Martha Winter

"Material Studies 3 Blues". Contemporary Mixed Media Triptych

2022

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Adjacent Forces, Finding Rhythm ii Each panel 31.5" x 15.75" Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to ...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Pebbles, sand and pigment on panel. In a contemporary black frame Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environmen...

This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

Kay Hartung’s “Bio Flow 5” is a 30 x 30 x 2.5 inch encaustic painting composed of transparent layers depicting microscopic forms. In colors of pink, maroon, pale green and pale ochre, the layers create a sense of luminous depth. The painting is unframed and signed by the artist on the reverse of the cradled panel. Kay Hartung is an artist interested in the intersection of art and science, particularly the microscopic world. Her work has been included in exhibitions throughout the country and is in both private and corporate collections. Hartung is represented by Fountain Street Gallery...

Maggie LaPorte Banks Taffeta and Amythest [2020] Original Abstract Acrylic and pigment on canvas art board Image size: H:40 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:3...

Edward Lentsch’s expansive artistic practice explores his relationship between the self, nature and the universe. From the Fibonacci sequence to the teachings of Aristotle, Lentsch attempts to create a bridge between the natural world and these intellectual canons, exploring the interconnection between the realms of science and mysticism, the metaphysical and the spiritual. He explores how these three facets are integrated within a global environment and moreover how we, as humans, fit within this complex matrix of thought using the ideas of some of the world’s greatest writers and scholars. Lentsch works across a variety of media to create an ‘energy of intention’, in which textures, compositions and colours (or their absence) are combined. At first glance, his abstract canvases bring to mind the earthen tones of Kiefer, or the scratched surfaces of Tàpies. Lentsch, however, draws from a broader art historical canon, and painting becomes an extension of the life force around him, a transformative experience through which he can mediate a pure experiential moment. Flowing from a nonverbal intuitive state of creative expression, Lentsch bridges a complex visual language in which colours and textures are lifted from the natural world. On canvas, they are refracted and tessellated, at times put through the process of entropy, which allows for them to be transformed and transmuted. Lentsch starts with a mastic and polymer foundation, before working with stone powders and dry pigments. Here, while the work is still wet, he uses trowels...

Madrigale is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the m...

Quadriade is from Francesco's signature Dyssomnia Series: "Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the m...