Vintage Louvered Metal Lamp Attributed to Gerald Thurston for Lightolier, 1960s

Vintage Mid-Century White Metal Desk Lamp by Bill Scarlett for Swivelier, Circa 1950s/60s. White metal body with brushed nickel details. Plastic disc shade diffuser and press button ...

Vintage Black Glazed Ceramic Abstracted Cubist Bust Lamp Attributed to Yasha Heifetz, Circa 1950s. Abstract human torso posed in a twisted motion mounted on a rectangular self plinth...

Rare Vintage Cast Glass and Chrome Lamp by Luciano Gaspari for Salviati Italy, Circa 1960s. Modernist abstract textured clear glass form with three circular voids. Monumental in scal...

Vintage Wrought Iron Candelabra Wall Sconces by Van Keppel-Green, A Pair, Circa 1960s. Brutalist in design, these wall sconces are form...

Vintage Bulbous Greige Pietra Decor Series Textured Terracotta Lamp by Bitossi for Raymor, Circa 1950s. Bulbous bottle formed from textured terracotta mounted on a patinated steel cy...

Vintage Large Scale Ceramic Kifwebe-Inspired Mask Lamp on Mahogany Base, Circa 1950s. A gorgeous interpretation of a Congolese Kifwebe mask rendered in off-white stoneware with incised surface detailing in shades of tan and brown. Mounted on a solid mahogany base. We believe this piece to have inspired by an actual carved wood Kifwebe mask in the collection of the MET. Possibly produced by Heifetz, but likely a one-of-a-kind off piece. SOLD WITHOUT LAMPSHADE. “The striations on both male and female masks, which are a unique stylistic trait of all Songye masks, are derived from the markings and patterns of wild and dangerous animals, such as the zebra or striped antelope, crocodile, lion, porcupine, and snake. Bifwebe (Male masks) may be painted black, white, and red. The colors of black and white, however, refer to gender. Female masks are predominantly white, if they are painted at all.” - Dallas Museum of Art “Kifwebe masks played a central role in Songye society enacting control over the social order, and participating in crucial activities such as initiations. This face mask only formed part of a costume ensemble that also included a hood, shirt, and pants made of woven bark, completed by diverse implements in animal skins, furs, and feathers. Like most masks in Western collections, this example was separated from the rest of the costume following its collection from Africa. Once removed from its original context, it no longer formed part of a kinetic and multisensory environment but was admired as a static object of strong graphic qualities, particularly its contrasting white and black striations, stylized features, and overall sense of balance.” - Metropolitan Museum of Art, New York Condition: Excellent vintage condition. One tiny chip on the forehead ridge (barely noticeable and as detailed in photos...

Two beautiful table lamps. Designed by Gerald Thurston for Lightolier USA, 1960s. Grey ceramic lamp bases with a metallic finish on oak feet. Triple armatures which can be switched on and off individually using the draw cord...

Great modernist design, can sit on table or be hung on the wall as a sconce. Pierced pivoting shade allows for direct or diffused light and brightness control.

Gerald Thurston porcelain table lamps for Lightolier.

American Mid-Century Modern Gerald Thurston for Lightolier style brass desk lamp. Featuring a slender, sturdy Brass plated tubular stem, round balanced, weighted 6D base, turn switch to base, adjusting Black enameled interior Brass shade head (8.25 W x 3W) extending to 10W with Cast Iron handle...

Aluminum cylinder with black metal base and pleated interior by Gerald Thurston. Best used as a floor up light to create a moody ambiance or to highlight a architechual element in th...

Classic, Mid-Century Modern, double-headed desk lamp by Gerald Thurston for Lightolier features painted metal shades with perforated diffusers and brass accents on a faux wood metal ...