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Vintage Pop Art exhibition screen print after Roy Lichtenstein's "Kiss V"
About the Item
Stunning silk screen print from the limited 1990 run authorized by Lichtenstein’s estate after his iconic painting Kiss V (1964). Very good vintage condition. Minor age appropriate wear like slight darkening near the bottom edge of image right around the letters “oste” in title at the bottom of image.
Catalogue raisonne: Doring & von der Osten "Lichtenstein Posters" (Prestel, 2008), entry 149.
- Creator:(after) Roy Lichtenstein (Artist)
- Dimensions:Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)Depth: 1 in (2.54 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1990
- Condition:Wear consistent with age and use. Minor structural damages. Fair vintage condition. Minor age appropriate wear. Some edgewear. Overall presents quite well.
- Seller Location:Brooklyn, NY
- Reference Number:1stDibs: LU4190312600672
(after) Roy Lichtenstein
Roy Fox Lichtenstein (1923 – 1997) was an American pop artist. During the 1960s, he became a leading figure in the new art movement. He was heavily inspired by the comic strip as a visual medium, in particular the presence of the "Ben-Day" dots that are a result of the color and tone distillation of inexpensive printing. He described pop art as "not 'American' painting but actually industrial painting". Lichtenstein had his first one-man show in New York in 1962; the entire collection was bought by influential collectors before the show even opened. He would never take himself too seriously: "I think my work is different from comic strips — but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art." When first exhibited, many art critics challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, “Is He the Worst Artist in the U.S.?” Lichtenstein responded to these claims by offering responses such as: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument."
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