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Ethelyn Hurd Woodlock
"Don't Cry Long" Abstracted and Distorted Self-Portrait, One Crying Eye

1966

About the Item

"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock was a multi-disciplinary artist whose work ranges from early 20th century to early 21st century. She is best known for her surreal work, and “swinging boards.” She stated that "forces" guided her hands to paint the wooden boards that mysteriously swing out of so many of her paintings. She studied at the Copley School Commercial Art, Boston, Massachusetts and had numerous exhibits some of them being the 64th Armory Show, Contemporary Portraits, Fitchburg Art Mus., Massachusetts in 1962, Awards Artists Exhibition in Montclair Art Museum in 1966, Contemporary American Realism, Hammond Museum, Salem NY, 1968, Bergen Community Museum, 1971. She worked in various mediums, as well as a wide range of artistic styles. Her vast portfolio has been broken into three categories: portraits, surreal, and landscapes. Ethelyn, however, was a master of portraits. Creating beautiful, vibrant, lifelike acrylic and oil based paintings she really made a name for herself as an artist painting portraits for CEO’s and famous people of her time. While she made her living off producing high quality portraits of the rich and famous in the mid 1900’s, her passion lied in the depths of her surreal and still life paintings. Her hyper realistic sense of style will have you looking twice at these pieces of art. She lived to create something unique, and different as a challenge to herself. Look inside and see what you can find. A master of her craft, she didn’t just do portraits. Ethelyn liked to experiment with all kinds of artistic styles, and mediums. Her lively landscapes are a statement of modern architecture and the beauty that surrounds it and helps it breathe. Ethelyn's home, like her life, is a museum of her works. Additionally, Ethelyn was a psychic artist. She experienced life in a haunted house in New Jersey and it is reported she interacted with ghosts through her paintings, some of which were housed, in her Largo home. On the national level, Woodlock paintings have been accepted by many art groups, including Audubon and Knickerbocker artists. She exhibited in the Art Institute of Chicago by invitation, the Eastern States Exposition, as well as museums in Springfield and Fitchburg, Mass, and Salem, N.Y.A painting was accepted for a recent Allied Artists Exhibition at National Academy Galleries. One of her paintings “Please Forward” represented the United States in the Seville Expo '92 and hangs with four other Woodlock paintings in the National Museum of Women in the Arts in Washington, D.C. 17.50" h x 5.50" w Signed on the verso and is accompanied by the book.
  • Creator:
    Ethelyn Hurd Woodlock (1907 - 2001)
  • Creation Year:
    1966
  • Dimensions:
    Height: 21 in (53.34 cm)Width: 8.5 in (21.59 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    There is a little chip out of the original frame.
  • Gallery Location:
    Detroit, MI
  • Reference Number:
    1stDibs: LU128616084232
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