ErtéRaspoutine, Costume d'HiverSeptember 9th 1965
September 9th 1965
About the Item
- Creator:Erté (1892 - 1990, Russian)
- Creation Year:September 9th 1965
- Dimensions:Height: 26.75 in (67.95 cm)Width: 21.5 in (54.61 cm)Depth: 2.25 in (5.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:
Erté
Born Romain de Tirtoff (1892–1990) in St. Petersburg, Russia, to an aristocratic family, the artist known as Erté — a pseudonym derived from the French pronunciation of his initials — was a Renaissance man of the art and design world. He worked in graphic arts, interior design, fashion, jewelry and set design for the stage and silver screen, becoming a leader of the Art Deco style.
Moving to Paris in 1912, Erté worked as a fashion designer under couturier Paul Poiret before securing a job with Harper’s Bazaar as a cover artist. Over 22 years, Erté created more than 240 magazine covers alongside his ongoing work in fashion design.
Extending his prolific career into theater sets, costumes, prints and lithographs, Erté became one of the most famous artists of the era. His style — a combination of the nature-inspired flourishes of Art Nouveau and bold, geometric linework — directly contributed to the birth of Art Deco, earning him the nickname “the Father of Art Deco.”
After a lull of creative production in the 1940s and 1950s, Erté reentered the public eye in the 1960s, when a renewed interest in Art Deco had taken shape.
Creating colorful lithographs, bold serigraphs (silk-screen prints) and bronze sculptures, he contributed to a resurgence of the style in France and beyond. This late-life acclaim for his art led to exhibitions in museums and galleries all over the world as well as his first published monograph in 1970. That same year he was awarded the title of Chevalier du Mérite Artistique et Cultural and in 1976 was named Officier des Arts et Lettres by the French government.
Today, Erté’s works are in the collections of the Metropolitan Museum of Art and the Cooper Hewitt, Smithsonian Design Museum, in New York, the Victoria and Albert Museum in London and LACMA in Los Angeles.
On 1stDibs, browse a collection of Erté art, including fine art prints, paintings and other works.
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- La MargueriteBy ErtéLocated in San Francisco, CAThis artwork is an original gouache on Canson Mongolfier paper titled "La Marguerite," by Russian/French Artist Erte, Romain De Tirtoff, 1892-1990. It is...Category
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MaterialsGouache
- l' Oeuf a GoberBy ErtéLocated in San Francisco, CAArtist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: l' Oeuf a Gober Year: 1958 Medium: Original gouache Paper: Canson Mongolfier Paper size: 14.2 x 10.65 inches Signa...Category
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- La Fonctionaire, ElleBy ErtéLocated in San Francisco, CAArtist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: La Fonctionaire, Elle. Year: February 26 1962 Medium: Original gouache Paper: Canson Mongolfier Size paper: 14.75 x ...Category
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- Madame De ChateaubedeauBy ErtéLocated in San Francisco, CAThis artwork, titled "Madame De Chateaubedeau," circa 1935, is an original gouache by Russian/French artist Erte, Romain De Tirtoff 1892-1990. It is hand sig...Category
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- La VioletteBy ErtéLocated in San Francisco, CAThis artwork, titled "La violette" 1958, is an original gouache on Canson Montgolfier paper by Russian/French artist Erte, Romain De Tirtoff, 1892-1990. It is hand signed in black in...Category
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- Landscape #IIBy Merton ClivetteLocated in San Francisco, CAArtist: Merton Clivette (American, 1868-1931) Title: Landscape II Year: Circa 1925 Medium: Gouache Paper: Watercolor Size image: 17.35 x 22.65 inches Size paper: 17.35 x 22.65 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...Category
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