19th Century Landscape Painting "A Scottish Loch at Sunrise" by John Mogford

HENDRIK MARTINUS FREDERIK GEORGE SAVRY Netherlands, 1823-1907 Pastoral Landscape of Cow along a Canal Oil on canvas signed "H. Savry f" lower left Item # 902GPP19Z A vibrant wo...

H. RIVERS American School, 19th century The First Lesson on the Drum Oil on Canvas Signed lower left "H. Rivers" label verso ex. Schwarz Gallery Item...

"BEFORE THE HUNT" LANDSCAPE PAINTING BY JOHN SYER, JR. (BRITISH, 1846 - 1913) In oil on canvas, signed lower right "J. Syer 188.." Item # 012IRM11P A fine open landscape depicting ...

GERMAN SCHOOL MOUNTAINSCAPE OF CATTLE AND SHEEP Circa 19th Century, Unsigned Item # 409KNY06A A precious and crisp work in oil on panel, this incredibly detailed and bright little...

ATTRIBUTED TO JOHN SMITH OF CHICHESTER England, 1717-1764 "The Second Premium Landscape, a copy" oil on canvas unsigned, attributed posthumously verso in pitch "jno Smith of Chichester 1716-1764" Item # 208DEJ23W In 1760 the Society for the Encouragement of Arts, Manufactures and Commerce initiated a prize to be awarded to artists based on the judgement of their work by the society. George Smith of Chichester one the First Premium award for his landscape submission and John Smith of Chichester was awarded the Second Premium for his own landscape. That painting would be acquired by the Goodwood House of Chichester where it remains in their collection today. It is a magnificent painting measuring 6' 4" x 4' 6" and it was included in the collection of engravings executed by William Woollett in 1763 for "Picturesque Scenery of England and Wales", a work that showcased many of the Smith Brothers' paintings reversed as engravings. Executed in oil on canvas, the present example remains in fine original condition over its original stretchers, the canvas being unlined and still presenting beautifully. It depicts a sweeping landscape that is clever in its melding of a classical pastoral ideal together with the intricacies of the Dutch landscape paintings of the seventeenth-century (Pallant, p. 49). The scene is anchored by a river with a trio of figures congregated in the center while a flock of sheep and some cows are herded over the arched bridge in the distance; sheep rest in the shade of the woods on the right while in the distance under pink sky is a hint of the coastal waters that border a small town. The spires of a church rise into the blue-ish hues of distant mountains. This example of the Second Premium is notable in that it includes elements of the scene along the left side of the painting that were left out of the original example at Goodwood: the boulders along the water, the castle on the hill and all the detail in between. And also that it was executed in the same orientation as the engraving, rather than the reversed scene originally painted. For a similar orientation, see the relatively low-quality painting after the engraving in oil on copper that was offered at Sotheby's in 2017, a small painting attributed to John Smith of Chichester that was offered with an estimate of $ 5,000 - $ 7,000. The painting is inscribed in black pitch on the reverse in a period script "jno Smith of Chichester 1716-1764", "FG6981" and in chalk "LOT 333"; it retains a label from Richard Feigen & Co of New York and the upper right corner is retained an early loan label that was never filled out. The painting is housed in an ebonized and parcel gilded frame from the middle of the 20th century. It is unknown whether the painting was executed by John Smith of Chichester or was completed by a follower of his work. As discussed by Brian Stewart in the Pallant House catalog of The Smith Brothers of Chichester, the exquisite engravings of works by the Chichester Brothers were incredibly popular and widely distributed. As an interesting annecdote, when their contemporary Thomas Hearne produced paintings of "The Improved Landscape" and "The Unimproved Landscape" that were engraved for Richard Payne...

PAIR OF LANDSCAPES "RESTING ON THE BLUFF" ATTRIBUTED TO PIETER VAN BLOEMEN (FLEMISH, 1657-1720) Unsigned, later engraved attribution plaque on each frame, executed in oil on canvas I...

Scottish Highland landscape, by 19th century British painter Thomas Hines, signed on lower right rock. Oil on board with a period gesso gilt over wood frame inscribed "Loch Tyt N.B....

Scottish Interest A View of Loch Tay with Kenmore Church and Bridge signed H.W. Williams lower right watercolour, mounted and giltwood frame 17 in x 25 ½ in (43 x 65 cm)

19th Century oil painting on canvas of a young of a young Scottish boy by Axel Gillis Hafstrom. Mounted in a gilt frame.

Patrick Nasmyth (Scottish, 1787- 1831) Figures in a Landscape Signed and dated, 'P. Nasmyth / 1810, lower right corner oil on canvas Held in a giltwood frame. Provenance The Co...

Oil on canvas, view from a mountain range with pines and fir trees on a flat river or lake landscape with farmsteads. (S-108).

Beautiful French 19th Century landscape painting. Old wood original stretchers . Nice old gilt frame too. Sight dimensions: 15....