Anya Spielman

Honey Cream Violet Ink (Abstract Painting)

2019

Honey Cream Violet Ink (Abstract Painting) Oil on Panel - Unframed The dimension of the entire piece (the way it is shown hanging) is approximately 17X19/43.2x48.3cm Dimensions of ...

Purple Lush (Abstract Painting) Oil on panel - Unframed Ashlynn Browning's recurring use of grids, networks may recall architectural structures, but these are only created in respo...

Green, Gold, Pink (Abstract painting) Oil on Panel - Unframed Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, mov...

Purple Lush (Abstract Painting) Oil on panel - Unframed Ashlynn Browning's recurring use of grids, networks may recall architectural structures, but these are only created in respo...

Green, Gold, Pink (Abstract painting) Oil on Panel - Unframed Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, mov...

Fire and Ice (Abstract painting) Oil on wood panel - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizont...

Primary Colour Series- White Butterfly ( It's just Another Stage of Life) is Shizico Yi's latest project, inspired by Japanese woodblock Print and the a nod to calligraphy tradition....

"Tributaries" by Bonnie Zahn Griffith, Oil and Cold Wax Medium on Wood Panel, 18" x 18" unframed, 20" x 20" framed in a modern black frame with hanging wire included. Known for her plein air pastels, Bonnie also does some amazing abstract pieces like this one. Bonnie Zahn Griffith is an artist of the western landscape, working in oils and pastels. The rich pigments of pastel and oil allows her to create paintings that have the brilliance and the bold color we see in the landscapes of the western United States, giving her unlimited options to create. These mediums allow Griffith to bring depth and texture, light and mood into her paintings. "My goal is to create work that draw the viewer in to experience and imagine the time of day, the temperature, the sounds, the smells. I want the viewer to experience the work and get lost in it – if only for a moment. My love of the landscape prompts me to paint it. I look for a story to tell when I look at the sagebrush hills, the lush river lands, the wheat fields, the intense greens of spring in rich mountain valleys and the ever changing colors of the desert. My mediums allow me to tell that story with strong color and intensity." As a child of artist parents, Griffith grew up on a ranch near the Missouri Breaks in central Montana. They lived in a remote area and that allowed for a lot of self-directed entertainment - drawing, painting, reading, horseback riding and daily ranch chores. Griffith was a self-proclaimed artist at age 5, getting into her mother's paints and paper. Landscape shapes, texture and color were observed and studied. Famous artists like Russell, O’Keefe and Payne were favorite sources of reference. "I don't remember ever being "bored" because there was always something to do that interested me! Pretty much all of that stuck with me through a career in Radiology Sciences; showing work in galleries and exhibits during that time. In the mid 1990's my art became a full time endeavor." Bonnie Zahn Griffith has studied with instructors such as Robert Moore, Lorenzo Chavez, Ned Mueller and others in the quest to strengthen and develop her style of representational work. Griffith is a signature member and the Secretary for the Pastel Society of the West Coast, a signature member of and past President for the Northwest Pastel Society, member of the Landscape Artists International (juried membership), Plein Air Painters of Idaho and American Impressionist Society. She has served 7 years as the chair for the Meridian (ID) Arts Commission, has served as the Executive Director of WaterWorks Art Museum, Miles City, MT and curator for several galleries. Griffith also teaches workshops in plein air technique, pastel painting techniques (Studio and Plein Air) and multimedia art. She works out of her studio in southwestern Idaho and paints plein air throughout the Rocky Mountain region, the western US...

Abstract expressionist assemblage with found objects typical of an artist's studio floor by Bay Area artist Michael Pauker (American, b. 1957). Applied paint brushes, caps and tubes of paint, a few letters, putty knife, with splashes of color on wood. Unsigned. From the collection of the artist's work. Unframed. Image size: 11.25"H x 25.75"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Dynamic and expressive abstract expressionist composition by SF Bay Area found artist "Aska" (20th Century). Colors are patched and layered in a controlled...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...