Untitled Sculpture by Roseanne Sniderman

Brown glazed stoneware form. Wood fired. Signed and dated underneath.

Hand-built, organic stoneware form in large-scale. High fired glaze in shades of greens and gunmetal. A strong abstract piece. Signed on underside.

Large-scale sculpture by Rosanne Sniderman. High-fired earthenware sculpture with matte glaze in sand tones. Artist signed on underside.

Hand-built, organic stoneware form in large-scale. High fired glaze in shades of blue-green and gunmetal. Signed on underside.

Glazed stoneware sculpture. Hand built & artist-signed on underside.

Glazed stoneware. Hand built & artist signed on underside.

-Made in 2015 -cotton cord, and sewing thread. "Untitled (Vessel 6)" was made in 2015 as part of a body of work for my exhibition "what it is." It is a sculptural vessel-form object made by coiling and sewing cotton rope with an industrial zig-zag sewing machine. The piece is not made with a specific form in mind when started, so its shape emerges somewhat organically during its making. Multiple smaller, individual vessels are made, then joined together. More rope is coiled and sewn onto the new form, and new parts are incorporated and built upon from there. This piece features a large base sewn with black-dyed cotton rope, which acts as a visual and physical anchor for the object. The form is simultaneously architectural and creature-like while retaining a conceptual and actual openness. Since 2010 Doug Johnston has produced a wide range of functional and sculptural objects using a process of coiling and stitching rope using industrial sewing machines...

Alcove #7 sculpture by Margaux Leycuras. One of a kind, signed and numbered. Dimensions: D 46 x H 41 cm. Material: sandy stoneware with a porcelain slip finish and white glaze ins...

Alcove #9 sculpture by Margaux Leycuras One of a Kind, Signed and numbered Dimensions: D 53 x H 51 cm. Material: Sandy stoneware with a porcelain slip finish and white glaze insid...

Hand formed abstract sculpture shaped like a large seashell is glazed in rust brown. Its organic form is accentuated by the way it leans sideways resting in its natural position, by ...

"Untitled (Navy Shroud)", 2015 coiled nylon cord, sewing thread, urethane resin "Untitled (Navy Shroud)" was made as part of a group of works exploring objects as shroud spaces. The pieces create a space, the contents unknown, upon which the viewer's understanding becomes one reality, while another reality of the object itself is in continuous withdrawal from the viewers' perception. The exploration was based on contemplations of "Schrödinger's cat" and Object-Oriented Ontology. The work was made by coiling nylon cordage and sewing it together on an industrial zig-zag sewing machine. In the process of coiling, irregularities are introduced that alter the overall form as it is being made. These irregularities are placed and responded to improvisationally, working towards a composition that appears as if a thick cloth is loosely draped over an object of indeterminate form. The interior of the nylon vessel was then coated by hand with a black epoxy resin, which solidified the textile into a rigid shell. The result is a free-standing shroud-like object, which is to be placed into a space as a sculptural object, to conceal other objects, unsightly architectural features, etc. This work was first exhibited in 2015 at Patrick Parrish Gallery as part of my solo exhibition "what it is". It was later shown in 2017-2018 at the Cranbrook Art Museum in Bloomfield Hills, Michigan, as well as several other group exhibitions. It has also appeared in several design and art publications in print and online. Since 2010 Doug Johnston has produced a wide range of functional and sculptural objects using a process of coiling and stitching rope using industrial sewing machines...

"Coupe Geode" Sculpture by Agnès Debizet, 2020 Impressive and large stoneware bowl or cup covered with porcelain slip and glass. Evoking a rounded, hollow stone or rock, the inter...