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Danese Milano Ricostruzione Teorica Rosa Print by Bruno Munari
About the Item
Ricostruzione teorica rosa is a five-colour silkscreen print and is part of the collection “Edizioni d’arte” (Art Editions). The concept is the theoretical reconstruction of imaginary objects starting from fragments of leftover pieces and using a purely random method to explore shapes, materials and structure.
Bruno Munari was one of the most important Italian architects, artists and designers of the 20th Century. Born in Milan in 1907 he started his artistic work very young during the Futurist period and dedicated himself to painting, graphic design, film making, poetry an writing. His work is characterized by its strong educative nature, which stems from his passionate interest in using play to develop creativity in children. In the last years of his life he concentrated more and more on the problem of visual and artistic education organizing and participating in courses, seminars and activities for children, adults and teachers. After more than half a century his creations live on to this day in his collections for Danese Milano.
Additional Information:
Dimensions: 50 W x 70 H cm
Notes: Support: dropjet paper gr. 300
- Creator:Danese Milano (Manufacturer),Bruno Munari (Designer)
- Dimensions:Height: 27.56 in (70 cm)Width: 19.69 in (50 cm)Depth: 0.4 in (1 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Contemporay
- Production Type:New & Custom(Current Production)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Hicksville, NY
- Reference Number:
Bruno Munari
In his prolific career, Bruno Munari was known for various contributions to art, industrial design, film, architecture, art theory, and technology. Munari’s principles and beliefs were built upon his early involvement in the Futurist movement, which he joined at the age of 19 using the pseudonym “Bum.” During the 1930s, Munari began to move towards Constructivism, particularly with his kinetic sculptures, Useless Machines (begun 1933), meant to transform or complicate their surrounding environments. Throughout his career, Munari was captivated by both a sense of whimsy and the manipulation of artificial light. After World War II, Munari also developed radical innovation in graphics, typography, and book publishing, through the latter creating pieces he would call Useless Books.
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