Antique French LampworkCarvedGlass TuttiFrutti Brass Clip Earrings

These mid-century platinum-like silver tassel chain drop earrings were designed by Trifari artistic director Alfred Philippe in an Art Deco style that recalls his earlier work for Ca...

Italian-Riviera goldsmith Ugo Cacciatori designed this signed one-of-a-kind sterling-silver hook earring featuring four hand-cut rubies for a fashion show during a Paris Couture Week...

Miriam Haskell's first designer since 1926 Frank Hess created in a Baroque style these handcrafted cluster-cascade-dangle earrings that feature coated-glass ecru round faux-pearls wh...

Stamped "Made In France" on their antique brass back-plates like the initial unbranded couture costume-jewelry commissioned by French Gabrielle "Coco" Chanel beginning in 1924, these floral-motif wired earrings with early handcrafted brass clips are decorated with button-like cultured mother-of-pearls mixed with Parisian organically-coated lampwork glass, which we photographed in indoor sunlight for the most accurate colors. The pair were designed by Chanel to accessorize a one-of-a-kind clothing ensemble (likely including cultured-pearl buttons and a brooch) for a client of this pearl-associated couturier whose earliest one-of-a-kind jewelry--unlike other 1920s fashion designers--sometimes mixed real and faux gems. The intricate glass artistry, wired clustered arrangement and earring findings are characteristic of one of Chanel's first Parisian paruriers, Louis Rousselet, who was a lampwork master with a workshop since 1920 specializing in faux-pearl glass beads and wire-work construction. As the three-piece flat-brass lever clips without hinge-holes on both sides predate Rousselet's wire-horseshoe clips, they can be dated like the patinated well-worn brass hardware to the mid-1920s. The beads of various sizes and ecru colors that are wired to each earring include five round graduating iridescent mother-of-pearl disks, along with lampwork glass replicating nine baroque pearls, five round pearls and two seed pearls. There are natural imperfections on the green-and-rose-reflecting cultured pearls, while there is some nacre-enamel loss on the glass beads that is not eye visible. On closer view, one of the central round glass beads has a lighter blister, which appears like the texture of some uncultured pearls. Of note, Chanel did not include a brand signature on any of her couture costume jewelry prior to the mid-1950s. As many of her clients who came to Paris for their couture-clothing fittings were foreign, the coordinated unique jewelry that was expected to leave the country was merely stamped "Made In France" or "France". We acquired these earrings in The States along with a similar set with less but larger "petals, berries and leaves", which we priced the same in a different listing despite the slightly greater size and weight of this pair. So we know that they both were created for a single commission of multiple unique earrings with like lampwork-glass shapes and findings to be paired with the ecru mother-of-pearls provided by Chanel. While we have acquired over a dozen pre-signature pieces commissioned by the founder, these are the earliest earrings that we have discovered by Chanel. We have never found a single match to contradict our recognition of her early couture creations nor to attribute them to another designer. Further, Art Deco couture...

These post-WWII high-end Vendome hand-wired clip earrings each feature a spray of yellow-gold gilt-metal leaves with a stylized branch and five prong-set clear crystals among a clust...

In the Art-Deco period when geometric, monotone and sparkly designs became fashionable, leading Paris-based couture designer Elsa Schiaparellli set trends with her artistic use of new plastic resins in bold costume jewelry. This progressive French style is exemplified by this unsigned antique black sphere-motif pair of a coiled bangle bracelet and two-tier crystal earrings. The heat-set curvilinear plastic, along with the silver screw-hardware of the earrings, date the set to no earlier than the 1920s and no later than 1930s. Each inch-diameter earring features 18 black molded bezels containing brilliant rose-cut crystals, while their filigree-like concealed black frames are riveted in back where they twist-fasten with very thin silver hardware. The rhinestones rise above the bezels to maximize their sparkle in rainbow colors, which is accentuated by the stacked frames...

Finesse, power and preciousness combine to create the Indy Earcuff Pavé. Each Indy Earcuff Pavé invites a joyful symphony of accumulated wear. The delicacy of the setting, as soft a...

Aquamarine Baroque 14.40 Carat Diamonds 18 Karat White Gold Spectrum Earrings Gorgeous and unique, this 18K White Gold, Aquamarines, Diamonds Earrings from the Spectrum collection i...

Aquamarine Baroque 10.75 Carat Diamonds 18 Karat White Gold Spectrum Earrings Gorgeous and unique, this 18K White Gold, Aquamarines, Diamonds Earrings from the Spectrum collection i...

A pair of 18 carat gold earrings with coral, amethysts and brilliant cut diamonds, signed and numbered: Cartier, model Delice de Goa. weight: 12.2 grams dimensions: 30 x 13 cm

PANIM 9.49 Carat Fancy Color Diamond Briolette 18k White Gold Earrings PANIM Fancy Color Diamond Briolette White Gold Earrings 18K WHITE GOLD Gold Grams : 11.74 gms Diamond Carats :...

PANIM 18K White Gold Diamond Briolette Chandelier Earrings Details : Total Diamonds - 6.97cts 18K - 9.37grams. More details and videos are available on request.