Linen Mixed Media

“Ballet Pink Folds” is a light pink/flesh colored wall sculpture made with burlap on linen. The folds are carefully arranged from a single piece of burlap. This creates a dynamic art...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Japanese Botany, Original Contemporary Abstract Mixed Media Textile Wall Hanging Artist Commentary: INSPIRED IN JAPANESE AESTHETICS Keywords: Abstract, Nature, patterns, circles, ovals, white Artist Biography: My artwork is engaged to nature and its recurrent patterns and rhythms. I use them as a base in order to create my compositions. I´m attracted to repetitive sequences, combining separate elements to form a cohesive group. It isn’t a strict conceptual idea of repetition on itself; my work doesn’t seek to impose an order or structure, but rather to enjoy the rhythm of repetition. Silk and paper have the softness and malleability that I need in order to create my desired forms, shapes and even shadows. The process to carry out my work is thorough and methodical. I choose as materials small and simple elements; such as feathers made out of paper and silk and then organized in a precise order. This allows me to build a group of entities that end up being the final artwork. My goal is to create projects that inspire, connect and touch people emotionally, taking the viewer on a journey through different ethereal, botanical and peaceful landscapes. I was Born in Santiago, Chile in 1973. I grew up surrounded by Chilean...

Hand signed verso, mixed media on two sections of joined canvas Work is titled "Ego Wall with Mess," circa 1983. Provenance: Brooke Alexander Gallery, New York, New York. bearing their label verso. 24 x 30 x 3-3/4 inches (61.0 x 76.2 x 9.5 cm) Hand signed on the reverse: Judy Rifka Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...

"Vestiges I" 32" x 83" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a tho...

oil stick, charcoal, ink, & acrylic on raw linen

oil stick, charcoal & acrylic on raw linen

oil pastel, charcoal & acrylic on raw linen

oil pastel, charcoal & acrylic on raw linen

oil pastel, charcoal & acrylic on raw linen

Andy Burgess Familiar Comforts, 2023 Vintage book card, linen, and painted paper collage 5" x 4" unframed 11.25" x 9" framed Andy Burgess’s elegant assemblages of found textiles and...

Andy Burgess Cantato, 2023 Vintage book card, linen and painted paper collage 5" x 4" unframed 10.25" x 8.25" framed Andy Burgess’s elegant assemblages of found textiles and paper e...

Andy Burgess Normandy, 2023 Vintage book card, linen and painted paper collage 5" x 4" unframed 10.25" x 8.25" framed Andy Burgess’s elegant assemblages of found textiles and paper ...

Andy Burgess The Abbey, 2023 Vintage book card, linen and painted paper collage 5" x 4" unframed 10.25" x 8.25" framed (8154) Andy Burgess’s elegant assemblages of found textiles an...

Andy Burgess Confessions, 2023 Vintage book card, linen and painted paper collage 5" x 4" unframed 10.25" x 8.25" framed Andy Burgess’s elegant assemblages of found textiles and pap...

Andy Burgess Gotham VI, 2023 Vintage Book Linen Collage 5" x 7" unframed 11.25" x 13" framed Andy Burgess’s elegant assemblages of found textiles and paper ephemera recall deeply pe...

Andy Burgess Gotham VI, 2023 Vintage Book Linen Collage 5" x 7" unframed 11.25" x 13" framed Andy Burgess’s elegant assemblages of found textiles and paper ephemera recall deeply pe...

Andy Burgess Gotham IV, 2023 Vintage Book Linen Collage 5" x 7" unframed 11.25" x 13" framed Andy Burgess’s elegant assemblages of found textiles and paper ephemera recall deeply pe...

"The Citadel II" 49" x 79" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a...

"Elephant" Textile Painting 28" x 22" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and gen...

Tracey Emin My Heart is With You Always, framed with hand signed and inscribed tag, 2015 Embroidered Linen Handkerchief, Hand Signed, dated and Inscribed in Ink on attached tag Signe...

"The New Age" Textile Painting 43" x 18" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and ...

Made in Spain, 2023. White. Minimalistic. Abstract. Spheres: from molecules to planets. Look around: mono sphere or billions of small combinations of spheres - this all is our world...

"Phoenix" Textile Painting 28" x 22" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and gene...

CANTICLES Series: “[These] are my Chants, my sacred songs of contemplation about my experience in painting the mystery within the Tidepools. These works have been inspired by my walk...

CANTICLES Series: “[These] are my Chants, my sacred songs of contemplation about my experience in painting the mystery within the Tidepools. These works have been inspired by my walk...

"Hallowed Ground" 47" x 33" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in ...

PaperLandscape collage on linen canvas 80x100 cm 2020 PaperLandscape is a series of artworks inspired by landscape and nature, nature and the passage change over time, we change nat...

"Portal" Textile Painting 45" x 49" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and gener...

Luis Salazar is an artist living in Quito, Ecuador. He is know for his Sunday exhibitions at the Main Park in Quito. He has been featured in exhibitions t...

Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...

"Ornate Vase" 59" x 33" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a th...

This piece titled "CHONDRITE 03" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece measures...

This piece titled "CHONDRITE 06 - BLUE" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece m...

This piece titled "CHONDRITE 02" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece measures...

This piece titled "CHONDRITE 04" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece measures...

This piece titled "CHONDRITE 01" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece measures...

"Aqueduct" 59" x 34" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a thoro...

"Passage of Time" 49" x 71" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in ...

"The Citadel I" 49" x 79" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a ...

Pigmented epoxy,belgian linen on panel

"Shining City" 51" x 75" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in a t...

Artist: Roy Lichtenstein Title: Rose, Cover from 1 Cent Life (Rose) Screenprint in green over yellow linen and (1 Cent Life) Screenprint in pink over blue lettering on board of unbound book Year: 1964 Medium: Silkscreen on linen on heavy board Size Edition : 2000 Dimensions: 16.31" x 25.32" (Full cover) Dimensions of Image: 16.31 x 11.88 References : Corlett # III.3 Provenance: Private Collection, Berlin Printed by Maurice Beaudet in Paris and published by E. W. Kornfeld, of Bern, Switzerland. Edition of 2000, unsigned as issued in the regular edition of Walasse Ting's '1¢ Life' portfolio of 1964. Superb impression with good strong colors. This iconic piece was executed by Lichtenstein and printed onto stiff paperboard to serve as the front cover of 1 Cent Life, published in 1964 by Kornfeld in an edition of 2000. The image is printed to the edge of the board, with the Lichtenstein silkscreen...

Vertical composition made on canvas on cardboard with acrylic paints, as well as texture paste with sand and coffee, textiles, jute fiber. It is covered with a durable acrylic varnis...

Vertical composition made on canvas on cardboard with acrylic paints, as well as texture paste with sand and coffee, textiles, jute fiber. It is covered with a durable acrylic varnis...

Linen #2 is a beautiful neutral organic modern fine art mixed media painting created with linen layered onto canvas and acrylic paint.

Linen #3 was created by layering black linen onto canvas with different acrylic mediums in black matte and gloss finshes and raw canvas to create a beautiful organic modern fine art ...

Acrylic, graphite, transfer, spray paint on linen

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Acrylic, transfer, oil, spray paint on linen

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Sally is a self taught artist who has pursued art for as long as she can remember. She grew up in Shelbyville, KY, and now calls Birmingham, AL home. Her work as an artist began on ...

Sally is a self taught artist who has pursued art for as long as she can remember. She grew up in Shelbyville, KY, and now calls Birmingham, AL home. Her work as an artist began on ...

Sally is a self taught artist who has pursued art for as long as she can remember. She grew up in Shelbyville, KY, and now calls Birmingham, AL home. Her work as an artist began on ...

'Hereditary Flaws,' 2020 Mixed fabrics over stretched vintage linen 36 x 48 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyo...