Keith Purser

Oil and Sand on Panel 'Flood' Painting by Keith Purser, 2015

2015

Early Day, Oil on Panel Painting by Tom Harford Thompson B. 1964, 2023 Additional information: Medium: Oil on panel Dimensions: 80 x 80 cm 31 1/2 x 31 1/2 in Signed with artist stam...

Sparrow Hedge at the Edge of the Field, Oil Painting by Jo Aylward B. 1974, 2023 Additional information: Medium: Oil on panel Dimensions: 30.5 x 40.5 cm 12 x 16 in Signed Jo Aylwar...

Dune with Blue, Oil on Panel Painting by Keith Purser B. 1944, 2021 Additional information: Medium: Oil, chalk pastel and sand on panel Dimensions: 43 x 121.5 cm 16 7/8 x 47 7/8 in ...

Chalk Sea, Acrylic on Panel Painting by Peter Joyce B. 1964, 2023 Additional information: Medium: Acrylic on panel Dimensions: 69 x 69 cm 27 1/8 x 27 1/8 ...

Globe Wharf (Rotherhithe), Oil on Panel Painting by Stephen Palmer B. 1959, 2021 Additional information: Medium: Oil on panel Dimensions: 21.5 x 20 cm ...

Undercliff II (Carp), Oil on Panel Painting by Keith Purser B. 1944, 2021 Additional information: Medium: Oil, chalk pastel and sand on panel Dimensions: 61.5 x 74 cm 24 1/4 x 29 1/...

Remembering the Albaicin On wood panel About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discover...

About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discovered her love of abstract expressionism ...

Alchemy II by British artist Charlotte Aiken. Aiken is a Surrey-based artist, who responds to her surroundings through the medium of paint, working on ...

William Shields Jr., 1925-2010 "Brown, Blue Fusion" 1997 Mixed media, oil on panel 48"x48" artist framed Signed in pencil lower center William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil and Refining Company. Industrial: Hughes Tool Company, General Electric, United States Steel, Phelps Dodge, Sylvania Television, Texas Gulf Sulphur, Litton Industries, Houston Lighting and Power Company, International Business Machines. Institutional: National Aeronautics and Space Administration, United States Air Force, United States Department of the Interior, American Petroleum Institute, New York Stock Exchange, National Broadcasting Company, American Iron and Steel Institute, CBS Broadcasting Company, Vanguard Recording Company, Diners Club, Stanford Research Institute, Victoria Station, Neiman Marcus, Bank of America, Automobile Club of Southern California, Airlines: TWA, British West Indies Airlines, Pan American Airlines...

Shades of dark magenta and purple contrast with rich creams in this abstract composition. Paint has been built up in layers and then sanded back to reveal the history of the piece, and to create a surface full of depth and visual interest. The bold mark-making and shapes bring a lively contrast. The work is presented in a natural wood tray frame, not a wide border frame as in the in situ photos. Alison Gilbert is an Artists with Wychwood Art. Alison is a British contemporary abstract artist...

Anastessia Bettas is a Canadian encaustic painter. Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigmen...