Jamie Marin-Price

Portrait of Guitar Player, Pastel on Paper

Extremely rare work of art from the early Bezalel School of Boris Schatz in Ottoman Palestine. it depicts an Orientalist Arab Sheik in traditional Headwear. YITSKHOK LIKHTENSHTEYN ...

This is a take on an ad featuring an antique judaic carved wood circumcision chair from the community of Hebron is Israel. titled Mama with Challah. The bold and eclectic work of se...

The bold and eclectic work of self taught artist Ephraim Wuensch is part social commentary part contemporary street art. These are mixed media reworked luxury magazine advertisements...

Anthony Thomas Triano (1928–1997) was an abstract expressionist painter, sculptor, illustrator and teacher. His works feature natural forms, especially the human form, and tend towar...

Dean was born in 1934 of Jewish parents in a Berlin, Germany, that was falling prey to the Nazis. The family immigrated to New York City in 1938, and Dean was raised in the refugee community in Inwood. Dean's first show (ironically, in retrospect) was given him by the USIA in Brazil. In 1959, he returned to New York to work six months on, six months off in soil engineering and made art in the interims. He tried, and failed, to get into a Tenth Street Gallery. Studying painting at night with Andre Girard at City College pushed him over the edge, and in 1969 he committed himself to painting full time. Artists who impressed him in the '60s were Robert Beauchamp, Lester Johnson, Jan Muller...

Paper measures 21 X 33 inches Born and raised in Mississippi, Alex O'Neal graduated from Rhode Island School of Design and School of the Art Institute of Chicago. In the Eighties, his formal education overlapped regular visits with Mississippi self-taught artists, including Mary T. Smith, Luster Willis, and Son Ford Thomas. He later immersed himself in art brut collections and European art brut in Switzerland, Germany, and France. His work is also inspired by African-American self-taught outsider art. O'Neal's drawings and paintings have been shown at The Drawing Center, New York; BRIC, Brooklyn; P.S.122, New York; Johnson Museum of Art, Ithaca, NY; Woodruff Arts Center, Atlanta; Tennessee Arts Commission, Nashville; Mississippi Museum of Art, Jackson, MS; Centre d’Art des Pénitents Noirs, Aubagne, France; Contemporary Arts Center, New Orleans; Chicago Cultural Center; Ecomuseu, Valls d'Aneu, Spain; Amory Arts Center, West Palm Beach; Huntsville Museum of Art, AL; Rockefeller Art Center, SUNY Fredonia; ART LA; Field Projects, New York; LOG at Lump Gallery, Raleigh, NC; and Linda Warren Projects, Chicago. His work is in volumes 16, 38, and 104 of New American Paintings. His paintings and drawings idiosyncratically depict circumstances that associate Americans, i.e. dysfunction, nature worship, cults, homegrown terrorism, Hollywood, reverence for Native America. There is formal influence from stylization found in Romanesque fresco, early American portrait painting...

Oil pastel on 350 g/m2 textured paper. With thoughts on 21st century humans and their future, João Cardoso concludes that technology brings tools for two extremes. Thus, technology,...

Oil pastel on 350 g/m2 textured paper. With thoughts on 21st century humans and their future, João Cardoso concludes that technology brings tools for two extremes. Thus, technology,...

Oil pastel on 350 g/m2 textured paper. With thoughts on 21st century humans and their future, João Cardoso concludes that technology brings tools for two extremes. Thus, technology,...

Oil pastel on 350 g/m2 textured paper. With thoughts on 21st century humans and their future, João Cardoso concludes that technology brings tools for two extremes. Thus, technology,...

Oil pastel on 350 g/m2 textured paper. With thoughts on 21st century humans and their future, João Cardoso concludes that technology brings tools for two extremes. Thus, technology,...

Pregnancy is a contemporary artwork realized by Jean Carton around the mid-20th century. Sanguine drawing portraying a nude pregnant woman. Dimensions: cm 58,7 x 47,4. In good con...