Rico Lebrun

FIGURE STUDY

1961

Ben-Zion. PROPHET AND SCROLL. Ink on paper, undated. Titled and signed in ink lower left. 10 1/8 x 6 3/4 inches. Light foxing or dampstaining to the sheet. A strong drawing in Ben-Z...

Danovich, Francis (American, 1920-1956). COMEDIA DEL ARTE - TWO DRAWINGS. Ink on card, not dated, likely circa 1940-50. Initialed in ink within the i...

Heliker, John. (American, 1909-2000). UNTITLED ("KEEP SMILING). Ink on paper, not dated, likely 1930s. The image is of two men in a workshop, one possibly the customer, the other wor...

Gaudier-Brzeska, Henri. UNTITILED - WOMAN CARRYING A BAG. Drawing, Ink on paper, undated. Initialed/monogrammed in pencil, lower center. This monogram is a known form which Gaudier ...

Bishop, Isabel. UNTITLED (WOMAN LOOKING IN PURSE). Ink on cardstock, not dated. Unsigned. 5 x 5 inches. A fast, likely unposed sketch of a passerby. In excellent condition. Isabel Bishop, 1902-1988. Isabel Bishop was born and raised in the Midwest. She came to New York in 1918 where she studied at the New York School of Applied Design for Women and the Art Students League, where her teachers included Kenneth Hayes Miller and Guy Pene du Bois. In 1934 she rented a studio in Union Square where she worked for the remainder of her career, often taking as her subjects the men and women who worked in the shops and offices on the square, or who walked or sat in Union Square Park. She was a great draughtsman, and much of her graphic work is devoted to studies of the human figure in motion or at rest within the context of their activities in Union Square or similar settings. Bishop made etchings throughout her career, producing more than 80 prints between 1925 and 1982. Prior to 1978 Bishop had editoned only a few of her prints; most of them were printed on an “as needed” basis only, by her, on her own press as gifts, or for sale. From 1978 on, Bishop collaborated with Sylvan Cole of Associated American Artists and the master printer Stephen Sholinsky...

Marsh, Reginald. ACROBATS. Ink, gouache, and pastel on paper, 1922. Signed, lower right. c. 18 1/2 x 14 1/2 inches; framed to 28 x 23 1/2 x 1 1/4 inches. In excellent condition.

This masterly frontispiece study, executed with a very sure hand, testifies to the survival of the great Baroque taste in 18th century Venice. It could be one of the very last works by Giovanni Antonio Pellegrini: the few lines that cross the papal arms evoke those of Benedict XIV, who became pope in 1740, one year before the artist's death. 1. Giovanni Antonio Pellegrini and the European influence of Venetian history painting in the 18th century Giovanni Antonio Pellegrini was born in Venice in 1675 and trained in the studio of the Milanese painter Paolo Pagani (1655 - 1716). Pagani, who had been living in Venice since 1667, took him to Moravia and Vienna from 1690 to 1696. After a stay in Rome from 1699 to 1701, Pellegrini married Angiola Carriera in 1704, the sister of the great pastelist Rosalba Carriera. From 1708 onwards, Pellegrini left Venice and began an extensive tour of Europe: he worked in England between 1708 and 1713, where he met great success, particularly at Kimbolton Castle and Castle Howard. He then worked in Germany and the Netherlands, then in Bohemia and Austria, before returning briefly to England in 1719. In 1720 he was in Paris where he decorated the ceilings of the Royal Bank for John Law...

Marc Chagall 1887-1985 Russian Musiciens sur fond multicolore (Musicians on a multicolored background) Signed 'Chag' (on the sleeve of the right figure); stamped with the signature 'Marc Chagall' (lower right) Tempera, gouache, colored ink and India ink and pastel on paper “The fact that I made use of cows, milkmaids, roosters and provincial Russian architecture as my source forms is because they are part of the environment from which I spring and which undoubtedly left the deepest impression on my visual memory of the experiences I have." - Marc Chagall Marc Chagall’s 1981...

Lester Johnson Self Portrait 1969 drawn with ink, crayon, and spray enamel on paper. Measuring 14 by 11 inches, this drawing was recently professionally framed.

"Steel Factory" Cuban Mid 20th Century Modern Drawing WPA Latin Art Industrial Ink on paper. 12 x 19 inches. Pogolotti lived in Paris in the 1930s. The drawing here comes from the collection of his Parisian ophthalmologist, Dr. Prokopenko . Unfortunately, the artist lost his eyesight in 1938. Marcelo Pogolotti (1902–1988) was a Cuban painter...

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

Sunil Das - Head - 9.25 x 7 inches (unframed size) Ink on Paper Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Ext...