Michael Pauker

Aqua Culture - Blue, Grey, & Brown Impasto Abstract on Wood

Double sided figurative abstract by San Jose, California area artist Daniel David Fuentes (American, 1978-2016). San Francisco bay area abstract expressionist and landscape artist du...

Abstract expressionist assemblage with found objects typical of an artist's studio floor by Bay Area artist Michael Pauker (American, b. 1957). Applied paint brushes, caps and tubes of paint, a few letters, putty knife, with splashes of color on wood. Unsigned. From the collection of the artist's work. Unframed. Image size: 11.25"H x 25.75"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Dynamic abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009).Oil on masonite. Titled "Ghostly Touching" on verso. Signed "Les Anderson" bottom left....

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a gold background, the artist has attached several objects, ...

Contemporary abstract expressionist mixed media piece featuring found object collage layered with blue, black and white paint by Bay Area artist M...

Dynamic abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009). Oil on masonite. Titiled on verso "Their Feet are Those of Lions in the Hills." From t...

Raúl Cerillo’s creations are characterized by the construction of surfaces with multiple layers of paint, acquiring a three-dimensional appearance. Each piece, according to the artis...

Composition is an original Contemporary artwork realized by Giorgio Lo Fermo (b. 1947) in the 2010s. Original Oil painting applied on plywood. Hand signed by the artist on the bac...

Abstract Expressionism is an original contemporary artwork realized by the Italian artist Giorgio Lo Fermo in 2019. Original mixed media on plywood (oil pastel and oil painting). ...

French Flag is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2013. Oil on plywood. Hand signed by the artist on the back. Hand-signed an...

Completed when the artist was only 25, this painting references a fight between two mythological figures. Commonly called Furies, the Erinyes or Eumenides were Greek goddesses of ven...

Ben Wilson Byzantium, 1975 Oil on Masonite painting Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand signature Frame included: elegantly framed in a handmade white wood frame with UV plexiglass This painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at ACA Gallery in 1940. The work is signed by the artist on the back and also signed with the Estate Stamp and signature on the back. Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...