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"Retour d'un Banquet" Japanese Woodblock Print by Paul Jacoulet
About the Item
"Retour d'un Banquet, Coree Seoul (After the Banquet, Soul, Korea) Japanese woodblock print by French artist Paul Jacoulet, circa 1951. Limited edition of 350 with fewer than 250 impressions printed.
Information on the wood block print:
Carver: Maeda
Printer: Honda, Onodera.
'Korea Series'
Signed in pencil bottom right with owl seal
Grey wood frame with cream mat
Measures: Image? 16.25" x 12.5", overall 24" x 20.5"
Very good condition with wonderful color. Sorry for the shadows in some of the pictures.
Paul Jacoulet (1896-1960) has an immensely abundant legacy of over 160 woodcut prints in addition to an excess of 3,000 watercolors and drawings. His works are a triumphant harmony of both Eastern and Western cultures that he was exposed to throughout his lifetime, recently acknowledged in an exhibition at the Bibliothe`que Nationale de France in 2011.
Born in France, Jacoulet grew up in Tokyo after his father, a university professor, was hired by the Japanese government to teach French to young officials and aristocrats. Having been raised within an environment of education and culture, Jacoulet was fluent in Japanese language and sociability. He studied a wide range of Japanese traditional arts, including the art of woodblock printing, which he did so under the tutelage of Shizuya Fujikake from circa 1931.
Jacoulet’s work takes its inspiration from his immediate surroundings in Japan, Korea and later the Pacific Islands, fused with a sense of Western ideals from his knowledge of art in France and other European countries. His prints almost exclusively depict people as their subject, predominantly either as portraits or incidents of daily life and are therefore fruitful sources of dress and social customs. He remained faithful to the traditional ‘ukiyo-e’ genre of Japanese woodcuts but diffuses into it new subject matter and the adoption of atypical colors, resulting in his vivid and colorful representations of people and scenes.
Jacoulet’s commitment to maintaining the integrity of the woodblock print as an art form was demonstrated by his pursuit of perfection in ensuring only high quality work was produced and his active involvement throughout the printing process. In 1931, Jacoulet created the Jacoulet Institute of Prints in order to self-publish his work and was one of the rare publishers who visibly credited the carvers and printers within the margins of the prints themselves.
The greatest reflection of his triumphant synergy of East and West is perhaps his professional success within Japan itself, rendering Jacoulet’s work far more than merely westernized interpretations of the East.
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- Creator:Paul Jacoulet (Artist)
- Dimensions:Height: 20.5 in (52.07 cm)Width: 24 in (60.96 cm)Depth: 0.75 in (1.91 cm)
- Style:Japonisme (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1951
- Condition:Wear consistent with age and use.
- Seller Location:San Diego, CA
- Reference Number:1stDibs: LU936616793282
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