Aluminum Case Pieces and Storage Cabinets

A smaller scaled Mid - Century cabinet wall unit that could stand alone with fully finished backside . This well crafted piece is in a dark walnut having sculptural round pulls and b...

George Nelson Thin Edge eight-drawer double dresser for Herman Miller, circa 1950s. Model #5221. A classic design, this example is executed in high-quality Brazilian Rosewood with al...

An unique addition to any space, a stunning wall cabinet, perfect as a getting ready perch or a tv cabinet. Each of these pieces is hand made by artist and designer Joseph Ellwood, ...

Please feel free to reach out for accurate shipping to your location. Paul McCobb Modular Cabinets on Wrought Iron Base. Base has 4 original flat iron...

A solid ash sideboard in the manner of the Bahut no.1 model design by Charlotte Perriand and Pierre Jeanneret between 1939 and 1944. The body of the unit and details such as the curv...

Modular 606 shelving system by Dieter Rams for Vitsœ from the 1960s. High-quality construction consisting of four aluminium E Tracks, four shelves and one container with sliding door...

Designer - Giancarlo Piretti Producer - Anonima Castelli Model - Platone Folding Desk Design Period - Seventies Measurements - Width 82 cm x Depth 65 cm x Height 70 cm Materials - P...

The Minimalist wall-mounted 4G shelf is sculpted out of 1/4 inch thick, wax-polished aluminum. Each shelf has an inset welded U-channel that spans the length ...

A large 1950s vintage industrial wall hanging medicine cabinet which was originally used in hospitals and/or chemist shops to store and displa...

With over 15 years of experience, our workshop has followed a careful process of restoration, showcasing our passion and creativity for vintage designs that can seamlessly be incorpo...

Exceptional freestanding wall unit, bookcase, fall front desk, constructed of teak, teak veneer, and aluminum. The set consists of three separate units, two with bookshelf tops over ...

This room divider consists of curved units and is designed by Pelikan Design in 1997 for Fritz Hansen. The units have narrow, oblique wooden slats. The Labyrinth room divider has sm...

Vintage Midcentury Modern dresser for sale. Manufactured in the 1960's by Glenn of California, and has been professionally refinished...

Bookcase by George Nelson for Herman Miller, c.1950s. This shelving unit features an oak frame with aluminum hairpin legs. The piece has an ad...

Minimalistic 'Model 1260' cabinet by Pierre Guariche in 1961, made in Belgium by Meurop. It's crafted from warm teak wood with a modern twist from the black metal frame and aluminum ...

Raymond Loewy DF 2000 Cabinet: Features nine drawers and one door concealing one adjustable shelf. Decal manufacturer's label to interior of one d...

aluminum desk designed and designed by Fabrizio Rossini in 2016, only 12 models in total it is totally inspired by the automotive sector with its exhaust outlets reminiscent of super...

Guido Faleschini for i4 Mariani, cabinets from the 'Pace Collection', leather, fabric, chrome-plated steel, aluminum, mahogany, Italy, circa 1975 This captivating set of four cabin...

Libreria a parete FEAL anni '60 in alluminio verniciato e ripiani in legno di teak regolabili in altezza. Chiusura mensole in alluminio anodizzato. Produzione italiana FEAL (Fonderie...

A brutalist De Coene cabinet in black stained oak with two patterned doors, made in Belgium in the 1970s. Behind the patterned doors, this cabinet reveals plenty of storage space. It...

This remarkable piece is one of the most spectacular desk designs to come out of the Mid-Century era. Designed by architect Gordon Bunshaft for GF Studios (a division of the General...

Modular bookcase unique in style, design, planning and materials. The Mascagni company for the excellent quality and uniqueness of its products boasted in the 50's a reference of exc...

This George Nelson design for Herman Miller, Thin Edge series 10 drawer dresser is in great condition and ready to be enjoyed for years to come. It...

This highly unique and stunning Art Deco Streamlined Machine Age Sideboard in Burled Walnut & Black Lacquer w/ Aluminum Pulls is by the esteemed designer Donald Deskey for the Hastin...

A Maison Jansen, Hollywood Regency Style 1950's Aluminium & Lucite Two Tier Bar Cart With Lucite Topped Ice Bucket A really eye catching and fun bar cart, perfectly suited to a mod...

Jacques Dumond bookcase - Lyon, France circa 1963 Fully modular bookcase composed of nine boxes, each in two molded plywood elements connected by cast aluminum hardware that fasten ...

A very well crafted and beautifully grained walnut chest with five drawers and two doors with one adjustable shelve having chrome pulls . Black accents to the top and bottom trim giv...

George Frydman Two-part china cabinet with aluminum doors and oak structure dating from the 1950s. Beautiful patina, Georges Frydman has always designed adaptable furniture (the heig...

A rosewood thin edge chest designed by George Nelson for Herman Miller with exquisite rosewood grain and early original white porcelain handles.  The George Nelson Rosewood Thin Edge 4-drawer Dresser, crafted by Herman Miller, epitomizes the timeless elegance and functional sophistication synonymous with mid-century modern design. This dresser stands as an iconic piece within the George Nelson collection, renowned for its clean lines, minimalist aesthetic, and impeccable craftsmanship. This particular example boasts exquisite rosewood grain and early original white porcelain handles. Constructed from rich rosewood veneer, the dresser boasts a warm, organic hue that exudes luxury and refinement. Its slender profile and thin edges create an illusion of lightness, enhancing the overall sense of modernity and grace. The 4 spacious drawers feature seamless integration of hardware, maintaining the dresser's sleek appearance while providing ample storage space for clothing, linens, or personal belongings. Each detail of the George Nelson Rosewood Thin Edge series reflects an unwavering commitment to both form and function. Its timeless design transcends trends, making it a versatile addition to any interior decor scheme, from minamalist to post-modern. Whether used in a bedroom, living area, or office space, this dresser elevates the ambiance with its understated elegance and unparalleled craftsmanship, showcasing the enduring legacy of George Nelson's visionary design ethos. About the Designer: Not everyone thinks of George Nelson when they think “Modernism”—but they should. Here’s why: Looking at the outset of George Nelson’s career, few would have guessed that his legacy would crown him as one of the most influential individuals in Modernism—story has it that the young Ivy Leaguer stumbled into the Yale School of Architecture seeking shelter from the rain, and only then did he consider studying design. His legacy, though, would be one that touched nearly every corner of American Modernism as we think of it today. As an architect, author, furniture designer, graphic designer, exhibition designer, teacher, amateur photographer, and general provocateur, George Nelson shaped the course of design in America for over four decades. After completing his two Bachelor’s degrees (one in architecture, the other in fine arts), Nelson went on to accept a traveling fellowship in Rome, which interfaced him with figures like Ludwig Mies Van Der Rohe, Walter Gropius, Le Corbusier, and Gio Ponti all of which he interviewed forPencil Point, bringing the European vanguard to the attention of the magazine’s American readership. At this point in his career, Nelson had devoted himself to writing, joining Architectural Forum as its first associate editor in 1935. For nearly a decade, Nelson’s post as an editor brought him face-to-face with many of the leaders of the Modernism movement in the U.S., and through these exchanges, his own stance in the design world began to solidify. For Nelson, the purpose of design was to improve the world in accordance with the laws of nature—and while he hadn’t yet done much designing himself, he was busy teasing out the theoretical details of architecture. In 1940, Nelson co-authored Tomorrow’s House with Henry Wright, and the book went on to be a great commercial success, introducing concepts like the “family room,” and more broadly assuming a solutions-based perspective for architectural design. It wasn’t long before the book earned him the favorable attention of D.J. Depree, the chairman of Herman Miller the American furniture manufacture. Despite Nelson’s inexperience in furniture design, Depree saw potential in the writer’s approach to the industry: solutions-oriented design with a practical lean. Nelson became the company’s Director of Design in 1947, under the condition that he be allowed to continue his work outside of the company.  From 1947 to 1972, Nelson oversaw the design department at Herman Miller, bringing in the icons that would shape some of the most memorable pieces of mid-century design, from such people as Ray and Charles Eames and Harry Bertoia to Richard Schultz, Donald Knorr, and Isamu Noguchi. 

Beginning in the mid-1950s, Nelson’s own design firm began its work in earnest, producing furniture and pioneering a ubiquitous incorporation of design, bringing that same consideration for pragmatism and aesthetics to advertising and marketing materials, image management, and graphic programs. His own firm incorporated in 1955, tapping many of the same designers from the Herman Miller roster for collaborations under George Nelson Associates, Inc. It was during this period of Nelson’s life and career that many of his most iconic designs came onto the scene—many will be instantly familiar furniture silhouettes that perhaps you didn’t know sprung from George Nelson himself.  Designing his first collection in 1945 and appointed design director in 1947, Nelson quickly expanded his purview and transformed the company. Confirming De Pree’s early assessment of Nelson as someone “thinking well ahead of the parade,” he redesigned everything from Herman Miller’s product line to its graphics and marketing and advertising materials. Over the course of his long association with Herman Miller, Nelson designed hundreds of pieces of furniture and recruited other designers, including Charles and Ray Eames, Alexander Girard, and Isamu Noguchi, now all widely acknowledged as some of the brightest talents of the time. Nelson developed his own designs—from furniture to architecture, and exhibitions to graphics—in his New York City studio, known variously over the years as George Nelson, George Nelson & Associates, and George Nelson and Company. The staff included significant designers in their own right such as Irving Harper, George Mulhauser, Ernest Farmer, Gordon Chadwick, George Tscherny...

This cantilevered desk, designed by Wade Beam for Brueton, merges functionality with a sleek, modern aesthetic. It features a striking metallic silver finish complemented by polished...

Classic 606 Universal Shelving System designed by Dieter Rams, available in black and originating from 1973. This modular shelving unit exemplifies Rams' commitment to functional, lo...

A superb bank of pine and aluminium workshop drawers with charming handwritten labels bearing numbers and descriptions. Consisting of 70 drawers with original draw pulls to each. E...

A very handsome and spacious circa 1970 Danish modern teak wall unit by Ib Kofod-Larsen for Faarup Møbelfabrik, comprised of an upper display cabinet with glass doors and adjustable ...

This lowboard features circles on the door panels that immediately catch the eye and are the signature for this item; a design that originates from the Brutalism era which was at its...

Make a statement with this XXL bar cabinet that looks like it time traveled straight out of the '80s! With four connecting drawers and plenty of space to store a liquor store. This graphic cabinet...

Bar Boeing 747 made with half of a Boeing 747 air intake, in shiny polished aluminium finish, riveted aluminium. With a round glass top and with one black ...

Fffffolding Mask Wall Mounted Shelf by Yoon Shun Dimensions: D 0.5 x W 148 x H 175 cm. Materials: Aluminum and silicone. This side table is made of 5MM aluminum. It has a polished...

Chaos Cabinet by Atelier V&F Limited Edition Of 8+2AP Pieces. Dimensions: D 37 x W 86 x H 147 cm. Materials: Goatskin offcuts and cast aluminum. 「Chaos Cabinet」 rose and took shape...

Stunning Nineteen-Laties vintage gold colored bar cart with glass shelves and mirror bottom. The distinctive cart has an atypical warm-copper tint to the metallic gold finish. Take a...

Article Details Modular 606 shelving system by Dieter Rams for Vitsœ from the 1960s. High-quality construction consisting of eight aluminum E-Tracks, eleven shelves and three contain...

(a+b) are PhDs, architects, designers, experts in architecture and design for space and extreme environments. They design by crossing research and technological innovation with poetr...

Ring Shelf is a free-standing, asymmetric, stone ring that touches on the of modernist sculptor Isamu Noguchi’s incorporation of varicolored stone segments to form larger structures....

Edmond Spence Walnut Credenza Sideboard. Mid century credenza designed by Edmond J. Spence in walnut with aluminum pattern inlay to the door, aluminum track handles and raised edge ...

Shelving system ENETRI by Niels Gammelgaard for IKEA from the 2000s. New edition of the GUIDE system from 1985. Powder-coated metal frame in white with four chipboard shelves in whit...

Vittorio Introini for Saporiti, wall-mounted sideboard, polished aluminum, glass, lacquered ash, Italy, 1960s Exceptional cabinet designed by Vittorio Introini for Saporiti in the ...

Step back into the 1960s with our Danish modern bookshelf, exquisitely handcrafted from mahogany and in pristine condition. This piece has been skillfully restored and refinished by ...

Warren McArthur for Warren McArthur Corporation Table or Desk from the Virginia State Library, Richmond V.A. Aluminum base, wood top with laminate surface Dimensions: 30¼"high 50½" w...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning pair of Timothy Oulton Globetrekker style polished aluminium & brown leather nightstand side e...

Step into the world of mid-century modern design with our circa 1960s Danish modern bookshelf meticulously handcrafted from mahogany and in superb condition. This piece has been completely restored and refinished by our team of expert craftsmen, featuring a newly stained walnut color alongside a striking white and black color combination, all beautifully executed in a satin lacquer finish. This vintage wall-mounted unit...

Chest of drawers model ‘Rosewood’ Manufactrued by 3V Arredamenti Italy, 1967 Aluminum and teak wood Measurements 126 cm x 49 cm x 75h cm 320,05 in x 124,46 in x 190,5 h in Literatu...

The “Levitating” Cabinet is a dramatic, art-deco style vitrine that is made by hand in Bloomington, Indiana. Featuring a dramatic combination of the finest quilted maple and macassa...

Eye Catching and stylish Art deco inspired wall-hung wardrobe stand / clothes rack, from around the 1950s. Formed in aluminium, with matching mirror, hooks, umbrella stand and collec...

Rare signed two-door sideboard with a central inner compartment by Michel Dufet. France 1930s. For "Au boucheron. Le grand magasin du meuble". Modernist style. The sideboard has been...

Beautiful 3 bay Omni wall unit by goerge nelson. walnut with floor to ceiling aluminum uprights.

Chest of drawers designed by Eliel Saarinen for the Johnson Furniture Company in Grand Rapids, Michigan. Its design was part of the Flexible Home Arrangements (FHA) furniture colle...

Italian industrial modern Aluminum and glass sideboard by Ycami, 1990s Sideboard with rectangular base and rounded corners, in aluminum and glass. The top is made of glass, while th...

A rosewood thin edge chest designed by George Nelson for Herman Miller with exquisite rosewood grain and early original white porcelain handles.  The George Nelson Rosewood Thin Edge 4-drawer Dresser, crafted by Herman Miller, epitomizes the timeless elegance and functional sophistication synonymous with mid-century modern design. This dresser stands as an iconic piece within the George Nelson collection, renowned for its clean lines, minimalist aesthetic, and impeccable craftsmanship. This particular example boasts exquisite rosewood grain and early original white porcelain handles. Constructed from rich rosewood veneer, the dresser boasts a warm, organic hue that exudes luxury and refinement. Its slender profile and thin edges create an illusion of lightness, enhancing the overall sense of modernity and grace. The 4 spacious drawers feature seamless integration of hardware, maintaining the dresser's sleek appearance while providing ample storage space for clothing, linens, or personal belongings. Each detail of the George Nelson Rosewood Thin Edge series reflects an unwavering commitment to both form and function. Its timeless design transcends trends, making it a versatile addition to any interior decor scheme, from minamalist to post-modern. Whether used in a bedroom, living area, or office space, this dresser elevates the ambiance with its understated elegance and unparalleled craftsmanship, showcasing the enduring legacy of George Nelson's visionary design ethos. About the Designer: Not everyone thinks of George Nelson when they think “Modernism”—but they should. Here’s why: Looking at the outset of George Nelson’s career, few would have guessed that his legacy would crown him as one of the most influential individuals in Modernism—story has it that the young Ivy Leaguer stumbled into the Yale School of Architecture seeking shelter from the rain, and only then did he consider studying design. His legacy, though, would be one that touched nearly every corner of American Modernism as we think of it today. As an architect, author, furniture designer, graphic designer, exhibition designer, teacher, amateur photographer, and general provocateur, George Nelson shaped the course of design in America for over four decades. After completing his two Bachelor’s degrees (one in architecture, the other in fine arts), Nelson went on to accept a traveling fellowship in Rome, which interfaced him with figures like Ludwig Mies Van Der Rohe, Walter Gropius, Le Corbusier, and Gio Ponti all of which he interviewed forPencil Point, bringing the European vanguard to the attention of the magazine’s American readership. At this point in his career, Nelson had devoted himself to writing, joining Architectural Forum as its first associate editor in 1935. For nearly a decade, Nelson’s post as an editor brought him face-to-face with many of the leaders of the Modernism movement in the U.S., and through these exchanges, his own stance in the design world began to solidify. For Nelson, the purpose of design was to improve the world in accordance with the laws of nature—and while he hadn’t yet done much designing himself, he was busy teasing out the theoretical details of architecture. In 1940, Nelson co-authored Tomorrow’s House with Henry Wright, and the book went on to be a great commercial success, introducing concepts like the “family room,” and more broadly assuming a solutions-based perspective for architectural design. It wasn’t long before the book earned him the favorable attention of D.J. Depree, the chairman of Herman Miller the American furniture manufacture. Despite Nelson’s inexperience in furniture design, Depree saw potential in the writer’s approach to the industry: solutions-oriented design with a practical lean. Nelson became the company’s Director of Design in 1947, under the condition that he be allowed to continue his work outside of the company.  From 1947 to 1972, Nelson oversaw the design department at Herman Miller, bringing in the icons that would shape some of the most memorable pieces of mid-century design, from such people as Ray and Charles Eames and Harry Bertoia to Richard Schultz, Donald Knorr, and Isamu Noguchi. 

Beginning in the mid-1950s, Nelson’s own design firm began its work in earnest, producing furniture and pioneering a ubiquitous incorporation of design, bringing that same consideration for pragmatism and aesthetics to advertising and marketing materials, image management, and graphic programs. His own firm incorporated in 1955, tapping many of the same designers from the Herman Miller roster for collaborations under George Nelson Associates, Inc. It was during this period of Nelson’s life and career that many of his most iconic designs came onto the scene—many will be instantly familiar furniture silhouettes that perhaps you didn’t know sprung from George Nelson himself.  Designing his first collection in 1945 and appointed design director in 1947, Nelson quickly expanded his purview and transformed the company. Confirming De Pree’s early assessment of Nelson as someone “thinking well ahead of the parade,” he redesigned everything from Herman Miller’s product line to its graphics and marketing and advertising materials. Over the course of his long association with Herman Miller, Nelson designed hundreds of pieces of furniture and recruited other designers, including Charles and Ray Eames, Alexander Girard, and Isamu Noguchi, now all widely acknowledged as some of the brightest talents of the time. Nelson developed his own designs—from furniture to architecture, and exhibitions to graphics—in his New York City studio, known variously over the years as George Nelson, George Nelson & Associates, and George Nelson and Company. The staff included significant designers in their own right such as Irving Harper, George Mulhauser, Ernest Farmer, Gordon Chadwick, George Tscherny...

ABOUT A rare Director's Desk by Ernest Igl for Wilhelm Wendl, Germany. The design truly resembles the ethos of the seventies, a bright and bold era. The writing desk feels retro, without clashing with contemporary interiors. Ernest Igl focused on functionality combined with an aesthetically pleasing design for daily use, seen in the playful composition of curved lines and round shapes. The body of the desk is entirely made of molded fiberglass and lacquered in white. The push up writing surface reveals a large storage compartment. A switch inside can lock and unlock the drawers. The top aluminum panel has a clock, large ceramic inset tray, two round ceramic dishes and five ceramic pen holders...