Mantis BS1 B Floor Lamp by Bernard Schottlander

Mantis BS1 large floor lamp by Bernard Schottlander Dimensions: D 108 x W 74 x H 170 cm Materials: Steel, Aluminum All our lamps can be wired according to each country. If sold ...

Mantis BS2 wall lamp by Bernard Schottlander Dimensions: D 153 x W 47 x H 45 cm Materials: Steel, aluminium. All our lamps can be wired according to e...

Mantis BS3 table lamp by Bernard Schottlander Dimensions: D 82 x W 20 x H 81.2 cm Materials: Steel, Aluminum All our lamps can be wired according to each country. If sold to the...

Mantis BS4 L ceiling lamp by Bernard Schottlander Dimensions: D 55 x W 27 x H 145 cm Materials: Steel, Aluminum All our lamps can be wired according to each country. If sold to ...

Mantis BS2 mini wall lamp by Bernard Schottlander Dimensions: D 71.5 x W 27.2 x H 20.8 cm Materials: Steel, Aluminum All our lamps can be wired accord...

Mantis BS5 mini wall lamp by Bernard Schottlander Dimensions: D 25.5 x W 17 x H 11.5 cm Materials: Steel, aluminium All our lamps can be wired according to each country. If sold...

DCW Editions Mantis BS8 L Floor Lamp in Black Steel by Bernard Schottlander A wired silhouette that naturally evokes a praying mantis in weightlessness, the Mantis floor lamp has ...

DCW Editions Mantis BS1 B Floor Lamp in Black Steel and Aluminum by Bernard Schottlander The BS1 is like a manifesto of the Mantis collection. So eleg...

DCW Editions Mantis BS1 Floor Lamp in Black Steel and Aluminum by Bernard Schottlander The BS1 is like a manifesto of the Mantis collection. So eleg...

Floor lamp designed by Gian Nicola Gigante for Zerbetto, Italy, 1980s. This Italian designer is known for his ingenious fluorescent lamps. This rare piece is very versatile as sh...

A spectacular Postmodern torchiere floor lamp design by Ron Rezek in the 1980s. The lamp is metal powder coated white and black with a red on/off ...

An organic and Brutalist style Floor Lamp with Dragon Fly and Leaf design. No chips or cracks. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...