Corne Akkers

Roundism – 20-08-20, Drawing, Pencil/Colored Pencil on Paper

2020

Roundism – 27-10-20 Just Abstract Last model session resulted in a nice pose through which I was inspired to continue my roundism series. The general idea was to build up the p...

Golden brown – 24-08-20 New paper experiment The other day I bought new paper by Talens (Toned Colour Mix): a sturdy dark blue sheet perfect for colored pencil and pastel stick...

Art Graf Debutant Of late I am exploring textures of fabrics like satin, silk and all other shining objects such as gold and silver. Two months ago I made the first one, depicting...

On the Beach – 11-12-20 Old Vintage Photo Years ago I saved a vintage picture of a nude on the beach. Origin unknown and my best guess would b...

Geesje Kwak – 12-07-21 A Portrait of Geesje A day ago I experimented with Art Graf. I was quite surprized and therefor I thought it would be nice to do a portrait of Geesje Kwak. There are only some odd 15 pictures...

Roundism – 23-11-20 Diagonals, Horizontals and Verticals A new roundism variation in diagonals, horizontals and verticals. Sometimes you come across a great motif that stimulat...

This interesting seated woman pencil study is by French artist Wouyart (20th Century). This unique representation captures the model's expression through trace lines and shadows that...

A graphite on paper, untitled mural study, Cubist scene of a rail yard by WPA-era artist Rudolph Weisenborn, ca. 1940. Archivally matted to 16" x 18". Provenance: Estate of the artist. Rudolph Weisenborn was born in Strassburg, Germany in 1881, but was orphaned at the age of nine. He was taken-in by Mid-Western farmer Thomas Westaby and spent his early years in Wisconsin, Iowa and North Dakota. Weisenborn first attended the University of North Dakota in 1898, then the Students School of Art in Denver. Various accounts have him working out west as a gold miner and cowboy. Around 1912, he settled in Chicago and worked as a window designer for Marshall Field’s. Weisenborn is best known as the founder of the Chicago No-Jury Society of Artists. The group was founded because many artists could not get their work accepted into the mainstream Art Institute shows. Weisenborn is quoted as saying that he harbored feelings of disdain for any jury and that his own paintings were frequently rejected by conservative jurors. He was also involved and helped found other radical artist’s groups such as the Salon des Refuses, Cor Ardens and Neo-Arlimusic. In 1936, he helped found the New York-based American Abstract Artist’s Group. He created the only abstract mural for the 1933 Century of Progress Exhibition in Chicago and also worked for the Federal Arts Project in the Easel Division. His WPA murals can be found in Crane Technical High School and Nettlehorst Elementary School in Chicago, IL. In 1945, Chicago businessman Herman Spertus...

SERGE FERAT 1881-1958 (Le Comte Sergueï Yastrebzov) Moscow 1881-1958 Paris (Russian/French) Title: Study for Batavia (The Woodcutters), circa 1926 Technique: Original Pencil D...

LOUIS MARCOUSSIS (1883-1941) (Ludwik Kazimierz Wladyslaw Markus) 1878 or 1883 Łódź, Poland – 1941, Cusset, France (Polish/French) Title: The Balcony (Drawing for Plate I, Plan...

Belgian artist Miette Braive(1916-2000), was classically trained in Belgium, before moving to Paris to pursue her art career as first a student and then a contemporary of the French ...

Early 20th century watercolour on paper of a factory in a landscape by English artist E Corvin-Pearson. The painting is signed bottom right and marked ' 3 Guineas' to the backboard. ...