Unknown

Ritratto a matita del pittore Francesco Albani, inizi del XIX secolo

Inizi XIX secolo

Il disegno in questione è molto probabilmente uno studio dal vivo per un ritratto da riportare successivamente in pittura, come si può notare dall'intensità dello sguardo e dall'alta...

This drawing, color pencil on paper 26 x 23 cm without frame, portrays a lady on profile, styled as the typical fashion of the time. By the way she's portrayed, she seems an audaciou...

The drawing is signed on the bottom left G. Fraschetti, a Florentine artist, pupil of Giacomo Lolli, active mostly in Tuscany in the time between the 19th and 20th century and known ...

Il disegno a matita grigia e rossa raffigura un intenso ritratto frontale di un fanciullo con cappello, con le braccia incrociate davanti. Sul retro, in grafia corsiva, è probabilme...

Il disegno, sanguigna su carta, raffigura un uomo nudo con una specie di turbante sulla testa, preso di lato, seduto, in un'espressione di intensa sofferenza, come se stesse chiedend...

The drawing is a self portrait of the tuscan artist Gisberto Ceracchini. Considering the age at the moment and the fact that his birth year was the 1899,...

Bijing-Ga series XXVII (Nº 27) Title: Tomomoto Toyohina Tomimoto Toyohina was a much sought-after geisha (entertainer) who performed narrative ballads accompanied by the shamisen. She was one of several non-prostitute beauties, including teahouse waitresses, whom Utamaro depicted repeatedly in the early to mid 1790s. She appears here with a brush in hand, dressed and combed with simple elegance. This composition is from a six-print series comprising half-length portraits of famous beauties (Famous beauties of Edo). Utamaro elevated Tomimoto Toyohina to the status of one of the three most renowned beauties of her age (together with Okita and Ohisa). She was from a prominent family of musicians that provided entertainment in the Yoshiwara. Toyohina’s appeal undoubtedly was as much due to her appearance as to her skills in singing, and Utamaro’s celebration of her would have further elevated the status of an already well-known lineage. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

Bijin-ga series XXI (Nº 21) Title: The courtese Hinakoto of the Hyôgorô House of Edo The courtesan Hinakoto is depicted by smoking tobacco. She takes the pipe delicately in her left hand and, in her right hand, she seems to be holding a “uchiwa” (rigid hand fan) that comes out from the bottom of the drawing, decorated with written calligraphy. Some strands of hair that fall on her temple and her scant clothing show that the painter has surprised her in a relaxed moment in which she does not lose her elegance and slenderness. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

Island for Umberto 10, 2014 Colored pencil on paper ( Signed and dated front right corner, framed) 11.6 H x 16.5 W in. 29.5 H x 42 W cm "Island for Umberto" has the literary source ...

"Seated Officers" Pencil Drawing 10" x 14" inch (1960) by Inji Efflatoun signed & dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitio...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic...

keywords; surrealism, portrait, oil painting, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic composition, dream, tones, portrait, tonalist, nostalgia, early 20th century, naturalist, illustration, grey art, young woman, hair, hair bun...