, the neck with geometric and floral designs, a band of kifu heads in silver and gilt above the foot, on a midnight-blue ground, signed Kinkozan zo...