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Erte - Romain de TirtoffAilerons de Requin by Erté1929
1929
About the Item
Erté (Romain de Tirtoff)
1892-1990 Russian-French
Ailerons de Requin(Shark Fins)
Inscribed "n°1.491" (en verso)
Gouache on paper
In 1928, Erté undertook the creation of stage designs and costumes for Aladin, a theatrical production that drew inspiration from the enchanting tales of Arabian Nights. Staged at the renowned Folies Bergère, this production marked a convergence of Erté's artistic vision with the allure of Eastern culture, as depicted in both literature and the world of theater. This gouache on paper is a remarkable costume from the collection, known as Ailerons de requin, meaning Shark Fins. Evoking a marine ambiance with its deep black silhouette adorned by gleaming brass accents taking the form of diverse fish and scales, this statuesque presence invokes the majestic embodiment of an aquatic deity. Perfectly representative of the Art Deco's bold patterns and gilt finishings, this creation by the "Father of Art Deco" himself is an exceptional example of Erté's finest work.
The Folies Bergère, an iconic cabaret establishment established in 1880, not only holds historical significance but also serves as a cornerstone of the Art Deco movement. With its Art Deco façade, the venue stands as a testament to its rich legacy and has hosted unforgettable performances by luminaries like Charlie Chaplin, Josephine Baker, Charles Trénet, and even the esteemed French writer Colette.
The artist, Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city's bustling nightlife. Erté's expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper's Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the "Father of Art Deco," Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Painted 1929
Paper: 11" high x 9" wide
Frame: 17 1/4" high x 14 1/4" wide x 3/4" deep
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
- Creator:Erte - Romain de Tirtoff (1892 - 1990, Russian)
- Creation Year:1929
- Dimensions:Height: 17.25 in (43.82 cm)Width: 14.125 in (35.88 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:
Erte - Romain de Tirtoff
Erté, Romain de Tirtoff, (1892–1990) was a Russian-born French artist and designer who is equally famous for his elegant fashion designs and his artwork, both of which capture the art deco period in which he worked. Diversely talented, Erté was born in Saint Petersburg to a distinguished family with roots tracing back to 1548. After moving to Paris, he secured his first substantial contract with Harper's Bazaar magazine, and thus launched an illustrious career that included designing costumes and stage sets. Between 1915–1937, Erte designed over 200 covers for Harper's Bazaar, and his illustrations would also appear in such publications as Illustrated London News, Cosmopolitan, Ladies' Home Journal, and Vogue. Erté flourished and was renowned in an array of fields, including fashion, jewelry, graphic arts, costume and set design for film, theater, and opera, and interior decor.
After designing apparel for the French dancer Gaby Deslys, Erté went on to design costumes, program designs, and sets which were featured in the Ziegfeld Follies of 1923, many productions of the Folies Bergère, and George White's Scandals. On Broadway, the celebrated French chanteuse Irène Bordoni wore Erté's designs. His delicate figures and sophisticated, glamorous designs are instantly recognizable, and his ideas and art still influence fashion into the 21st century.
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