Midcentury Le Corbousier Cowleather and Chrome Based Chaiselongue, 1960

This is a good example of a "Nonna" rocking chair, designed by Paul Tuttle in 1972 for Strässle International, Switzerland. The materials used in this chair are an attractive combina...

Impressive and very beautiful oil on panel made by Paul Robert Bazé, an artist of French origin. It represents a still life with a bouquet of flowers in the foreground on a dark background. It mainly shows dahlias and camellias, which give the work its name. The traditional still life genre shows its evolution here. It presents the characteristic style of the genre to which it corresponds, realistic and meticulous, especially noticeable in the way it works with the different qualities of the flowers and leaves. The dark background is also inherited from the still life genre, with a marked dark interest reflected in the dark backgrounds. Signed in the lower left corner. Paul Robert Bazé (1901-1985) was born in Paris, although he soon moved to Bayonne and then to Bordeaux, where he was a student of Paul Quinsac...

Amazing and fashionable table designed by Piet Hein & Bruno Mathsson for the house of Frits Hansen, made in the 1960s in Denmark. The top is made of black lacquered wood, and chromed...

Outstanding Dining table made of gilded carved wood and with a 2 cm oval profile top of beveled glass, " Gerbes de Blé ". It is an amazing and emblematic table that captures the spir...

Extraordinary set of six “Tulip 151” model chairs designed by Eero Saarinen. Widely recognized model, a classic in the history of design. Simple structure, the seat itself is made of white fiberglass. The four classic legs have been eliminated to make way for a large central pedestal with a circular base and thin shaft made of cast aluminum with a white coating. The smooth transition between these two parts, base and shaft, makes it a graceful icon. Model 151 is more difficult to find on the market, it is distinguished from the other in that the interior of the shell is upholstered in olive green, both seat and backrest; cushion in the same fabric. This is an exercise in simplification typical of the Mid-Century. The circle and the oval are two elements always present in Saarinen's designs, because in addition to being essential shapes they refer to the organic, and it cannot be forgotten that man himself is an organic element. It is a sculpture design, timeless and eternal. When referring to the history of this design, it is always said that for Saarinen the “lower neighborhood of the legs”, that is, what is observed under the chairs and tables, was a “confusing, restless and ugly” world. ". To do this, he studied the best way to put an end to it and after five years he presented the “Tulip” or Pedestal Collection, introduced in 1958. In good condition for its age and use, they present an organic production label (Sept. 2002). Eero Saarinem Prolific and versatile, Eero Saarinen (1910-1961) was an innovator in the forms of architecture and furniture design. He did not want to be limited by the strict geometry of functionalism and embraced the sensuality and symbolism of curved forms. With the passage of time, his figure grows larger and his decisive contribution to modern architecture and his strong commitment to intuitive and humanized design are recognized. He lived only 51 years, and died without seeing the construction of two of the works that have given him a prominent place in the history of architecture and gave architectural identity to the United States: the TWA terminal at Kennedy Airport in New York – today national monument – and the Gateaway arch of the city of San Luis, a tribute to the Americans who explored the West of the country, and which in its bold shape and complicated engineering perfectly symbolizes the challenge and adventure of that expansion. The monument was completed in 1965, four years after his death, and, like many of Saarinen's works, it provoked controversy at the time, although today it is a landmark. Throughout his career, he practiced eclectic architecture, in which he gave each building an individual character that responded to the physical and symbolic needs of the client, although to do so he had to skip some premises of modern architecture and was accused of excessive or rhetorical by the guardians of modernity. Eero Saarinen worked in the 1930s with Charles Eames, who had studied at Cranbrook Academy in Michigan, an institution dedicated to highlighting the fusion of form and function, material and idea, craft and technology. The Academy building had been designed precisely by the Finnish architect Eliel Saarinen, Eero's father. Along with Charles Eames, Saarinen pioneered the design of furniture that adapted to the shapes of the human body and retained this interest in organic shapes and structures in his work as an architect, seeking to expand the expressive range of architecture. modern. That is why his contribution in this field also left a strong mark: the Tulip table and chair, and the Womb armchair...

The Tam - Tam stool is an essential piece of furniture from the 20th century. It was created in 1968 by the French designer Henry Massonet. This plastic...

Dive into the world of mid-century aesthetics with our expertly restored Mid-Century Modern Blue Velvet Sofa Bed. Our skilled craftsmen have poured exp...

This LC4 chaise longue in black leather was designed by Le Corbusier/ Pierre Jeanneret/ Charlotte Perriand and produced by Cassina. It features the classic chrome steel frame and a b...

DD V daybed is an exclusive daybed made by hand in Bosnia and Herzegovina by skilled craftsmen with long experience in wood and upholstery. Both frame and the...

A beautiful midcentury sofa/chaise in suede and tiger fabric. Measures: Seat height 18.5".

1940s chrome and black leather folding adjustable lounge chair. Cool and industrial, this mid-century piece has an exposed chrome tube framework, a feature emblematic of the period. ...

Black leather seat and pillow on tubular chrome adjustable frame chaise lounge, Italy 1980s.