Late 19th Century Signed Japanese Hand Painted Satsuma Temple Jar Meiji Period

Antique hand-painted porcelain plaque, "Flora" after Titian signed by Rau. This beautifully executed 19th century porcelain plaque has been hand-painted with a luminous version of Renaissance painter Tiziano Vecellio's famous oil painting...

This 19th century hand-painted oval plaque was made in Hohenberg, Bavaria by porcelain manufactory C. M. Hutschenreuther. The plaque has a convex form and features a hand-painted image of Ruth the Gleaner after the original by French painter Charles Landelle...

This late 19th century porcelain vase was designed by Eduard Stellmacher for Riessner, Stellmacher & Kessel Amphora of Turn-Teplitz, Bohemia. The piece has a Classic Art Nouveau form and features a dimensional nymph partially encased in the leaves of a lily of the valley plant. The maiden's body is accented by two delicate arched tendrils finished in gilt which bear small white lily of the valley blossoms, also accented in gilt. The remainder of the piece is painted in shades of light green and ochre with gilt highlights. An example of this shape with similar painted decoration can be seen on page 37 of Richard L. Scott's 'Ceramics From The House Of Amphora 1890-1915.' As an antique item, the vase shows appropriate signs of age consisting of wear to the gilded decoration along with a shallow chip on one of the ridged leaves on the back of the piece. The foot is 4" in diameter and bears the red RStK mark reading "RStK TURN Teplitz...

This outstanding hand painted 19th century French ceramic charger was made by Hautin Boulenger & Cie at Creil & Montereau. The highly detailed Aesthetic Movement charger features polychrome decoration depicting a Japanese quail perched in a flowering cherry tree bearing vivid green foliage. The bird's gaze is fixed on a colorful butterfly with intricately patterned wings which is located off to one side. The image is set on a gilt ground which bears a series of repeating raised gilt motifs. The charger's shoulder is finished in cobalt blue with stylized gilt hearts separated by light blue floral and foliate elements. The 4lb 11oz charger bears an impressed mark used by Creil et Montereau between 1876-1884. The foot rim is not pierced. This beautifully executed hand painted French charger...

This large hand-painted charger was made by Mintons Art Pottery Studio of Kensington Gore, London. The studio traces its origins to the renowned earthenware and fine bone china factory Minton, located in Stoke-on-Trent, Staffordshire England. Colin Minton Campbell, descendant of founder Thomas Minton, took over company management in 1858 and went on to establish Mintons Art Pottery Studio in 1871 for the purpose of hand decorating pottery and tiles. The studio initially operated under the direction of painter and book illustrator William Stephen Coleman and drew upon the talents of artists studying at the Kensington's National Art Training School, now known as the Royal College of Art, as well as those of well-regarded Continental artists. The company was short lived as it was destroyed by an accidental fire in 1875 and was not rebuilt. This large earthenware charger has been hand-painted in polychrome enamel and depicts two young children at play in the nursery. The scene includes multiple colors and textures and features a cherubic toddler seated upon a bed alongside a young girl standing on a blue footstool...

This heavy centerpiece bowl dates to the late 19th century and is composed of cast iron with a gilt finish. The bowl has a shallow basin made up of a series of detailed open poppy blossoms and features a sleeping maiden curled up at one side. The bowl rests on an ornate dimensional foliate base. A lovely example of Art Nouveau metal ware...

This is a very good quality Earthenware Japanese Satsuma vase, beautifully hand decorated and from the Meiji period, circa 1875. The vase has a he...

Antique Meiji period Japanese porcelain temple jar with intricate hand painted decoration and gilt. The jar in Classic Kutani colors with floral and phoenix birds all over the top an...

This is a very decorative cloisonné small lidded jar, made in Japan and dating to the 19th century, early Meiji period, circa 1875 or possibly earlier...

Late 19th / early 20th century Japanese, Meiji Satsuma vase with a double gourd form. The design incorporates underwater plants with golden Koi Car...

An antique Japanese Meiji period monochrome water jar from the 19th century. This antique Japanese Meiji period monochrome water jar from the 19th century embodies the elegance and simplicity characteristic of its time. Created during the Meiji dynasty, this water jar draws our attention with its rich brown monochrome patina, offering a warm and inviting presence. The jar is topped with a rounded lip, enhancing its smooth, harmonious lines and understated design. The simplicity of this piece, combined with its beautiful patina, allows it to complement a variety of interior styles, from traditional to contemporary. The jar’s unfinished bottom speaks to its authentic, handcrafted origins, adding a layer of historical depth and intrigue. Perfect for adding a touch of refined elegance to any room, this Meiji period water jar can be placed atop a chest-of-drawers, console table, or side table. Its serene and unobtrusive design ensures it will blend seamlessly with existing decor while providing a subtle focal point. Whether used as a standalone decorative piece or incorporated into a curated collection, this 19th-century Japanese water jar...

This is a very decorative cloisonné lidded jar, made in Japan and dating to the 19th century, early Meiji period, circa 1875 or possibly earlier....