William Robinson Leigh

The Noble Bull

Olaf Wieghorst (American, 1899-1988) "Season's Greetings" (Brave on Horseback) 1960 Watercolor/Gouache on Paper Initialed and Monogramed and Dated Dedicated: "To Rosalie & Jack, Season's Greetings, Mae & Olaf Xmas 1960" Site Size: 12 x 9 inches Framed Size: approx. 22.5 x 18.5 inches Born in Viborg, Denmark, Olaf Wieghorst was a child acrobatic performer from the age of nine when he began appearances at Tivoli Theater in Copenhagen and later toured Europe. He also learned horseback riding working on a stock farm, and horses became a major focus of his admiration and later his painting. In 1918, he arrived in the United States, having worked as a cabin boy on a steamer. He served in the 5th U.S. Cavalry on the Mexican border in the days of Pancho Villa...

Bull by W. R. Leigh (1866-1955) Signed Lower Left Unframed: 20" x 16" Framed: 33.25" x 27.25" Born near Falling Waters, West Virginia on a plantation a year after the Civil War, and raised in Baltimore, William Leigh became one of the foremost painters of the American West with a career of seventy-five years. Some people referred to him as the "Sagebrush Rembrandt". He was the son of impoverished Southern aristocrats and took his first art training at age 14 from Hugh Newell (1830-1915) at the Maryland Institute where he was regarded as one of the best students in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, he began working as a magazine illustrator in New York City for Scribner's and Collier's Weekly Magazine, and he also painted portraits, landscapes, and genre scenes. However, he was not a very successful artist in those years in New York. Trips to the Southwest began in 1906 when he made an agreement with William Simpson, Santa Fe Railway advertising manager, to paint the Grand Canyon in exchange for free transportation West. In 1907, he completed his Grand Canyon painting...

Constantin Guys (1802-1892) "Carriage Ride in the Park" c. 1860s Ink and Wash on Paper Original Labels Verso Site Size: approx. 8 x 11.5 inches Framed S...

Hoi Lebedang "Majestic Horse" c. 1950s Original Mixed Media on Paper Signed "Lebedang, Paris" Lower Right Site Size: approx 13 x 20 inches Framed Size: ...

Lady with Snake Horse, 1981 By Rudy Autio (1926-2007) Unframed: 29" x 22.5" Framed: 35.75" x 29.25" Signed and Dated Bottom Right Rudy Autio is a ceramist who was born in Butte, Montana, in 1926, and has lived in his native state throughout most of his career. He headed the ceramics department at the University of Montana for twenty-eight years and is now retired as Professor Emeritus of the School of Fine Arts. Prior to his appointment at the University of Montana, Autio was a founding resident artist at the Archie Bray Ceramics Foundation in Helena, Montana. Autio received a Tiffany Award...

"Two Horses" by Thomas Hart Benton (1889-1975) Signed Lower Right Without Frame: 7" x 10" With Frame: 16.25" x 19.25" Thomas Hart Benton was born in Neosho, Missouri on April 15, 1889. Even as a boy, he was no stranger to the "art of the deal" or to the smoke-filled rooms in which such deals were often consummated. His grandfather had been Missouri's first United States Senator and served in Washington for thirty years. His father, Maecenas Benton, was United States Attorney for the Western District of Missouri under Cleveland and served in the United States House of Representatives during the McKinley and Theodore Roosevelt administrations. Benton's brother, Nat, was prosecutor for Greene County, Missouri, during the 1930s. As soon as he could walk, Benton traveled with his father on political tours. There he learned the arts of chewing and smoking, and while the men were involved in their heated discussions, Benton delighted in finding new cream colored wallpaper on the staircase wall, at the age of six or seven, and drew in charcoal his first mural, a long multi-car freight train. As soon as he was eighteen, even though his father wanted him to study law, Benton left for Chicago where he studied at the Art Institute during the years 1907 and 1908. He continued his studies in Paris, where he learned delicious wickedness, aesthetic and otherwise. Once back home, he became the leader of the Regionalist School, the most theatrical and gifted of the 1930s muralists and as Harry Truman described him,"the best damned painter in America." Detractors said that Benton was "a fascist, a communist, a racist and a bigot"; the ingenious structure, powerful use of modeling and scale and the high-colored humanity of the murals and easel paintings are retort enough. He was a dark, active dynamo, only 5 ft., 3 1/2 in. tall. He was outspoken, open, charmingly profane; he had a great mane of hair and a face the texture of oak bark. He wore rumpled corduroy and flannel, and walked with the unsteady swagger of a sailor just ashore. He poured a salwart drink, chewed on small black cigars and spat in the fire. Benton was once described as the "churlish dean of regionalist art...

Dina Brodsky is a contemporary realist miniaturist painter and curator known for her detailed drawings of animals, architecture, and trees. Her miniatures carry with them the traditi...

WPA Post Office Mural Study Native American Scene Regionalism Social Realism Louise Emerson Ronnebeck (1901 - 1980) Proposal Sketch for Worland Wyoming Post Office WPA Mural Project Image: 7 x 15 inches Board 14 x 22 inches Watercolor on paper, attached to black/gray cardboard/thick paper c. 1937 Signed lower right Written in Louise's hand on mounting paper in white chalk/pencil: "Sketch for Mural...

Dina Brodsky's realist animal miniature, Crested Bird, is a rich melange of hues and textures. The bird's plumage is a blaze of brick red and burnt orange. His tail and crest are pun...

This painting was created by American artist Lumen Martin Winter. Winter's figurative equestrian paintings sometimes play with the edge of abstraction, resulting in an expressionisti...

Mid Century figurative landscape of a cowboy on his horse at sundown titled "Head Em Home" by Stanley M. Long (American, 1892-1972). Signed “Stanley M. Long” in bottom right corner. Displayed in a simple wood frame and off-white mat with glass. Image size: 22.75”H x 30.25”L. Frame is 1.5" deep. Stanley M. Long was a watercolorist who was born in Oakland, CA on May 4, 1892. He spent his childhood on a ranch in Napa where he broke wild horses. He began sketching when quite young and at age 15 enrolled at the San Francisco Institute of Art. He continued at the California College of Arts and Crafts, where he was awarded a scholarship for further study at Académie Julian in Paris. Long served in the camouflage corps in both world wars. Long taught art in San Francisco at Mission High School and for 17 years at Polytechnic High School. His western illustrations were featured in Sunset Magazine and the Los Angeles Times. Having worked with horses all his life, they were to become the main theme of his paintings. Member: Society of Western Artists, Napa Valley Art...

Dina Brodsky's realist miniature gouache painting, Yellow Bird Akimbo, is kinetic and visceral. Clinging to diverging branches, the little yellow shock of a bird is caught betwixt an...