Isidro Cahue

blue drops effect original abstract acrylic paper painting

2000

Balmes. original abstract mixed media acrylic painting composition of the artist Spanish Toni MAT. Mixed technique on wood. Perfect state. Antonio Amat studies Art in Barcelona, ​​...

Roshann's expressive needs initially impel him to adopt an informal language in its spatial aspect and the valuation of matter. After, he applies the collage, which has become almost...

Work original by Rafael RUZ . Interior Landscapes - 2015 Rafael Ruz Abstract Acrylic Painting Perfect condition While contemplating the painting of Ruz, we are inclined to talk a...

Interior Landscapes - Abstract Acrylic on paper Painting.. framed Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’...

fish in the sea original abstract acrylic painting Artwork by Spanish artist ISIDRO CAHUE. Acrylic on wood Perfect state The personality of the artist is reflected in different ...

Constellation. original abstract acrylic painting THARRATS VIDAL, Joan Josep (Gerona, 1918 - Barcelona, 2001). After starting his training in Beziers (France) in 1935 Tharrats returns to Barcelona and entered the Massana School. He began his artistic activity after the Civil War, in a style that evolved from some initial impressionism towards a progressive abstraction, through the influence of Mondrian and Kandinsky. Co - founder of Dau al Set, individually debut in 1949, in the galleries Garden in Barcelona. Since 1954 he exposed regularly in the Sala Gaspar in Barcelona and in 1955 in Stockholm and New York, in 1959 at the Biennial of Sao Paulo and Venice Biennales in 1960 and 1964. In 1966 he founded the Association of Contemporary Artists. His mature style is characterized by informality of rich textures, rich color and free graphics, with images that forms fluctuate freely. In 1983 he was awarded the Cross of Sant Jordi...

This sculpture light is a captivating addition to the Art + Light series, where the interplay of light and art creates a unique and fascinating effect. The wooden cube is covered wit...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

This sculpture light is a captivating addition to the Art + Light series, where the interplay of light and art creates a unique and fascinating effect. The wooden cube is covered wit...

"Golden Steed" Abstract Painting 28" x 39" in by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between painting, video ar...

Bedfellows refers to partnerships and celebrates relationships. This piece is subtle and beautiful. The pale, purple paint accentuates the carved texture. The piece is framed in wh...

"Abstract Calligraphy" Mixed Media Painting 98" x 79" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo Uni...