Items Similar to Ruckus Rodeo (unique acrylic painting by famed Pop artist w/ Marlborough label)
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Red GroomsRuckus Rodeo (unique acrylic painting by famed Pop artist w/ Marlborough label) 1975
1975
About the Item
Red Grooms
Ruckus Rodeo, 1975
Acrylic and felt tip pen on paper
Signed and dated in black felt marker
Unique work
Provenance: Marlborough-Gerson Gallery, with original label verso
Frame included: in museum frame with UV plexiglass
Measurements:
22.75 inches vertical by 19.75 inches horizontal by 1.5 inches
Work
16.5 inches vertical by 13.5 inches horizontal
This work on paper, Ruckus Rodeo, is a unique study by Red Grooms for one of the most popular works of art in the Museum of Modern Art, Ft. Worth, Texas's collection. Ruckus Rodeo is an immense, walk-through work of art that covers 1,237 square feet of gallery space. It consists of painted two-dimensional surfaces and sculptural three-dimensional figures that re-create the Fort Worth rodeo. Grooms has referred to this work as a "sculpto-pictorama." Sculpture wire, canvas, burlap, acrylic paint, and a fiberglass compound known as celastic were used to construct the work’s Texas-sized, larger-than-life, three-dimensional caricatures of rodeo archetypes, which include the rodeo queen and her steed, a bucking bronc, playful rodeo clowns, and a giant yellow bull named Butter.
Ruckus Rodeo was commissioned for the Museum's 1976 exhibition The Great American Rodeo. Grooms was one of eleven artists invited to create a work for this show. In preparation, he attended every rodeo performance during Fort Worth's 1975 Stock Show and made many sketches. From these studies, Grooms drew a panoramic rodeo scene spanning more than seven feet, which served as the basis for Ruckus Rodeo's design. Grooms returned to his studio in New York to fabricate the work's major figures. In 1976, he returned to Fort Worth with the talented fifteen-member group of painters, sculptors, engineers, and carpenters known as the "Ruckus Construction Co.," who helped in the final assembly of Grooms's robust tableau.
Associate Curator Andrea Karnes commented, "Ruckus Rodeo portrays the chaos, entertainment, and danger of the Fort Worth rodeo. Grooms's engaging work is characterized by a grand sense of spectacle, encompassing the ritual, pageantry, and disorderly commotion of a real rodeo event. The artist's interest in naive and primitive objects, such as folk art puppets and toys, is easily seen in this work. His rich, arbitrary use of bold and unmodulated colors combined with angular contours creates a loud, brash ambience. Despite the work's cartoonish flair, it is clearly inflected with an urban sensibility. The characters' outfits, for example, are more like the vibrant apparel of the urban cowboy than the typical dusty clothing of a working cowboy. Grooms has managed to balance naivete and sophistication, parody and reality. Ruckus Rodeo celebrates the grand heritage of Fort Worth and the mythology of the American West, and continues to be one of the most beloved works in the Modern's collection."
- Creator:Red Grooms (1937, American)
- Creation Year:1975
- Dimensions:Height: 22.75 in (57.79 cm)Width: 19.75 in (50.17 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In original artist's studio condition.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745211078232
Red Grooms
Charles Roger Grooms was born in 1937 in Nashville, Tennessee, a city that, with its lively honky-tonk scene and the theatricality of the historic Grand Ole Opry, would later influence much of his work. Nicknamed for his ginger hair, Red enrolled at the Art Institute of Chicago in 1955. A self-proclaimed “restless and undisciplined student,” Grooms spent the next few years moving between schools and cities, including the New School in New York, Peabody College (now part of Vanderbilt University) in Nashville, and Hans Hofmann’s summer school in Provincetown, Massachusetts. Frustrated with the academic track and anxious to enter the New York art scene, Grooms abandoned formal education to focus exclusively on creating art and securing exhibition opportunities in his Chelsea neighborhood. There, he found quick success and a supportive circle of artists that became close friends and collaborators. From the start of his career, Grooms has worked in multiple media, from painting, printmaking, and sculpture, to installation art, filmmaking, and theatrical experiences known as “Happenings.” Much of his art blurs the boundaries between these different forms, such as his large-scale, carefully-crafted environments he calls “sculpto-pictoramas,” and smaller objects like Dalí Salad. In this example, Grooms combines silkscreened and lithographic elements with a wooden base and acrylic dome to create a three-dimensional portrait of the famous Surrealist artist. Grooms is perhaps best known for his colorful and comedic commentary on the culture, politics, and figures associated with the American urban environment and art historical traditions. Relying on satire and caricature, Grooms’ art has paid homage to a wide range of artists including Rembrandt, Auguste Rodin, Thomas Eakins, and Benjamin West, as well as national icons like Thomas Jefferson and Chuck Berry. Grooms’ disparate output is so difficult to classify that he has been compared to the influential Dada artist, Marcel Duchamp. Like Duchamp, Grooms often deliberately confronts the art world establishment, noting in 1974 that “it’s good to have . . . something to go against.” Despite his affinity for defying the mainstream, Grooms is routinely cited by scholars as one of the leading American artists of his generation and was honored with the National Academy of Design’s Lifetime Achievement Award in 2003. The subject of a 1984 mid-career retrospective exhibition held at the Pennsylvania Academy of the Fine Arts, the artist’s work can be found in public collections across the United States, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Hirshhorn Museum and Sculpture Garden, as well as in many international museums. - The Johnson Collection, Spartanburg, South Carolina
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2007
1stDibs seller since 2022
292 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- "Your Own Heart" unique signed, colleague of Warhol, Haring, Basquiat & ScharfBy Ronnie CutroneLocated in New York, NYRonnie Cutrone Your Own Heart, 1987 Watercolor and Silkscreen on Paper Signed, dated and numbered from the edition of 7, with each work being unique. 40 × 30 inches Fantastic vintage classic 1980s Ronnie Cutrone Watercolor and Screenprint on Paper. From an edition of 7 with each work being unique. There is a very slight pinhole to the top corners which will frame out, otherwise in very good condition Unframed Ronnie Cutrone (July 10, 1948 – July 21, 2013) was an American pop artist known for his large-scale paintings of some of America's favorite cartoon characters, such as Felix the Cat, Pink Panther, Woody Woodpecker and No Glove No Love. Cutrone's paintings are colorful, lively, and less challenging than those of his contemporaries. As Andy Warhol's assistant at the Factory atop the Decker Building from 1972 until 1980, Cutrone worked with Warhol on paintings, prints, films, and other concepts, eventually co-opting Warhol's earliest work (pre-1960) as well as works by Roy Lichtenstein and others, until finally distilling those myriad influences into the style a few critics eventually labeled "Post-Pop." He exhibited at the Niveau Gallery in 1979 with a Scottish artist called Mike Gall who showed paintings of Snoopy, Mickey and Minnie mouse, the Pink Panther and also a small series of Peter Rabbit paintings...Category
1980s Pop Art Abstract Drawings and Watercolors
MaterialsWatercolor, Screen, Mixed Media, Permanent Marker
- Wanting You, original (unique) hand signed drawing - FramedBy Tracey EminLocated in New York, NYTracey Emin Wanting You drawing, 2018 Felt tip marker on paper Signed in felt tip marker on the front Frame included Original, unique drawing on card Signed in black felt tip pen on...Category
2010s Contemporary Abstract Drawings and Watercolors
MaterialsFelt Pen, Permanent Marker
- Unique drawing on Tony Shafrazi poster, signed & inscribed to Warhol's boyfriendBy Kenny ScharfLocated in New York, NYKenny Scharf Original drawing on Tony Shafrazi poster, signed and inscribed to Andy Warhol's last boyfriend Jon Gould, 1984 Permanent marker drawing on Kenny Scharf Tony Shafrazi Gallery exhibition poster (hand signed and inscribed by Kenny Scharf) Boldly signed and inscribed to Andy Warhol's last boyfriend Jon Gould Frame included: Framed in a museum quality wood frame with UV plexiglass. Measurements: Frame: 35 x 28.5 x 1.5 inches Print 28.25 x 22 inches Own a piece of Pop Art history! This is a unique drawing hand signed and inscribed by Kenny Scharf, done on a vintage collectible 1984 poster from the legendary Tony Shafrazi Gallery. If you saw "The Andy Warhol Diaries" on Netflix, you'd know about Warhol's relationship with Jon Gould - Andy's last boyfriend; tragically, Warhol would become Gould's last boyfriend as well, when, soon after, Gould would die of AIDS at the young age of 33 Kenny Scharf created an original drawing, done in marker, and inscribed it to Jon Gould (featured prominently in Andy Warhol's Diaries and the eponymous Netflix series) - and it had not been seen since the 1980s. Jon Gould was a New England educated former Vice President of Corporate Communications at Paramount Pictures - a Boston Brahmin whose real claim to fame was as Andy Warhol's last boyfriend. This work was acquired from the widely publicized sale of the collection of Jon Gould - -a treasure trove of valuable gifts and art works by Warhol and others like Kenny Scharf, Basquiat and Keith Haring to Gould - that had not been seen in nearly four decades. This is one of the works from that impressive sale. Below are links to two of the many articles about the collection of Jon Gould in the New York Times, Artnet News and the New York Post respectively. About Kenny Scharf: Kenny Scharf (b. 1958, United States) is a renowned artist affiliated with the 1980’s East Village Art movement in New York. Scharf developed a distinct and uniquely personal artistic style in paintings as well as sculpture, alongside his mentor Andy Warhol, and contemporaries like Jean-Michel Basquiat and Keith Haring with whom he pioneered contemporary street art. References to popular culture reoccur throughout his works, such as appropriated cartoon characters from the Flintstones and Jetsons, as well as imagined anthropomorphic creatures. Through ecstatic compositions and a dazzling color palette, Scharf presents an immersive viewing experience that is both intimate and fresh. Scharf’s multifaceted practice—spanning painting, sculpture, installation work, murals, performance and fashion—reflects his dedication to the creation of dynamic forms of art that deconstruct existing artistic hierarchies, echoing the philosophy of Pop artists. Yet Scharf’s artistic significance expands beyond the art historical terrain of Pop Art; the artist instead coined the term “Pop Surrealist” to describe his one-of-a-kind practice. His inclusion in the 1985 Whitney Biennial marked the start of his international phenomenon, a reputation that continues to thrive today. Courtesy of Almine Rech MORE ABOUT JON GOULD: Warhol wrote extensively on Jon Gould in his diaries. In July, 2022, when the Netflix series "The Andy Warhols Diaries" came out, the New York Post (among many other publications) ran a major feature article on Warhol's relationship with Gould and on this very sale: It reads, "When Harriet Woodsom Gould died in 2016 in her nineties, she left behind a trove of family heirlooms dating back to the 1700s in her Amesbury, Mass., home. Yet in her attic, she had a secret veritable shrine to pop art. There, she had stashed her late son Jon Gould’s belongings for decades since his death in 1986 from AIDS. He had vases painted by Jean-Michel Basquiat, works by Keith Haring and dozens and dozens of gifts — photos, valentines, sketches, letters and more — from pop god Andy Warhol. “My mother kept everything,” Jon’s twin brother, Jay Gould, told The Post. Jay knew his brother “had some type of relationship” with Warhol in the 1980s, though Jon always remained discreet about it. “We were very close, identical twins, but we never talked a lot about his sexuality,” Jay, now 68, explained. “It was a different time.” Yet, he was still stunned to read the poetry and love notes Jon wrote to the older artist. “I didn’t realize the relationship was as deep as it was.” Actually, no one really knew. Gould was Warhol’s last romance, a young Paramount executive with floppy hair and preppy good looks who died tragically at 33. And though Warhol frequently mentioned him in his famed diaries, published posthumously in 1989, the artist’s dashed-off musings gave the impression that Jon was more of a crush than a genuine partner...Gould didn’t so much enter into Warhol’s life as Warhol willed him into it. It was April 1981, and Warhol, then 52, was still reeling from his breakup with Jed Johnson... Jed left that December, and that spring Warhol confessed to feeling lonely: “I’ve got these desperate feelings that nothing means anything. And then I decide that I should try to fall in love, and that’s what I’m doing now with Jon Gould.” Gould was a 26-year-old Paramount exec: a New England WASP with a lithe, strong physique and charismatic personality, who looked straight. Warhol reasoned: “Jon is a good person to be in love with because he has his own career, and I can develop movie ideas with him, you know? And maybe he can even convince Paramount to advertise in Interview, too. Right? So my crush on him will be good for business.” Warhol began courting Gould with a vengeance, sending extravagant bouquets of roses to his office at Paramount. He even offered their mutual friend, the photographer Christopher Makos, a fancy watch if he could get Gould to be his boyfriend. “I guess he never got loved,” Makos says in the series. “Because I didn’t get my watch.” (Jay Gould also tells the camera that his brother had admitted that he was in a relationship but that he said they didn’t have sex.) At first, Gould resisted Warhol’s attention, but eventually the two began spending a lot of time together, though Gould would frequently pull away if things got too intense, and he often would tell Warhol not to write about him in his diary. “I think my brother was concerned about his career at that time,” Jay Gould said. But the younger man attended parties and art events with him, invited the artist skiing with his family in Aspen and even for a time moved into his place on 66th Street. “I love going out with Jon because it’s like being on a real date,” Warhol wrote early in their relationship. “He’s tall and strong and I feel like he can take care of me.” Yet it turned out that Warhol would have to take care of Gould. On Feb. 4, 1984, Jon was admitted to New York Hospital with pneumonia — though it was understood that he had AIDS. Warhol stayed with him in the hospital every night for the 30 days he was there, despite his fear of hospitals since getting shot and his fear of getting AIDS. (Warhol couldn’t bring himself to talk about Gould’s illness in the diary, but his editor notes that when Gould was released March 7, Warhol instructed his housekeepers to wash Jon’s clothes and dishes “separate from mine.”). Around 1985, Warhol began working on his massive series of 100 works based on Da Vinci’s “The Last Supper...Category
1980s Pop Art Abstract Drawings and Watercolors
MaterialsPermanent Marker, Lithograph, Offset
- Original handwritten Letter of thanks, hand signed by Keith Haring on letterheadBy Keith HaringLocated in New York, NYKeith Haring Original Handwritten, hand signed Letter, ca. 1987 Ink on Haring's Private letterhead Stationery, Hand written and hand signed by Keith...Category
1980s Pop Art Abstract Drawings and Watercolors
MaterialsPaper, Ink, Permanent Marker
- Unique signed drawing (Two Flowers) for the Modern Art Museum, Ft. Worth, TexasBy Takashi MurakamiLocated in New York, NYTakashi Murakami Unique drawing (Two Flowers) created for the Modern Art Museum, Ft. Worth, Texas, 2018 Original drawing done in marker, and bound on title page of hardback monograph...Category
2010s Pop Art Figurative Drawings and Watercolors
MaterialsPaper, Mixed Media, Permanent Marker, Lithograph, Offset
- Original signed drawing in book, Two Flowers with heart, inscribed in JapaneseBy Takashi MurakamiLocated in New York, NYTakashi Murakami Untitled signed original drawing of Two Flowers with heart doodle, 2021 Original marker drawing done on title page and bound in hardback monograph with purple boards...Category
2010s Pop Art Figurative Drawings and Watercolors
MaterialsMixed Media, Permanent Marker, Lithograph, Offset
You May Also Like
- KAJ-FICAJA Sans Titre - Dessin - Chantal Ficaja & Alexander Kaj Lindström FranceLocated in Meinisberg, CHKAJ-FICAJA French, Artist Couple: Chantal Ficaja-Lindström (1959) & Alexander Kaj Lindström (1959), Sans titre • Pop/ Street Art • Coloured felt pens on paper ca. 40 x 50 cm • Si...Category
20th Century Street Art Abstract Drawings and Watercolors
MaterialsPaper, Felt Pen
- Une Danse, Original Work on Paper, Ink, AcrylicLocated in AIX-EN-PROVENCE, FRAcrylic, Ink, Pastel and collage on paper - Original Work on Paper. The work is in very good condition and is signed lower Right "Patricia R.". Unfortunately we have no further info...Category
1990s Expressionist Figurative Drawings and Watercolors
MaterialsPastel, Archival Ink, Acrylic
- Microtelescopic Field of View, Halsey Chait, Abstract Drawing, CircleBy Halsey ChaitLocated in New York, NY"Microtelescopic Field of View: Interwoven Neural Webs" by Halsey Chait Acrylic on Paper Halsey Chait's drawings develop according to the rules and mathematics that govern the growt...Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
MaterialsPaper, Acrylic
- Friday I'm in loveBy Ayse WilsonLocated in Westport, CTAyse Wilson is a Turkish-American artist who lives and lives and works in Connecticut. Her work draws from memory and emotion to remind viewers of youth, innocence and the timeless s...Category
2010s Contemporary Abstract Drawings and Watercolors
MaterialsPaper, Acrylic
- Friday I'm In Love (red)By Ayse WilsonLocated in Westport, CTAyse Wilson is a Turkish-American artist who lives and lives and works in Connecticut. Her work draws from memory and emotion to remind viewers of youth, innocence and the timeless s...Category
2010s Contemporary Abstract Drawings and Watercolors
MaterialsPaper, Acrylic
- DancerBy Ayse WilsonLocated in Westport, CTAyse Wilson is a Turkish-American artist who lives and lives and works in Connecticut. Her work draws from memory and emotion to remind viewers of youth, innocence and the timeless s...Category
2010s Contemporary Abstract Drawings and Watercolors
MaterialsPaper, Acrylic
Recently Viewed
View AllRead More
Red Grooms Salutes the ‘Ninth Street Women’ Who Revolutionized Modern Art
In a new show of peppy portraits, the 85-year-old artist looks back at 1950s New York, when the Abstract Expressionists ruled the scene. Only now, the women Ab-Ex artists get more of the spotlight than the men.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.