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Federico CastellonClassical Female Head (woman portrait)c.1950
c.1950
About the Item
Beautiful 1950 drawing by Spanish artist, Federico Castellon (1914-1971). Graphite on wove paper, sheet measures 12 x 18 inches. Excellent condition with no restoration or damage. Signed lower right. Unframed. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950.
Birth place: Almeria, Spain
Death place: New York, NY
Addresses: NYC (immigrated 1921; citizen, 1943)
Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher
Exhibited: Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country. Awards: F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950.
Member: NA; SAGA
Work: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.).
Comments: A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie, 1960; Hundred Years of Music in America, 1961, and others.
Sources: WW66; WW47; Wechsler, 32; Falk, Exhibition Record Series
- Creator:Federico Castellon (1914-1971, American)
- Creation Year:c.1950
- Dimensions:Height: 18 in (45.72 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wilton Manors, FL
- Reference Number:1stDibs: LU24522413993
Federico Castellon
Federico Castellón (1914-1971) was a Spanish-American artist known for his distinctive style that blended surrealism and realism. Born on the island of Almeria, Spain, he moved to the United States with his family at the age of seven. His artistic talent was evident from a young age, and he received a scholarship to study at the New York School of Fine and Applied Art when he was just 15. Castellón's work is characterized by a dreamlike quality, often incorporating elements of fantasy and a strong narrative sense. His early exposure to both Spanish and American cultures profoundly influenced his artistic vision, blending European surrealism with American realism to create a unique visual language. He was particularly renowned for his lithographs, etchings, and illustrations. His illustrations for Edgar Allan Poe's "The Masque of the Red Death" and other literary works are highly regarded for their intricate detail and haunting imagery. In addition to his printmaking and illustration work, Castellón was also a skilled painter and muralist. His paintings often featured surreal, dream-like scenes with a focus on human figures, and his murals are noted for their dynamic composition and rich symbolism. Throughout his career, Castellón received numerous awards and honors, and his work was exhibited widely in the United States and Europe. His legacy continues to influence artists and is recognized in the art world for its unique blend of surrealism and realism, along with a profound narrative quality that speaks to the human condition.
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