WAITING AT FLORIAN'S, VENICE by Jane Corsellis (b 1940)

Peter Kuhfeld (b. 1952) At San Moise, Late afternoon Signed 'Kuhfeld' (lower right) Original dealer (W.H. Patterson) label at rear oil on canvas 26 x 48 inches. (66 x 122 cm.)

Original Oil Painting by Mellisa Scott-Miller (born 1959). 'Cat Sleeping By Christmas Tree' dated 2009 Oil on canvas, Framed size 24" (62 cm) x 20" (52 cm) x 1" (2.5cm) Previously...

Peter Kuhfeld (b. 1952) Reclining Nude Signed 'Kuhfeld' (top right) Original dealer (Brian Sinfield) label at rear oil on canvas 12 x 18 inches. (30.5 x 46 cm.)

Peter Kuhfeld (b. 1952) The Salone Grande, Palazzo Barbaro, afternoon Signed 'Kuhfeld' (lower right) Original dealer (W.H. Patterson) label at rear oil on canvas 21 x 29 inches. (52....

Sheep resting in Meadow by Thomas Sidney Cooper RA British, 1803-1902 Oil on board Panel size: 8 x 12 inches Framed size: 10.5 x 14.5 inches

A pair of domestic conversation pieces, one showing a girl teasing kitten with her mother's skein of silk, the other a mother dressing daughter for fancy dress party. Both oils on c...

Highly atmospheric and winning, this American Scene painting of three young men waiting for the next train in downtown Indianapolis -- perhaps...

19th century Scottish hunting painting.

When and where is home?!? Finished in white gold leaf, glossy black laminate and laser-cut wood.

"Ghost California" is the California Dream dressed in black. This gold leaf painting plays with archetypal icons of California culture. The sun, gold, an arrow, Redwood. The arrow, shot at a golden sun (or is it a halo?) with a stark black bullseye, must kink itself to make its mark. The map of California...

Tapestry made of white silk velvet dyed with ultramarine, cornflower and gray pigments, painted with colored pastes. Murano glass details, gold leaf and silk thread. "Dreams in Waiting" is a work that represents the need to remember one's dreams. Though hanging from a clear glass rod with white filigree with a gold leaf detail that looks fragile, it steadily supports dreams and shows them to remind us of them. The uniqueness and authenticity of this work is confirmed by the artist's entirely personal and original technique, which no one else has applied with the same methods and on the same media. The processing technique first consists of hand-dyeing natural silk velvet with pigments dissolved in water. This process is unique and unrepeatable, as several uncontrollable external factors influence it, and the artist deliberately never transcribes "recipes" for color rendering. Once the velvet was dyed, it was ironed and treated with ancient craft techniques, revisited by the artist, which made it smooth and shiny. On this support, which forms the basis of the work, Anna Paola Cibin...

Robert Gallon British, 1845-1925 “Waiting for the Catch” Oil on canvas 30 by 50 in. W/frame 36 by 56 in. This artist, well known, and justly appreciated by the British Pu...