Vincent Salvati

Mea Culpa #1

2020

The Mea Culpa series is more about feeling than a specific vision. I attempt to use mark-making, color, and surface to explore the emotions I need to convey. I never know when they w...

The Mea Culpa series is more about feeling than a specific vision. I attempt to use mark-making, color, and surface to explore the emotions I need to convey. I never know when they w...

The Mea Culpa series is more about feeling than a specific vision. I attempt to use mark-making, color, and surface to explore the emotions I need to convey. I never know when they w...

The Mea Culpa series is more about feeling than a specific vision. I attempt to use mark-making, color, and surface to explore the emotions I need to convey. I never know when they w...

The Mea Culpa series is more about feeling than a specific vision. I attempt to use mark-making, color, and surface to explore the emotions I need to convey. I never know when they w...

The Mea Culpa series is more about feeling than a specific vision. I attempt to use mark-making, color, and surface to explore the emotions I need to convey. I never know when they w...

Gloria Dudfield Neon Comet Abstract Expressionism 1960s Oil Pastel and Gouache on Paper 36"x25.5" unframed $1600 *Custom framing available for additional charge. Please expect framin...

Gloria Dudfield Mexican Fruit Bowl 1960s Oil Pastel and Gouache on Paper 36"x32" unframed $1600 *Custom framing available for additional charge. Please...

Gloria Dudfield Red at Top Abstract 1960s Oil Pastel and Gouache on Paper 36"x32" unframed Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her work ...

Gloria Dudfield Red Landing 1960s Oil Pastel and Gouache on Paper 26.5"x36" unframed $1600 *Custom framing available for additional charge. Please expect framing time between 3-5 wee...

Old Place Mixed media on paper Signed and dated 1988, twice Further signed, inscribed and dated to verso Paper size 78 x 99cm framed 95x115

Framed 33 X 45.5 image is 29 X 41.5 Hand signed lower left Signed and titled verso Sylvia Carewe (1906-1981) was an American woman artist, painter, writer and poet. Born in New York City to Russian immigrant parents, Louis and Esther Kerewsky, she changed her surname to "Carewe" in 1930. Carewe attended Columbia University and studied further with Yasuo Kuniyoshi at Atelier 17 in New York, with Hans Hoffman in New York and Provincetown, Massachusetts, and at the New School for Social Research. During World War II Carewe worked as an advertising copywriter and artist for agencies in New York. She became a prolific abstract artist in a range of media, including tapestry designs for the Aubusson tapestry carpet company in France, felt banners, collage reliefs, and what she termed "blown paintings," which were assemblages (predominantly of children's toy components) overlaid with spray paint. One of the most common subjects in her semi abstract paintings was New York City at night. She also worked in traditional artistic media, including watercolors, oils, lithographs and pastels. In October 1944, she married Marvin Small (formerly Smalheiser, executive for Carter's Little Liver Pills). They had one child, John Marvin, in June 1947. Carewe had her first one-woman show in Poughkeepsie in 1947, after which she opened in New York City at the ACA Gallery in 1948. She had some twenty other American solo shows and her works hung in many exhibits across the United States as well as in France, Belgium and the Netherlands. Her works are represented in the permanent collections of the Whitney Museum, Musée de l'Arte Moderne, Paris, Brandeis University, the Butler Art Institute, Howard University, the Tel Aviv Museum and the National Museum in Djakarta, Indonesia. Her work has been described by French critics as "violent, colorful art, in hard contrasts, not exempt from cold lyricism." ["Les Girls...