Jerry O'Day

Jerry O'Day Nude #1

1960s

Gracious nude of a woman drawn with ink on craft paper. Jerry O'Day is also known as Geraldine Heib. Born in Oakland, CA on June 17, 1912. Geraldine Heib assumed the name Jerry O'Day at an early age. She grew up in Washington and studied in Seattle at the Cornish School of Fine Arts. Upon moving to the San Francisco Bay area in 1938, she further studied with Bufano as a muralist for two years. She wed sculptor David Lemon and had a gallery in a converted cod fishery in Belvedere from 1942 until 1963. At that time the couple moved to a houseboat in Sausalito where she remained until her demise on March 30, 1986. Exh: San Francisco Art Association, 1941; CPLH, 1962. Solo Exhibitions: City of Paris, Rotunda Gallery; Lucien Labaudt Gallery, 1963; Torrance Gallery, San Anselmo...

Reclining Female figure, original signed line drawing, in pencil and ink by Albert Radoczy. Albert Radoczy was a master at exploring the female form. Throughout his career, his draw...

A nude drawing and gouache highlighting the pregnancy mystery. Signed Radoczy, 1965. Albert Radoczy was a painter from the NY Tristate area, most notab...

Shiro Ikegawa was born on July 15, 1933 in Tokyo. He studied art in Japan and moved to Los Angeles in 1956 to study Abstract Expressionism. He attended O...

This drawing by Radoczy features a delicate and minimalist portrayal of a nude figure rendered in a profile stance. The figure emerges effortlessly from the subdued lines as if each ...

Pair of nude figure drawings done with a mix of pastels, and gouache. Signed and dated 1963. Born in Tacoma, WA on Oct. 23, 1918. Randall was in Salem, OR during the 1930s. He create...

John Emanuel . English ( b.1930 ). I Can’t Stay Away From You. Watercolor & Ink. Signed lower right. Image size 28.3 inches x 19.9 inches ( 72cm x 50.5cm ). Frame size 35.2 inches x...

Sun Dose (2022), figurative, sitting woman, kneeling figure, nude, flower, figure drawing, contour line, sunflower, leaf, leaves, foliage, garden "Sun Dose" by Rebecca N. Johnson Li...

Sing It Back (2022), figurative, woman sitting, flower, figure drawing, contour line "Sing It Back" by Rebecca N. Johnson Limewash, pigment ink, gel pen and pastel on archival paper...

Duchándome en cuerpo Ajeno May 30th, by Celso Castro-Daza From the Duchándome Series Watercolor and ink on paper Image size: 19.5 in. H x 13.75 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

"Sam" by Brian Driscoll is presented in three layers. The male nude reclines in front of a background of hounds tooth wall paper and then Sam is overlayed with a veil of floral designs. It is as if are being allowed to draw back the curtain into this very private space. This three-dimensional quality of Driscoll's drawing is highly complex in its execution. Each layer is a different geometrical pattern - the heavy lines that take up the wallpaper, the tiny hash marks that evolve into Sam and finally, the absence of color to create the floral curtain. Brian Driscoll Sam, 2019 ink on paper 17h x 14w in 43.18h x 35.56w cm BWD013 Through drawing, Driscoll creates Midwestern mythologies exploring aspects of masculinity in working-class rural America...